Mike Flanagan Latest Celebrity News & Gossip

William Earl During a lively Tribeca Festival masterclass discussion on genre filmmaking, director Mike Flanagan spoke with writer Justina Ireland, who was in the writers’ room for Flanagan’s upcoming Netflix series “The Fall of the House of Usher,” about how he was able to continue making the series after on-set disruption. In April 2022, Variety reported that Frank Langella, the lead of the series, was recast “following an investigation into alleged misconduct on set.” Bruce Greenwood took over the role, which included reshoots since Langella left midway through production. Ireland asked Flanagan about the difficulty of being a creative who has to be leader on set, alluding to a difficult person on “Usher” and mentioning that the audience could Google the behind-the-scenes drama if they weren’t in the know.

The Tribeca Festival, which gets under way Wednesday in New York, has announced members of the jury who will decide winners in 15 award categories.

Todd Spangler NY Digital Editor Shares of Netflix jumped more than 10% Thursday on news that the streamer had signed up almost 5 million customers for its ad-supported plan within six months of launch. At Netflix’s first-ever upfronts event Wednesday — held virtually — the company touted that it had signed up nearly 5 million global monthly active users following its initial introduction in early November 2022. About 80% of viewing by subscribers on the ad plan is on a TV, and the median viewer age of 34, according to the company. In addition, Netflix said more than 25% of new customer signups are now choosing the ad plan in the 12 countries where it has been rolled out, including the U.S.

Jennifer Maas TV Business Writer For its first-ever upfronts presentation, Netflix took a page out of broadcast networks’ traditional playbook and boasted about not just what series it has launching in the coming months, or even through the end of the year, but specifically calling out its fall 2023 slate. A staple of upfronts week — though not as much lately, first because of the COVID-19 pandemic and now because of the writers strike — has been the unveiling of ABC, NBC, CBS and Fox’s fall lineups. This was done so advertisers knew what they were buying ads against and therefore what demos and audience size it would be most likely to reach by promoting products during those programs.

Mike Flanagan sure does love Stephen King stories, huh? Though his career has always been horror-focused, it wasn’t until “Gerald’s Game,” based on a King story, that people started to really take notice. Then he’d go off and do the ‘Haunting’ series over at Netflix, but then he came back to film with “Doctor Sleep,” the controversial sequel to “The Shining.” Now, it appears Flanagan can’t spend too much time away from a new King adaptation (in addition to a planned “Dark Tower” series), as he preps to film “The Life of Chuck.” READ MORE: ‘The Dark Tower’: Mike Flanagan Has A TV Series Adaptation Of The Epic Stephen King Books In The Works According to Deadline, Mike Flanagan is set to write, direct, and produce an adaptation of the Stephen King story, “The Life of Chuck.” Not only that but he’s already cast two of the roles, landing Tom Hiddleston and Mark Hamill for the film.

EXCLUSIVE: Tom Hiddleston (Thor franchise) and Mark Hamill (Star Wars) are set to star in new Stephen King adaptation The Life Of Chuck, which will be a hot package at the upcoming Cannes market.

EXCLUSIVE: Lulu Wilson (The Wrath of Becky), Omari Hardwick (Power) and Trae Romano (Stargirl) are set to star in Xeno, a new film that writer, director and VFX Artist Matthew Loren Oates (Farewell Bender) will direct for Kevin Hart‘s Hartbeat, from his own script.

EXCLUSIVE: Venom and Everything Everywhere All At Once star Jenny Slate will lead cast in and executive-produce horror movie Mindful, about a possessed meditation app that begins to kill its followers.

EXCLUSIVE: Elan Gale, the creator of FBoy Island and a long-time Bachelor producer, is getting into business with ITV America.

Back in late January, new DC Studios co-heads James Gunn and Peter Safran announced the first chapter of their new DCEU. Entitled “Gods And Monsters,” the new slate includes films like Gunn’s “Superman: Legacy,” a Batman film in “The Brave And The Bold,” and even a “Booster Gold” movie.

EXCLUSIVE: Doctor Sleep filmmaker Mike Flanagan has pitched a feature version of DC supervillain Clayface over at the studio several sources tell Deadline, however, no word on greenlight yet — and the studio has not said ‘No’. There are no offers and no deals.

EXCLUSIVE: Following another wildly successful year, Loki and Doctor Strange in the Multiverse of Madness scribe Michael Waldron is launching a new feature film and TV production company, Anomaly Pictures, with his producing partner Adam Fasullo. The new banner believes that popcorn entertainment can also be prestige entertainment. At the heart of every project lies the question: What if this was good?

Julia MacCary editor Blumhouse and K Period Media have announced the inaugural fellows for its “Screamwriting” program for emerging horror film and TV writers from underrepresented groups. The program, in partnership with the Sundance Institute, provides mentorship for the participants from industry leaders including Ryan Murphy, Bridget Savage Cole, Danielle Krudy, Mike Flanagan and Crystal Liu. “Some of the most daring storytelling is being created today in the horror genre,” said Michelle Satter, founding senior director of Sundance Institute’s artist programs, in a statement. “This great collaboration with K Period Media Foundation and Blumhouse is an opportunity for Sundance to continue and expand on our existing work and support their creation of the ‘Screamwriting’ fellowship.”

EXCLUSIVE: Dark Star Pictures has snapped up North American rights to the Stephen King documentary King on Screen, examining cinematic adaptations of the iconic author’s works, out of EFM. The film from actress-turned-director Daphné Baiwir, which bears King’s stamp of approval, will hit theaters in late summer, with a digital release to follow in the fall.

much to the chagrin of fans.Moving forward with the streamer, the two are now attached to develop an adaptation of the comic book “Something Is Killing The Children,” TheWrap has learned. Friese and Odar will work alongside Boom! Studios!, which also has a deal with Netflix. The book was published by Boom! Studios! and co-created by James Tynion.“The Haunting of Hill House” creator Mike Flanagan and Intrepid Pictures — which were previously tied to the project — shared with TheWrap last fall that they would no longer be moving forward with the series due to Netflix wanting to go in a “different direction with that property.”“Something Is Killing The Children” will follow a monster-fighting young woman who slays creatures that eating children in a small town. The synopsis reads as follows: “When the children of Archer’s Peak begin to go missing, everything seems hopeless.

Midnight Mass didn’t return for a season 2, but the supernatural horror miniseries created unsettling story lines and philosophical dialogue that still remain with audiences.

Nothing to be alarmed about — as we told you, M3GAN 2.0, was inevitable and Uni just set a Jan. 17, 2025 release for sequel to the Blumhouse and Atomic Monster hit film.

Last week, news broke that Mike Flanagan and his producing partner Trevor Macy jumped ship from Netflix to Amazon on a new overall TV deal. Now there’s news about what Flanagan’s first project with Amazon might be.

EXCLUSIVE: This is a pivotal moment for Mike Flanagan and Trevor Macy’s Intrepid Pictures, which the duo launched in 2004. After six years creating and producing for Netflix, including the last four under an overall deal, the duo behind The Haunting TV franchise and Midnight Mass are moving to Amazon Studios. Additionally, they are taking on their most ambitious project to date: a screen adaptation of Stephen King’s The Dark Tower, which creator Flanagan envisions as a TV series to run for five seasons, followed by two stand-alone features.

As promised, Mike Flanagan has exposed the secrets of The Midnight Club.

Horror fans have tuned into Netflix for Mike Flanagan‘s multiple hit shows for over a half-decade. But now they’ll need to sign up for a different streamer to get their Flanagan fix.

It’s all over for The Midnight Club on Netflix, as the young adult series has been canceled after one season.

EXCLUSIVE: Prolific genre creators Mike Flanagan and Trevor Macy (The Haunting Of Hill House, Midnight Mass) have signed an exclusive multiyear overall series deal with Amazon Studios. Under the pact, the duo will develop and produce projects via their Intrepid Pictures company, which will exclusively stream on Prime Video in more than 240 countries and territories worldwide.

TV audiences best know actress Carla Gugino for her recent work with Mike Flanagan on Netflix. But Gugino also has a long-time working relationship with another director, Sebastian Gutierrez.

TV audiences best know actress Carla Gugino for her recent work with Mike Flanagan on Netflix. But Gugino also has a long-time working relationship with another director, Sebastian Gutierrez.

“Bly Manor,” “Midnight Mass” and now “The Midnight Club.”Based on novels by YA horror author Christopher Pike (also an executive producer), “The Midnight Club” is set in 1990s California and follows college-bound students.Ilonka (Iman Benson) is a star student who gets a terminal-cancer diagnosis right when it feels like her whole life is ahead of her. After finding Brightcliffe online, she gets her foster dad Tim — Matt Biedel, who looks like he gets the call when David Harbour is busy — to agree to take her to the mysterious hospice for a “trial run,” like “cancer sleepaway camp,” she says.

Jennifer Maas TV Business Writer SPOLER ALERT: Do not read if you have not yet watched through the Season 1 finale of Netflix’s “The Midnight Club.” “The Haunting of Hill House” and “Midnight Mass” mastermind Mike Flanagan turned his attention to a younger audience for his new Netflix series, “The Midnight Club,” which launched Friday. The new drama concludes its 10-episode first season with just a few answers, and many more questions about the fate of Ilonka (Iman Benson) and her fellow terminally ill teens at Brightcliffe Hospice, the Paragon cult’s mysterious connection to Dr. Stanton (Heather Langenkamp), the teens’ head caregiver and owner of the hospice, what actually happened to Julia Jayne/Shasta (Samantha Sloyan) and why those elderly ghosts are haunting Ilonka and Kevin (Igby Rigney).

Note: Spoilers for the final episode of “The Midnight Club” Season 1 follow below.Fans of filmmaker Mike Flanagan’s other Netflix series may have been shocked to discover that, when it came to the Season 1 finale of “The Midnight Club,” there are a couple of huge plot threads left dangling. Indeed, this is the “Haunting of Hill House” and “Midnight Mass” creator’s first series that’s designed to be an ongoing show instead of a limited series, and in that regard the “Midnight Club” finale ending offers up a pretty massive cliffhanger.The first season of the Christopher Pike adaptation concludes with Ilonka (Iman Benson) and Kevin (Igby Rigney) finally kissing as the kids of the Midnight Club have come to some semblance of acceptance with regards to Anya’s (Ruth Codd) death and Sandra’s (Annarah Cymone) miraculous recovery.Julia Jayne (Samantha Sloyan), meanwhile, is in the wind having had her ritualistic sacrifice thwarted by Dr.

By It takes a certain kind of wisdom to know your calling in life as a child. It takes even more to then make that happen. But watch Iman Benson on screen, and it becomes so clear she knew something at age nine that most people take a lifetime to figure out: This is what she’s meant to do. The actor, now 22, has had roles on hit shows like Suits and BlackAF, but she delivers her first true breakthrough performance in Netflix’s The Midnight Club, now streaming.

Mike Flanagan is as sentimental about storytelling as he is about horror, for better and for worse. Sometimes that has led to a unique heartbeat in his work—the aching pain in his landmark Shirley Jackson adaptation “The Haunting of Hill House,” or his dedication to making us see the demons of “The Shining” in a different light with his unfairly maligned feature “Doctor Sleep.” But his latest project, co-created with Leah Fong, shows that affinity getting the better of him.

Four years after Mike Flanagan's breakout success with , the horror expert is back with a new offering, this time titled. The new show, streaming on Netflix starting Oct.

“The Midnight Club” has most of the usual tropes. There are doomed romances and devastating deaths mixed in with the harsh side effects of cancer and all five stages of grief. And as an anthology of ghost stories, “The Midnight Club” is also not too revolutionary.

Daniel D'Addario Chief TV Critic Mike Flanagan has, of late, distinguished himself as one of Netflix’s signature creators and as a generational figure in the horror genre; though his past series for the streamer, including “Midnight Mass” and “The Haunting of Hill House,” have been of various quality overall and from episode to episode, they’re consistently interesting. His willingness to engage ideas with his scares sets him apart, perhaps more than it should. So it is with “The Midnight Club,” which Flanagan and Leah Fong co-created based on the work of YA novelist Christopher Pike. Here, Iman Benson plays Ilonka, a college-bound high school salutatorian who receives a diagnosis of terminal cancer. Ilonka is both a star student and an idealist; she researches Brightcliffe, a facility to which her foster father can take her to be placed into hospice, and holds in reserve a secret hope that there will, there, be a miracle cure for her. What she finds, first, is a circle of ill teens who gather when the clock strikes twelve to share scary stories; it’s a mordant nihilism they share, and a sense of indulgent pleasure in the knowledge that things could be worse: They could be fighting against cosmic forces of evil.

A Guinness World Record for the most scripted jump scares in a single episode of television has a claimant. Coincidentally (well, not really), it’s a new series premiering on Netflix.

Jennifer Maas TV Business Writer Mike Flanagan has faced his worst fear: The jump scare. The “Midnight Mass” and “Haunting of Hill House” mastermind packed 21 separate instances of the classic horror trope into the premiere of his latest Netflix series, “The Midnight Club,” a tally so high it actually breaks the Guinness World Record for “most scripted jump scares in a single television episode.” A Guinness World Record official presented Flanagan and Co. their certificate for the achievement during the “Midnight Club’s” New York Comic Con panel Thursday night, which included a preview of the premiere episode ahead of the show’s Friday launch.

EXCLUSIVE: Mary McDonnell, a two-time Oscar and two-time Emmy nominee, has been tapped as a lead opposite Justin Hartley in CBS drama pilot The Never Game, an adaptation of Jeffery Deaver’s novel, from director Ken Olin and 20th Television.