S.S.Rajamouli Latest Celebrity News & Gossip

Naman Ramachandran Celebrity chef Asma Khan will host food documentary series “Tiffin Stories,” it was revealed at Singapore’s Asia TV Forum & Market. In the six-part “Tiffin Stories,” Asma Khan will be seen interacting with iconic Indians and the Indian diaspora, unearthing their nostalgia associated with food, while bringing to fore their life journeys. The series will be filmed in India and the U.K.

EXCLUSIVE: S.S. Rajamouli is currently assembling a production team for a new movie about the birth and rise of Indian Cinema.

Naman Ramachandran The title of the Indian sci-fi epic long trailed as “Project K,” has been unveiled as “Kalki 2898 AD” at the ongoing San Diego Comic-Con, alongside a teaser. The film is directed by Nag Ashwin (“Mahanati”) and produced by C. Aswani Dutt’s Vyjayanthi Movies. It stars Indian A-listers Prabhas (“RRR” director S.S. Rajamouli’s Baahubali franchise); Deepika Padukone, star of “Pathaan,” the biggest Indian hit of the year so far; Amitabh Bachchan, who starred in 2022 hits “Uunchai” and “Brahmastra Part One: Shiva,”; Kamal Haasan who starred in and produced “Vikram,” one of the biggest hits of 2022 and has “Indian 2” in the works; and Disha Patani, who was last seen in “Ek Villain Returns” (2022).

For foreign audiences, Indian cinema long has been closely associated with Bollywood — sprawling, colorful spectacles that feature songs and dance routines — and often one of the three Khans (the unrelated trio of Aamir, Salman and Shah Rukh). But there has been a shift across the past year as focus turned from Mumbai, which had suffered a string of misses until Shah Rukh Khan’s Pathaan took off on a tear early this year, toward Southern India.

, the Indian film starring Ram Charan and Jr NTR as two revolutionaries fighting against the British colonialists in the 1920s, has not only enjoyed crossover success in the United States, but it made history when the breakout musical number, «Naatu Naatu,» was nominated for Best Original Song at the 95th Academy Awards. " is about friendship. It's celebrating friendship," NTR says. While speaking to ET's Ash Crosson, both actors reacted to all the accolades for the film, which is now streaming on Netflix, and what it was like filming the epic dance number for the Indian Telugu-language song written by the now-Oscar nominees, M.

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on industry players outside of the U.S. shaking up the offshore marketplace. This week, we’re talking with RRR star Ram Charan. The Indian actor and producer, who has long been an icon in the country’s Telugu industry, talks about collaborating with director S.S. Rajamouli again and how the film’s international reception has finally put Indian cinema on the global content map. 

Jazz Tangcay Artisans Editor The American Society of Cinematographers handed out its best visual storytelling in feature film award to “Elvis” on Sunday night, and in doing so, Mandy Walker has become the first woman to win the top prize in the society’s history. Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”), Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race.  Walker‘s win comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.” Rachel Morrison (“Mudbound”) made history as the first female DP to land a nom in 2018, while Ari Wegner was nominated last year for “The Power of the Dog.”

Shalini Dore Features News Editor Before there was “RRR,” director S.S. Rajamouli had box-office smashes like the two-part “Baahubali,” which proved how adept he is at making hits. But among Indian audiences, there is a deep divide between those who applaud that the rest of the world is waking up to his brilliance and those who are horrified that a “dubba” — or hollow film — is being lauded. I’ve heard it from my own Indian friends and relatives who have been reaching out to ask: what are they missing? Reports of viewers dancing at Hollywood’s iconic Chinese Theater to the Oscar-nominated song “Naatu Naatu” horrify these purists. But if you embrace what Rajamouli is doing, “Naatu Naatu” — which is not really the best song in Indian or Telegu films, or even in “RRR” — has somehow captured the zeitgeist, just as the film itself has. 

Few movies from last year packed the same punch as S.S. Rajamouli‘s action epic “RRR,” about two Indian revolutionaries, their friendship, and their fight against the British Raj.

“RRR” in the United States, called out Twitter on Thursday for blocking its FYC ads for the film and its Oscar-nominated song “Naatu Naatu” because Telugu isn’t an approved language for marketing on the social-media platform. In a tweet that tagged Twitter CEO Elon Musk and Twitter’s support account, Variance claims that it is unable to post a video encouraging Academy voters to pick “RRR” for the Best Original Song Oscar, a category in which the film became the first Indian production to earn a nomination with its song “Naatu Naatu.” “Telugu, spoken by over 81 million people, isn’t an ‘approved language’ for ads, so you’ve blocked us from advertising entirely for trying to promote a subtitled clip?” Variance tweeted.

Hollywood legend Steven Spielberg said he sacrificed contributing a major part to the "Harry Potter" franchise by turning down the chance to direct "Harry Potter and the Sorcerer's Stone" in London so he could be with family near Los Angeles. The 76-year-old director told director S.S.

Steven Spielberg is seemingly crediting Tom Cruise for “saving Hollywood” with the theatrical release of Top Gun: Maverick.

Zack Sharf Steven Spielberg is in the running for another best director Oscar thanks to “The Fabelmans,” an autobiographical drama about the filmmaker’s childhood that also wrestles with the choice artists must make between family and art. In a recent interview with “RRR” director S.S. Rajamouli, Spielberg said that a real-life conflict between art and family hit him later in his career when he had to decide between raising his children in Los Angeles or going to London to direct Warner Bros.’ first “Harry Potter” movie. “The personal meaning about [how the conflict between] art and family will tear you in half happened to me later, after I had already established myself as a filmmaker, as a working director,” Spielberg said. “Kate [Capshaw] and I started raising a family and we started having children. The choice I had to make was taking a job that would move me to another country for four or five months where I wouldn’t see my family every day…That was a ripping kind of experience.”

Jon Burlingame editor Five of this year’s Oscar-nominated songwriters gathered to talk about their process during an hour-long conversation, moderated by Oscar-winning songwriter Paul Williams and Grammy-winning writer Nile Rodgers, released Monday morning by the Songwriters Hall of Fame. Four of the five nominated songs were represented. Participants included Chandrabose, lyricist for “Naatu Naatu” from Telugu-language “RRR”; Ludwig Göransson, co-composer of “Lift Me Up” from “Black Panther: Wakanda Forever”; Diane Warren, for “Applause” from “Tell It Like a Woman”; and Ryan Lott and David Byrne, two of the writers of “This Is a Life” from “Everything Everywhere All at Once.”

One of global cinema’s big surprises in 2022 was S.S. Rajamouli‘s Indian action epic “RRR.“  It’s the most expensive Indian film to date, with a budget of $72 million, and won over critics and audiences worldwide on its way to grossing $175 million worldwide.

Seeing is disbelieving when it comes to RRR, an Indian blockbuster set during the rule of the British Raj. Starring Telegu icons Ram Charan and N.T. Rama Rao Jr. (N.T.R.), it’s a lavish adventure based loosely — very loosely — on two legendary Indian freedom fighters of the early 20th century, Alluri Sitarama Raju (Charan) and Komaram Bheem (N.T.R). Whether these two ever did drive motorcycles through exploding trains, fight with lions and tigers and bears, and challenge Delhi’s high society to a dance battle is a moot point, but the magic of S.S. Rajamouli’s delirious, incendiary epic — those three Rs stand for Rise, Roar, Revolt — is that it piles on the spectacle without ever losing its sense of fun.

RRR filmmaker S.S. Rajamouli has said that his father, screenwriter Vijayendra Prasad, is “working on the story” for a sequel to the epic action smash.

Deadline over the weekend kicked off movie awards season with Contenders Film: New York, a showcase for Big Apple audiences and voters highlighting some of the year’s buzziest movies so far. The event at Manhattan’s The Times Center featured eight films, with casts and creatives joining in for panel discussions about the stories behind their work.

The Good Nurse director Tobias Lindholm and producer Scott Franklin joined Deadline’s Contenders Film: New York awards-season event to talk about their Netflix pic and especially the film’s two Oscar-winning stars: Jessica Chastain and Eddie Redmayne.

In the depths of the Covid pandemic, stuck at home in an emptied-out New York City, filmmaker Noah Baumbach figured he and his life partner and creative collaborator Greta Gerwig had two choices for their next project. 

The stars and creatives of several buzzy films turned out November 5 for Contenders Film: New York, Deadline’s annual daylong awards-season kickoff event. Click through a photo gallery of arrivals above.

RRR filmmaker S.S. Rajamouli made his epic for an Indian audience, but he has been gobsmacked by the global resonance of the film, which has racked up more than $132 million worldwide while ranking as India’s third highest-grossing movie of all time. RRR has made more than $11M in the U.S. sinceopening to a huge $9.5M in March at 1,200 theaters via Variance Films.

Sarigama Cinemas’ Ponniyin Selvan: Part One crashed the weekend box office at no. 6, looking at $4+ million on 500 screens for a per theater average of $8,260, the biggest of the top ten.

Naman Ramachandran Entertainment and sports agency Creative Artists Agency (CAA) has signed Indian filmmaker S.S. Rajamouli. Rajamouli’s “RRR,” starring NTR Jr and Ram Charan, has been making waves around the world since it released in March and has collected some $150 million, making it the fourth highest grossing Indian film of all time. The Hindi-language dubbed version of “RRR,” a film originally made in the Telugu-language, is the only non-English-language film to trend globally for 10 consecutive weeks on Netflix.    Another film by Rajamouli, 2017’s “Baahubali 2: The Conclusion” is the second highest grossing film of all time in India with $278 million. Next up for Rajamouli is an as-yet-untitled film staring Mahesh Babu, which he has described as a globe-trotting action-adventure. The film will commence production in the spring of 2023.

Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 20, 2022 CATEGORY COMMENTARY: A large wave of official submissions have been announced with some expected and a few surprising choices. Some early favorites are already out of the running after not being chosen by their respective countries. Pan Nalin’s “Last Film Show” will represent India instead of the global box office smash “RRR” from S.S. Rajamouli, while Monica Stan and George Chiper’s “Immaculate” will define Romania in the race instead of Cristian Mungiu’s “R.M.N.” The Telluride and TIFF hit “Godland” from Hlynur Pálmason was also passed over for “Beautiful Beings” from Guðmundur Arnar Guðmundsson

Naman Ramachandran The Toronto Intl. Film Festival [TIFF] this year offers up three independent films from that have the potential to be commercial hits and a lecture from an Indian filmmaker whose work is box office gold. Gala presentation, feature debutant Shubham Yogi’s “Kacchey Limbu,” a coming-of-age sibling drama with the game of cricket as a backdrop, has billionaire Mukesh Ambani’s Jio Studios backing it. “Tora’s Husband,” a family drama set in small-town eastern India is competing in the festival’s Platform section and is by Toronto regular Rima Das, who has tasted box office success with “Village Rockstars.” Actor and director Nandita Das’ “Zwigato” is about the gig economy in India, focusing on the food delivery industry. It stars Indian television superstar Kapil Sharma and is produced by Applause Entertainment, a prolific content producer for streamers, which is planning to enter the theatrical release space imminently. And, S.S. Rajamouli, known for his “Baahubali” franchise and “RRR,” one of 2022’s biggest Indian box office successes, will deliver a lecture that covers among other things, the notion of art versus commerce.

Clayton Davis A movie with the action sensibilities of James Cameron and the ambitious scope of George Miller has to be considered a definitive Oscar contender, right? Not without the proper backing by a studio or, in this case, a country that will submit your film for the Academy’s best international feature award.Enter “RRR, a film directed by S. S. Rajamouli, who wrote the script with V.

RRR, the latest epic from Baahubali filmmaker S.S. Rajamouli, has grossed over 960 crore ($126M) at the global box office in its first two weeks, and continues to grow. It is already the fourth biggest Indian movie ever worldwide and also gives Rajamouli bragging rights to three titles on the Top 10 chart of Indian films globally, more than any other director in the country.

For the two hours, you might spend watching Jared Leto sulk around a Sony/Marvel B-side that somehow reportedly can’t muster the artistic integrity of the “Venom” movies, you could jump into one of the best international films released in American cinemas over the last few years. Part Sergio Leone, part David Lean, part Martin Campbell, part Michael Bay, part Quentin Tarantino, all Tollywood historical action epic extravaganza, “RRR” is more than enough proof that it’s high time stateside audiences prepare themselves for the rise of a globalized cinema, one that is, quite frankly, probably schooling our asses in the fine art of studio filmmaking.

Joe Leydon Film CriticStraight out of Tollywood: “RRR,” a bigger-than-life and bolder-than-mainstream action-adventure epic, is performing mightily in international release as audiences marvel at its spectacle, embrace its emotions, and sway to its music while being repeatedly gobsmacked by its unfettered audacity. Propelled by the Telugu Cinema triumvirate of superstars N.T. Rama Rao Jr.

Naman Ramachandran Warner Bros.’ “The Batman” dominated the U.K. and Ireland box office for the fourth weekend in a row with £1.66 million ($2.1 million), according to numbers released by Comscore.

Naman Ramachandran Indian blockbuster “RRR,” directed by S.S. Rajamouli and starring NTR Jr and Ram Charan, has roared to a mighty INR5 billion ($65.6 million) opening weekend, according to numbers provided to Variety by producer DVV Entertainment.“RRR” (“Rise Roar Revolt”), a period action drama, debuted in third position at the U.S. box office with a $9.5 million opening weekend and has emerged as one of the top grossing films worldwide during this period.The film released on March 25 worldwide in the Telugu, Tamil, Hindi and Malayalam languages and collected $29.2 million on its opening day.Rajamouli’s previous films, “Baahubali: The Beginning” (2015) and “Baahubali 2: The Conclusion” (2017) were also global box office successes and grossed $370 million combined.

Naman Ramachandran Bollywood star Sanjay Dutt (the Munna Bhai franchise, “Vaastav,” “Khal Nayak”) is launching production company Three Dimension Motion Pictures with a view to bringing back the golden age of heroism to the industry.Dutt cites the recent pan-Indian box office success of South Indian film “Pushpa” and the films of “Baahubali” filmmaker S.S. Rajamouli as examples of the vanished larger-than-life heroism in Bollywood.“We’re trying to get back what we had, what the South Indian films are doing now,” Dutt tells Variety.

Naman Ramachandran The much anticipated “Baahubali: Before The Beginning,” the two-season Netflix prequel to India’s “Baahubali” blockbuster films, is now being “reevaluated” Variety understands.The series was announced with much fanfare in 2018 with the film’s producer Arka Mediaworks producing for Netflix. Deva Katta (“Prasthanam”) and Praveen Sattaru (“Guntur Talkies”) were due to direct.Based on the bestselling “Baahubali” franchise novel “The Rise of Sivagami” by Anand Neelakantan, the series was to follow the journey of Queen Sivagami from a rebellious girl to a wise queen.A season, costing an estimated $20 million, was directed by Katta using sets in Hyderabad.

Naman Ramachandran Konidela Ram Charan Teja, popularly known as Ram Charan, one of the biggest stars of India’s Telugu-language film industry, is in the privileged position of working with three giants.Ram Charan is the son of megastar Chiranjeevi and is sharing screen space with him in Koratala Siva’s “Acharya,” due a Feb. 4, 2022 release.

Naman Ramachandran Jan. 7, 2022, is a date looked forward to with feverish anticipation by both the Indian filmgoing public and the subcontinent’s film industry at large.