Jesse Plemons is speaking out in response to the comments that Sam Elliott made about his Oscar-nominated movie The Power of the Dog.
Jesse Plemons is speaking out in response to the comments that Sam Elliott made about his Oscar-nominated movie The Power of the Dog.
Marc Malkin Senior Film Awards, Events & Lifestyle Editor“Power of the Dog” star Jesse Plemons is speaking out about Sam Elliott’s recent rant against Jane Campion’s award-winning Netflix film.“I laughed when I heard. I don’t know why,” Plemons told me at premiere of his new Charlie McDowell-directed thriller “Windfall” on Friday night at the London West Hollywood hotel. ”I haven’t listened to it so I’ve heard it from what people have told me.
The Power Of The Dog.Earlier this month Elliott made a dig at the “allusions of homosexuality” in Jane Campion’s Oscar-nominated film. He compared the film’s characters to Chippendales dancers who “wear bowties and not much else”.But when Marc Maron, whom Elliott was speaking to on the WTF podcast, noted that homosexuality is “what the movie’s about” (Benedict Cumberbatch portrays Phil, a sexually repressed ranch owner), Elliott criticised Campion’s interpretation of the American west.Describing her as “a brilliant director” before making his point about the “piece of shit” film, Elliott said: “What the fuck does this women from down there [New Zealand] know about the American west? Why the fuck did she shoot this movie in New Zealand and call it Montana? And say this is the way it was? That fucking rubbed me the wrong way.”Now, Smit-McPhee, who portrays young aspiring medic Peter in the film – and who is the suggested love interest of Phil – has reacted to Elliott’s comments.The Australian actor told Variety that he has “nothing” to say about Elliott’s digs “because I’m a mature being and I’m passionate about what I do, and I don’t really give energy to anything outside of that.“Good luck to him,” he added in the on-camera interview.Kodi Smit-McPhee's response to Sam Elliott's criticism of #ThePowerOfTheDog? "Nothing.
The star of “The Power of the Dog” isn’t sweating the criticism.
Taking a break to enjoy the music! While presenting two awards at the 2022 ACM Awards, Luke Grimes and Kelsey Asbille didn’t forget to offer a special shoutout to their hit show Yellowstone.
Kim Kardashian stepped out in head-to-toe caution tape to this season’s Balenciaga show at Paris Fashion Week. The Keeping Up With the Kardashians star attended the Balenciaga Autumn/Winter 2022 fashion show in Paris on Sunday 6 March, where she sported an outfit made entirely of yellow caution tape printed with the Balenciaga logo.
Benedict Cumberbatch is coming to the defense of the LGBTQ+ community after Sam Elliott shared some seriously bigoted comments about the Oscar-nominated film The Power Of The Dog.
Defending his art. Benedict Cumberbatch is taking ownership over his work in The Power of the Dog after Sam Elliott criticized the film’s “allusions of homosexuality.”
BAFTA Film Sessions event — was referring to Elliott’s controversial appearance on Marc Maron’s “WTF Podcast” last week, in which he’d called “Dog” a “piece of s–t” and compared the characters to Chippendales dancers “who wear bowties and not much else.”“That’s what all these f – – king cowboys in that movie looked like,” Elliott ranted. “They’re all running around in chaps and no shirts.
Sam Elliott recently finished the first season of his hit Paramount+ series, “1883,” the first spinoff of the uber-popular “Yellowstone.” And in the aforementioned series, Elliott continues his career-spanning work portraying super masculine guys. In the case of “1883,” he’s, once again, a cowboy, as well, with his gruff voice and facial hair.
Zack Sharf Benedict Cumberbatch is defending “The Power of the Dog” against criticisms made last week by actor Sam Elliott, who called Jane Campion’s Oscar contender a “piece of shit” in part because of its “allusions of homosexuality.” Cumberbatch stars in the film as a closeted gay rancher in 1825 Montana whose repression manifests in toxic ways such as making life hell for his new sister-in-law (Kirsten Dunst) and her son (Kodi Smit-McPhee).“I’m trying very hard not to say anything about a very odd reaction that happened the other day on a radio podcast over here. Someone really took offense to – I haven’t heard it so it’s unfair for me to comment in detail on it – to the West being portrayed in this way,” Cumberbatch said during a recent BAFTA Film Sessions interview.
Benedict Cumberbatch has a few things to say about that “The Power of the Dog” criticism.
Benedict Cumberbatch is breaking his silence to defend his latest movie, The Power of the Dog.
The Power Of The Dog, calling it “very odd”.Cumberbatch was referencing criticism of the film from Sam Elliott, who recently referred to the film as a “piece of shit”.Speaking as part of BAFTA’s Film Sessions on Friday (March 4), Cumberbatch discussed why it’s necessary to portray characters like Phil Burbank, who he plays in the movie, in order to “look under the hood” of these type of characters and “see what their struggle is and why that’s there in the first place”.Going on to reference Elliott’s criticism directly, he added (via Digital Spy): “I’m trying very hard not to say anything about a very odd reaction that happened the other day on a radio podcast over here.He added that he didn’t want to “stir over the ashes” of the comment, as “I haven’t heard it so it’s unfair for me to comment in detail on it,” but that “someone really took offence to the West being portrayed in this way.”Cumberbatch then went back to his character in the film: “These people still exist in our world. Whether it’s on our doorstep or whether it’s down the road or whether it’s someone we meet in a bar or pub or on the sports field, there is aggression and anger and frustration and an inability to control or know who you are in that moment that causes damage to that person and, as we know, damage to those around them.“There’s no harm in looking at a character to get to the root causes of that.
new Fan Favorite vote, where Twitter users get to hashtag their favorite film of 2021, which will then be recognized on the Oscar show in place of, say, a live presentation of the Best Film Editing category.As for that other Best Picture race, the one where the voters are 9,487 members of the Academy rather than anybody with a Twitter handle – well, that has become a tough one to call, too. It, too, has a leader on paper in Jane Campion’s “The Power of the Dog.” Sam Elliott’s misgivings aside, that semi-revisionist Western has been considered one of the front runners since it premiered in Venice last September, and it has received more Oscar nominations, 12, than any other film. If it ends up winning, all of the verbiage about how uncertain the race is (like, for instance, this column) is going to seem pretty silly.
EXCLUSIVE: Gratiela Brancusi, the Romanian actress who recently found her first major role in Taylor Sheridan’s 1883, has signed with Elevate Entertainment for management in all areas.
Actor Sam Elliott, has made headlines after going on a foul-mouthed tirade over the critically acclaimed film The Power of the Dog, starring Benedict Cumberbatch, Kirsten Dunst and Jesse Plemons. Elliott appeared to be particularly incensed by the homosexual subtext of the film.Elliott, 77, was appearing on Marc Maron’s WTF podcast on Monday when Maron asked about his thoughts on the film.
Awards season just loves drama, doesn’t it? After months of barely a peep of any real controversy, the past few weeks have seen both the Academy and – sorry, checking my notes – ah, yes, Sam Elliott come under fire. And, in the biggest surprise of all, the latter’s unexpected comments have a shot at affecting a seemingly tight Best Picture race (maybe).
Entertainment Weekly reported.“You want to talk about that piece of s – – t?” the 77-year-old “Tombstone” star sputtered when asked for his thoughts about the provocative Netflix movie, which is a contender for the Best Picture and Best Director Academy Awards. For the uninitiated, the much-praised “The Power of the Dog” stars Benedict Cumberbatch as a closeted gay rancher in 1925 Montana who’s abusive toward his new sister-in-law and her son. Nonetheless, Elliott took umbrage with the film’s characters, who he analogized to Chippendales dancers “who wear bowties and not much else.”“That’s what all these f – – king cowboys in that movie looked like,” the Oscar nominee ranted.
Not a fan. The Power of the Dog may be a critically acclaimed film — and nominated for 12 Academy Awards — but Sam Elliott has major issues with how the cowboys are portrayed.
The Power Of The Dog, branding it a “piece of shit”.The actor, known for roles in numerous westerns and recently 2018’s A Star Is Born, appeared on Marc Maron’s podcast WTF With Marc Maron (February 28) when conversation turned to some of 2021’s film releases.Asked his thoughts on The Power Of The Dog, starring Benedict Cumberbatch, Elliott said: “Yeah, you want to talk about that piece of shit?”Elliott’s negative reaction was further spurred by an article in the LA Times which “talked about the evisceration of the American myth” in relation to the film. “And I thought: ‘What the fuck’,” Elliott said.He went onto compare the film’s characters to Chippendales dancers who “wear bowties and not much else”.“That’s what all these fucking cowboys in that movie looked like,” Elliott said. “They’re all running around in chaps and no shirts.
Sam Elliott is not a fan of the Academy Award-nominated The Power of the Dog.
“The Power Of The Dog” may be leading the Academy Award nominations but that doesn’t mean Sam Elliott likes it.
It’s almost comical how many older Hollywood types end up saying the most out-of-touch things nowadays. Recently, we had some strong words from Francis Ford Coppola about filmmaking and blockbusters.
Forever connected! Lady Gaga and Bradley Cooper reunited at the 2022 Screen Actors Guild Awards two years after they were each nominated for their respective roles in A Star Is Born.
The season finale of “1883″ is just hours away, and Tim McGraw is reflecting on his favourite moments from the “Yellowstone” prequel.
is just hours away, and Tim McGraw is reflecting on his favorite moments from the prequel.In a video shared to Instagram Sunday, McGraw revealed that in addition to getting to work with his wife, Faith Hill, one of his favorite parts of making the hit Paramount+ TV series, was getting to work with Sam Elliott.«Happy Sunday, and happy finale day for 1883,» the country crooner began. «This is the last episode, and we had so much fun making this show.
The Yellowstone franchise is getting bigger!
Jennifer Maas TV Business Writer“Yellowstone” prequel “1883” has been renewed for Season 2 at Paramount Plus, and the ViacomCBS-owned streaming service has ordered another Taylor Sheridan-created origin-story show following the Dutton Family called “1932.” Yes, you guessed it — the show will follow a new generation of Duttons “during the time of western expansion, Prohibition and the Great Depression.”“1883″ stars Sam Elliott, Tim McGraw, Faith Hill, Billy Bob Thornton, Isabel May, LaMonica Garrett, Marc Rissmann, Audie Rick, Eric Nelsen and James Landry Hébert.The show follows the Dutton family as they embark on a journey west through the Great Plains toward the last bastion of untamed America. It is a stark retelling of western expansion and an intense study of one family fleeing poverty to seek a better future in America’s promised land — Montana.
Yes, “Yellowstone” Season 4 has come to an end, but The Yellowstoners, Mike DeAngelo and Rodrigo Perez, have returned to discuss episodes 4, 5, & 6 of the hit Paramount+ prequel spin-off series, “1883.” LISTEN: Tim McGraw Talks ‘1883,’ Roping In Tom Hanks & Acting Opposite His Wife [Yellowstoners Podcast] The hosts discuss all the spoiler-y details, that major episode 5 death scene, more big cameos, and their predictions and hopes for the rest of the season, and, afterward, LaMonica Garrett stops by to talk about playing Thomas on “1883,” the rarity of finding positive representation for Black characters in Westerns, working with Sam Elliott, and his new show “The Terminal List” that’s coming to Amazon Prime Video later this year also starring Chris Pratt.
The Yellowstoners, Mike DeAngelo and Rodrigo Perez, have returned to see how it all shook out in Season 4 of Paramount Network’s money-maker, “Yellowstone.” During the podcast, the hosts discuss the Season 4 finale of “Yellowstone,” and the third episode of the prequel, “1883.” LISTEN: Tim McGraw Talks ‘1883,’ Roping In Tom Hanks & Acting Opposite His Wife [Yellowstoners Podcast] The hosts discuss all the spoiler-y details, that major death scene, and Season 5 predictions, and, afterward, Eric
Taylor Sheridan’s prequel series, “1883,” is a sprawling epic tracing the Wagons West roots of the modern-day Montana ranching ranch family headed by “Yellowstone” patriarch John Dutton (Kevin Costner).Sheridan and “Yellowstone” co-creator John Linson (who’s an executive-producer here) have replicated that series’ winning formula in “1883,” streaming on Paramount+: a solid cast headed by Tim McGraw, Sam Elliott (and his mustache), Faith Hill and Isabel May and a gripping storyline and lush
Taylor Sheridan has his empire growing on Paramount+ with several irons in the fire, and his shows continue to engage. The writer/director/showrunner/producer’s latest series is “1883,” a prequel series to his modern-day, Montana-set “Yellowstone” series on Paramount Network.
Faith Hill & Tim McGraw are stepping out for the premiere of their Yellowstone prequel series!
hilariously inept special operations agent MacGruber is returning for a new TV series on Peacock, and the stakes are higher than ever.Peacock released the first official teaser for the new series, starring Will Forte as the eponymous patriotic super agent who must, again, put his life on the line for the sake of the world.The season picks up 10 years after the 2010 film, during which time MacGruber has spent the last decade behind bars.
In case you’re unaware, Academy Award-nominated screenwriter Taylor Sheridan has gone from writing hits for Denis Villeneuve (“Sicario“) and David Mackenzie (“Hell Or High Water“), to directing his own films (this year’s “Those Who Wish Me Dead” with Angelina Jolie), to creating his own TV empire over at Paramount+.
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