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basically brought a GRWM look to the Drew Barrymore Show, and I can’t say that I’m mad about it. It’s time to normalize sweats and pimple patches on TV, folks. The slumber party vibes were undeniable on the March 7 episode, with Brown and Barrymore cuddled up on a couch in matching purple sweats.

Patrick Frater Asia Bureau Chief Hungarian director and screenwriter Ildikó Enyedi brought some art-house royalty to the Shanghai International Film Festival this week with a masterclass that focused on her process and the struggle to maintain a unique voice. At one point in her on-stage discussion with Chinese director Zheng Dasheng, she called filmmaking “essentially a sole desperate cry, hoping to be heard by others.” Enyedi’s voice has certainly registered and been heard at Europe’s major film festivals. She won the Camera d’Or in Cannes in 1989 for best debut feature “My 20th Century,” saw her 1994 film “Magic Hunter” play in competition in Venice and she won the top prize Golden Bear in Berlin in 2017 with “On Body and Soul.”

Hungarian director and screenwriter Ildikó Enyedi has been announced as president of the Cannes Film Festival jury deciding the Short Film Palme d’Or and the 3 La Cinef prizes for student films in the Official Selection.

Caitlyn Jenner has shared her excitement after becoming a grandparent for the 20th time as her son Burton and his partner Valerie Pitalo welcomed a baby girl.The 72 year old proud grandmother, who recently opened up on her strained relationship with Kris Jenner, took to her Instagram stories to share the happy news with her 12.6million followers. Reposting a photo of her grandson holding newborn Goldie Brooklyn in his arms, she wrote: "My 20th grandchild! @valeriepitalo @burtonjenner love you both!" Caitlyn's son Burton, 43, who she shares with ex Chrystie Scott, and his partner Valerie posted about their bundle of joy on their own accounts, where they announced their daughter was born on 19 March.

A man declares he will marry the next woman to walk into a bar. That’s the most interesting thing about Ildiko Enyedi’s The Story Of My Wife, a flat Cannes Film Festival competition entry that squanders its intriguing premise.

Jessica Kiang Though legendary for a callous disregard for the lives of the sailors who criss-cross her stormy surfaces, the sea turns out to be a far milder mistress than Léa Seydoux in Ildikó Enyedi’s handsome but heavy-bottomed “The Story of My Wife,” the Hungarian director’s first return to Cannes since winning the Camera d’Or for her charming 1989 debut, “My Twentieth Century.” Starring Imola Lang’s superb 1920s/’30s production design, Leá Seydoux’s bouncy, tousled bob and Seydoux herself

Hungarian director Ildikó Enyedi has already won at the Cannes Film Festival once already: the Golden Camera award for her 1989 feature film debut “My 20th Century.” Now, Enyedi vies for the Palme d’Or as her latest film, “The Story Of My Wife,” has its world premiere in competition at Cannes this week.