Scott Fisher Latest Celebrity News & Gossip

Cardi B threw at a concertgoer is being auctioned off for a good cause. Following the July 29 incident in which the 30-year-old rapper responded to getting water splashed in her face by throwing her microphone in the crowd, an eBay listing popped up purporting to be auctioning off the audio equipment in question for charity.According to the listing, the ad was published by Scott Fisher, who owns The Wave, a Las Vegas-based audio company that provides audio support to many nightclubs, including Drai's Nightclub, where the incident occurred.To authenticate the item, Fisher promised to include a letter certifying it and also noted: «There are literally tons of links to videos all over the internet.

Karen Idelson Visual effects teams served up astonishing images of animated characters, monsters, and the ex-plosions that we’ve all come to expect and love over the last year. And this time, as the Visual Effects Society’s nominations for its annual awards show, VFX artists are leaning more and more into the kinds of tools and techniques that speed up production, give filmmakers real time choices, and create stylized versions of effects.

You may be able to own a piece of Cardi B history.

Jazz Tangcay Artisans Editor In 2020’s “Tenet,” Christopher Nolan blew up a 747, and for his latest feature, “Oppenheimer,” he recreated the Trinity Test without using visual effects, opting to find a way to do it in-camera instead. “Obviously, we couldn’t make an explosion the size of the actual explosion so we used trickery,” cinematographer Hoyte van Hoytema explains, and no, they didn’t detonate a real atomic bomb. The ten-minute sequence capturing the first-ever successful atomic bomb detonation came together through many experiments. It was a given that Nolan would do the scene in-camera. “We’re suckers for this absolute depth of resolution that IMAX give us,” van Hoytema says. “But when you go to VFX, you have to scan it, and the moment you do that, it loses half of its resolution.”

In a year lacking VFX-heavy films, Warner Bros. Tenet, one of the few tentpoles to bow in 2021 stood alone in the end by taking home the Oscar for best Visual Effects. Christopher Nolan’s sci-fi action pic beat out Netflix’s Midnight Sky, which seemed like the favorite as it took home the honor at the VES honors.