Sam Peckinpah Latest Celebrity News & Gossip

Tom Cruise has finally entered The Criterion Collection. While technically, “Cocktail” has been available on the Criterion Channel in the past (no, really), in announcing its July titles today, Criterion made Cruise’s inclusion with a DVD/Blu-Ray title official today with the addition of 1983’s classic comedy, “Risky Business,” the actor’s breakthrough film.

Steven Gaydos Executive VP of Content Just as she emerged as one of the brightest lights of Latin American cinema, actor Pina Pellicer died by her own hand 60 years ago. Only 30, she had in a short time co-starred opposite Marlon Brando in his only directing effort, the epic Western “One-Eyed Jacks,” and also appeared in one of the most important films in Mexican cinema’s illustrious history: “Macario,” based upon the classic B.

Jaden Thompson Film and sound editor Garth Craven, who edited films including “Legally Blonde” and got his start in film editing with Sam Peckinpah’s “Pat Garrett and Billy the Kid,” died May 20 in Barcelona. He was 84. His death was only recently announced by his daughter Willow.

The great Spanish filmmaker Pedro Almodovar is a rabid fan of the western genre but until now had never made one, and also has only dabbled in directing any english language film with the exception of the 2020 short, The Human Voice that starred Tilda Swinton. His latest movie is also a short, just 31 minutes, but he finally got to do his western in english, and it is a nice homage to the form and those great directors who made it that way, one it is safe to say could only have come from this master of cinema, and a true cineaste himself. Almodovar brought the finished product to its World Premiere at the Cannes Film Festival today and, if flattered by the attention, the ghosts of John Ford, Howard Hawks, John Sturges, Anthony Mann, Raoul Walsh , and Sam Peckinpah may be surprised at the twist in Strange Way Of Life that this 73 year old fanboy has given it.

Elsa Keslassy International Correspondent Wild Bunch International, the sales company behind “Titane” and “Happening” (pictured), has renamed itself as Goodfellas. In a brief press release, the company said “there are no other changes to the structure created in 2019.” Wild Bunch International was launched in 2019 as a standalone sales company by French film industry veterans Vincent Maraval and Brahim Chioua. The pair had previously co-founded Wild Bunch, which is now owned by German entrepreneur Lars Windhorst and ran by former NBCUniversal vice chairman Ron Meyer and former beIN Media Group executive Sophie Jordan. Wild Bunch International was created shortly after Wild Bunch completed its restructuring plan. Under their three-year deal, Wild Bunch had a minority stake in the new banner and allowed it to use the Wild Bunch brand. The three-year pact ended in November and the two companies no longer have corporate ties. But Goodfellas said it will continue working with Wild Bunch on select project through a new deal.

Sophia Scorziello editor Gordon T. Dawson, known for his work on television series “Walker, Texas Ranger” and “Bret Maverick,” and his long association with Sam Peckinpah, has died. He was 84. Dawson died in hospice in West Hills on March 6 due to chronic obstructive pulmonary disease. His work in the industry spanned many facets, from child actor and wardrobe supervisor to script writer and producer. In his last television series, “Walker, Texas Ranger” starring Chuck Norris, Dawson worked as a writer, supervising producer and co-executive producer, writing 32 of the series episodes.

Gordon T. Dawson, a costume designer-turned-screenwriter who worked on multiple movies with Sam Peckinpah and wrote on TV hits The Rockford Files and Walker, Texas Ranger among other films and series, died March 6 of pulmonary disease in West Hills, CA, his family announced. He was 84.

EXCLUSIVE: Original Wild Bunch co-founders Vincent Maraval and Brahim Chioua bid farewell to the legendary company name they created in 2002 at a party in Paris on Thursday evening.

Peter Hall; tall, lean, gangling, long-faced, he triumphed first in one of Shakespeare’s least-known roles, Henry VI, which he brought to life in the RSC’s quatercentenary cycle, The Wars of the Roses, and again with a resolutely “contemporary” interpretation of Hamlet. But within a decade of those early glories, which he achieved in his early twenties, Warner was drawn increasingly to the cinema – not that he took it as seriously as he had the classical stage, but as he said, when living in Los Angeles years later, “I am a letterbox actor.

Actor David Warner has died at the age of 80 from a cancer-related illness, his family has announced. A statement said: “It is with an overwhelmingly heavy heart that we share the news of the death of the actor David Warner (at the age of nearly 81), from a cancer-related illness, in the early hours of July 24 at Denville Hall. Over the past 18 months he approached his diagnosis with a characteristic grace and dignity.

The Wild Bunch (1969), his third film role, he played Crazy Lee, left behind by the gang with their hostages as they escape an ambush. His glee as he marches the terrified captives around at gunpoint singing We Shall Gather at the River highlighted the violent absurdity of the director Sam Peckinpah’s opening scene. In American Graffiti (1973), directed by George Lucas, he played the leader of a greaser gang, the Pharoahs, who frightens Richard Dreyfuss’s strait-laced Curt into pulling off a spectacular prank on the police.

according to The Hollywood Reporter.The outlet reported that Hopkins died in Van Nuys, California at Valley Presbyterian Hospital.One of the actor’s earliest film roles was playing Clarence “Crazy” Lee in the 1969 Sam Peckinpah film “The Wild Bunch.”A few years later in 1973, he appeared in George Lucas’ breakout film “American Graffiti.”In that film, he played the supporting character role of Joe “Little Joe” Young, a gang leader.“Graffiti got people out draggin’ and going up, and down streets cruisin’,” the actor said of the classic car film, speaking to Shock Cinema magazine.“It got people into cars doing that kind of stuff again.”Decades later the actor was still appearing at classic car shows as a result of his role in American Graffiti, and the film’s popularity among car lovers.“If I told you how many times people have come up to … me at these shows and told us that we’ve changed their lives, you wouldn’t believe it,” he said in the Shock Cinema interview.This story originally appeared on The Sun and has been reproduced here with permission.

the Hollywood Reporter.Hopkins racked up over 130 acting credits over his half-century-long career and was most known for playing prominent supporting roles in major studio films between the late ’60s and late ’70s. Aside from his film appearances, he also had numerous guest-starring spots on TV, including NBC’s 1974 detective drama series “The Rockford Files” and the iconic “Charlie’s Angels.”Born and raised in Greenville, S.C.

EXCLUSIVE: A feature about legendary Hollywood director Sam Peckinpah’s wild plan to finance his final film with backing from Colombia’s Cali Cartel is being sold in Cannes.

Joe Leydon Film CriticThere is a distinct flavor of the brawnily austere Westerns that comprise Budd Boetticher’s cult-favorite Ranown Cycle — and more than a hint of another showcase for the great Randolph Scott, Sam Peckinpah’s “Ride the High Country” — in director Michael Feifer’s “Last Shoot Out,” a small-budget indie that aims to please the currently underserved niche audience for oaters.To be sure, no one will ever confuse this slow-paced concoction with one of the classics that so

Steven Gaydos Executive VP of ContentFilm history is filled with examples of screenwriters whose subsequent dazzling directorial careers have often eclipsed their brilliant roots as writers. Preston Sturges, Billy Wilder and Sam Peckinpah are only three of the American wordsmiths-turned-helmers that come to mind.

Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on-demand, vintage and original movies on any number of streaming platforms, catalog titles making a splash on Blu-ray or 4K. This biweekly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.

Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on-demand, vintage, and original movies on any number of streaming platforms, catalog titles making a splash on Blu-ray or 4K. This biweekly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.

Peter S. Davis, the producer of the popular cult Highlander franchise, died on February 21 in his sleep at home in Calabasas, his son, Joshua Davis, told Deadline. He was 79.

The kind of story Sam Peckinpah might have been partial to in his quieter, Junior Bonner mode, Jockey is a little gem about an aging rider whose days on the racing circuit are nearing an end just as a youngster shows up who claims to be his son.

Dave McNary Film ReporterMax Evans, whose New Mexico cowboy novels “The Rounders” and “Hi-Lo Country” were made into movies, died on Wednesday in hospice care at the VA Medical Center in Albuquerque, N.M.

James Drury, who starred as the no-name, no-nonsense foreman of the Shiloh Ranch on The Virginian, one of the longest-running Westerns in the history of television, died Monday of natural causes. He was 85.

Gonzalo “Chalo” Gonzalez-Rubio died March 20 at Verdugo Hospital in Glendale of complications from a bacterial infection. He was 95.

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