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‘Venom: Let There Be Carnage’: Tom Hardy’s Sweaty, Cookie Monster Gargle Slop Franchise Is Still A Ridiculous Mess [Review] - theplaylist.net
theplaylist.net
30.09.2021

‘Venom: Let There Be Carnage’: Tom Hardy’s Sweaty, Cookie Monster Gargle Slop Franchise Is Still A Ridiculous Mess [Review]

Heralded by some advanced irony enthusiasts who normally scorn superhero movies as a batshit gonzo delight, Sony’s original “Venom” film starring Tom Hardy was actually quite bad. Dreadful, really, a near disaster, despite its unfathomable $856 million worldwide gross.

Cameron Crowe and Robert Richardson Join Yi Zhou’s Documentary Shining a Spotlight on the Behind-the-Scenes Movie Artistry (EXCLUSIVE) - variety.com - county Bryan - county Ferry
variety.com
01.03.2024

Cameron Crowe and Robert Richardson Join Yi Zhou’s Documentary Shining a Spotlight on the Behind-the-Scenes Movie Artistry (EXCLUSIVE)

Jaden Thompson Oscar winners Cameron Crowe and Robert Richardson have boarded Yi Zhou‘s documentary “In Between Stars and Scars,” joining an extensive lineup of lauded creatives who will also be included in the artisans-focused film. Additionally, Zhou’s documentary will unveil music by composer Ennio Morricone and Bryan Ferry. The film’s official description reads, “’In Between Stars and Scars’ unveils the intricate world of filmmaking, with a special focus on the artisans who bring cinematic visions to life.

‘Emancipation’ Review: A Hollow Proclamation From Will Smith And Director Antoine Fuqua - theplaylist.net - USA
theplaylist.net
08.12.2022

‘Emancipation’ Review: A Hollow Proclamation From Will Smith And Director Antoine Fuqua

“I didn’t want to make a slavery film about vengeance,” Will Smith told GQ in 2021 to explain his much-lamented decision to turn down the title role in “Django Unchained.” “This was one that was about love,” he continued to explain why he finally felt he could make a film about slavery. After years of avoiding cinematic portrayals of this dark chapter in African-American life, that project is Antoine Fuqua’s “Emancipation.” READ MORE: ‘Emancipation’: Will Smith “Completely Understands” If People Aren’t Ready To Support Him But Hopes New Film Is Still Embraced The task he set out to achieve is more complicated than it might initially appear.

ASC Nominees Talk About Future of Craft on Big Screen and Small - variety.com - USA
variety.com
15.04.2021

ASC Nominees Talk About Future of Craft on Big Screen and Small

David Heuring When the 35th edition of the American Society of Cinematographers Awards for Outstanding Achievement convenes on April 18 to announce the winners, all eyes will be on the future of their craft.This year’s crop of nominees in the feature film category includes two fresh faces and three previous contenders — but a distinct lack of usual suspects and past superstars like Roger Deakins, Emmanuel Lubezki, Robert Richardson, Janusz Kaminski and Rodrigo Prieto.

‘Time’ Director Garrett Bradley on Telling Fox Rich’s Story - variety.com
variety.com
11.03.2021

‘Time’ Director Garrett Bradley on Telling Fox Rich’s Story

Jazz Tangcay Artisans EditorIn “Time,” an awards contender in the documentary feature race, director Garrett Bradley follows the story of Fox Rich, an author, abolitionist and mother who spend two decades fighting for her husband Robert Richardson’s release from prison.As Bradley was piecing Rich’s story together, she learned Rich had 100 hours of family footage.

‘1917’ Cinematographer Roger Deakins Wins His Second Oscar in Three Years - variety.com - Hollywood
variety.com
10.02.2020

‘1917’ Cinematographer Roger Deakins Wins His Second Oscar in Three Years

Roger Deakins has won the Academy Award for Best Cinematography for “1917” — his second Oscar in three years following his first Academy Award for “Blade Runner 2049.”

Poland to Build $200 Million Cinema Institution in Toruń - variety.com - Poland
variety.com
29.01.2020

Poland to Build $200 Million Cinema Institution in Toruń

Poland is setting up a new national cinema institution, named the European Film Center Camerimage, to be housed in a new building in Toruń at a cost of almost $200 million, which is scheduled to be completed in 2025. The director of the new body is Kazik Suwala, former office director of the Camerimage Film Festival.

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