Jon Burlingame Dan Wallin, the music scoring engineer who recorded such classic film scores as “Spartacus,” “Bullitt,” “The Wild Bunch” and “Out of Africa,” died early Wednesday in Hawaii. He was 97.
Jon Burlingame Dan Wallin, the music scoring engineer who recorded such classic film scores as “Spartacus,” “Bullitt,” “The Wild Bunch” and “Out of Africa,” died early Wednesday in Hawaii. He was 97.
Zack Sharf Digital News Director Marvel Studios is set to launch a new banner titled “Marvel Spotlight” with the upcoming release of the limited series “Echo,” starring Alaqua Cox as Maya Lopez. The character made her Marvel Cinematic Universe debut in “Hawkeye,” but knowledge of that series and the MCU at large won’t be a requirement to watch “Echo.” Brad Winderbaum, Marvel’s head of streaming, recently told Marvel.com that Marvel Spotlight “gives us a platform to bring more grounded, character-driven stories to the screen, and in the case of ‘Echo,’ focusing on street-level stakes over larger MCU continuity.
When Echo hits Disney+ on Jan. 10, 2024 it will premiere under the new Marvel Spotlight banner complete with a new intro-logo, scored by Oscar winning composer Michael Giacchino. Essentially, the new sub-category of Marvel is a branding for standalone fare, versus series and movies that connect to the greater Marvel Cinematic Universe.
Caroline Brew editor Billie Eilish and Finneas along with Lenny Kravitz and Diane Warren are among the nominees at the Hollywood Music in Media Awards. Eilish and Finneas landed a nomination for “What Was I Made For?” from “Barbie.
Elsa Keslassy International Correspondent Paul McCartney and Gaumont have assembled an all-star creative crew for “High in the Clouds,” the long-awaited feature adaptation of McCartney’s children’s adventure novel. Boasting six original songs by McCartney, the family adventure movie, which is budgeted at €28 million, will be directed by Toby Genkel (“The Amazing Maurice”), scored by Michael Giacchino (“Coco,” “Inside Out”) and penned by Jon Croker (“Paddington 2”), with Patrick Hanenberger (“The Croods,” “The Lego Movie 2”) tapped as production designer. McCartney will voice one of the main characters.
The story has been told several times in the famous 1990s movie, “Alive,” the excellent documentary “Stranded,” and hell, arguably even “Yellowjackets” borrows its core premise from the story of Air Force Flight 571, which went down in the Chilean Andes mountains in 1972, filled with 45 passengers many of them who were young soccer players on their way to a match (and yes, there’s a cannibalism element to it all). Continue reading ‘Society Of The Snow’ Teaser Trailer: J.A.
Sophia Scorziello editor Virginia’s Middleburg Film Festival, now in its 11th year, is set to open this October with Netflix’s Bayard Rustin biopic “Rustin” starring Colman Domingo. Director George C.
Thania Garcia The ASCAP Experience will be hitting the Avalon in Los Angeles on June 21 for its first in-person iteration since 2019 to celebrate, educate and connect aspiring songwriters and composers. The informational event will host an impressive lineup of chart-topping creators such as Sarah Hudson (Dua Lipa, Camila Cabello) and Leon Thomas III (Ariana Grande, Rick Ross), rapper and producer Hitmaka (Big Sean, Nicki Minaj), singer-songwriter and producer Steph Jones (Selena Gomez, Kelsea Ballerini), songwriter and producer Darrell Brown (Keith Urban, LeAnn Rimes), producer Neff-U (Justin Bieber, Sia) and more to be announced. Formerly known as the ASCAP “I Create Music” EXPO, the 2023 ASCAP Experience boasts a stacked schedule of curated motivational and informative panels about songwriting and music-making. This year’s panels are “The Hitmakers,” “Social Listening: Building a Music Career in the Social Media Age,” “Get Heard: Live Song Feedback,” “Writers Jam,” and “Celebration of 50 Years of Hip-Hop,” a special conversation with some of the genre’s most influential contributors.
Jem Aswad Senior Music Editor Warner Chappell Music has renewed its global publishing deal with producer Marco “MAG” Borrero. A frequent Bad Bunny collaborator, MAG produced 15 of the 23 tracks on the blockbuster album “Un Verano Sin Ti,” which led to his 2022 Variety Hitmakers honor and his No. 1 position on Billboard’s Year-End Hot Latin Song Producers chart. “Un Verano Sin Ti” became the first all-Spanish album to top the year-end Billboard 200 chart as well as earn a nomination for Album of the Year Grammy award. The Brooklyn-born, Puerto Rican-Dominican producer was mentored by Max Martin — the most successful songwriter-producer of the past 25 years — and over the course of his career has also collaborated with Rauw Alejandro, Arcángel, Bebe Rexha, Imagine Dragons, Selena Gomez, and Demi Lovato.
Jazz Tangcay Artisans Editor Diane Warren and Son Lux were among the winners Wednesday evening at the 4th annual Society of Composers & Lyricists Awards. The awards recognize original score and songs in visual media across seven categories. Darren Criss, hosted the banquet at the Skirball Center in Los Angeles. Damien Chazelle and his go-to composer Justin Hurwitz received the Spirit of Collaboration Award. The duo has collaborated on five films including “Babylon,” “La La Land,” “Whiplash,” “First Man” and “Guy and Madeline on a Park Bench.” The presentation of the award was accompanied by a musical performance including “Audition (The Fools Who Dream)” from “La La Land,” the “First Man” theme for harp and theremin, and a “Babylon” medley which included “Voodoo Mama” and “Herman’s Hustle.”
EXCLUSIVE: Oscar winning Up composer Michael Giacchino will be making his big screen directing debut with a brand new reboot of the 1954 sci-fi man-eating monster movie Them! at Warner Bros.
The Society of Composers & Lyricists has unveiled its SCL Award nominees for 2023, naming composers Alexandre Desplat (Guillermo del Toro’s Pinocchio), Carter Burwell (The Banshees of Inisherin), Michael Abels (Nope), Michael Giacchino (The Batman) and John Powell (Don’t Worry Darling) as its contenders for Outstanding Score for a Studio Film.
The director of Marvel’s new just-in-time-for-Halloween horror special on Disney+, “Werewolf by Night,” has revealed that he had to convince studio president Kevin Feige to let him release the flick in black-and-white.
“Werewolf by Night”? The black-and-white horror special stars Gael Garcia Bernal as Jack Russell, a mysterious monster-hunting superhero.Oscar- and Emmy-winning composer Michael Giacchino makes his full-length directorial debut with the film, for which he also wrote the music. Heather Quinn and Peter Cameron wrote the movie, which is based on the Marvel character of the same name.
Gael Garcia Bernal has officially joined the Marvel Cinematic Universe as Jack Russell, a monster hunter afflicted with a curse that turns him into a werewolf, in the dread-filled and macabre Halloween special , now streaming on Disney+. “I was immediately on board,” Bernal says of joining the project, which is a major departure in tone, style and storytelling for the MCU. “Seeing that in this Marvel Universe and the infrastructure that exists, we can try out different things and experiment as well with this new character.
No spoilers, but we will reveal whether or not “Werewolf by Night” has a post-credits scene, so if you don’t want to know, turn back now!See above. It’s basically a Marvel Studios Halloween special, directed by the insidiously talented Michael Giacchino, who has contributed the musical scores to some of the MCU’s biggest films (“Doctor Strange,” all three Tom Holland “Spider-Man” movies, “Thor: Love and Thunder”). Presented in black-and-white, with theatrical flourishes like “cigarette burns,” “Werewolf by Night” is meant to mimic the look and feel of classic Universal monster movies from the 1940’s.
Werewolf by Night,” is a mix between a movie and a long TV episode, and introduces something new to the Marvel Cinematic Universe. It also stars Gael García Bernal.Gael García Bernal will play a Marvel superheroEiza González joins Gael Garcia Bernal and Diego Luna in new showA post shared by Disney+ (@disneyplus)“Werewolf by Night,” is Marvel’s first Special Presentation and is a black-and-white quasi-horror short that, unlike the rest of the MCU, presents a self-contained story.
Jon Burlingame editor Marvel fans tuning in to “Werewolf by Night” Friday on Disney+ may be surprised when they read the director’s name as the end titles roll. It’s Michael Giacchino, who is far better known as the Oscar- and Emmy-winning composer of “Up” and “Lost,” not to mention such other high-profile, big-grossing films as “The Batman” and the last three entries in the “Spider-Man” franchise. But, as Giacchino reminds us, he’s been behind the camera since he was a youngster in Edgewater Park, N.J. “I love making movies,” he says. “I’ve loved it since I was 9 years old. That’s what it was about, gathering every kid in the neighborhood and creating movies in my parents’ backyard.”
Marvel Comics spans a multitude of genres and subgenres beyond traditional superheroes and super geniuses, and over the years, Marvel Studios has tried to explore them all. “Guardians Of The Galaxy” opened up the cosmic side of the Marvel Cinematic Universe (MCU), the “Thor” films have been able to examine gods and fantasy, “Doctor Strange” movies unlocked the mystical realms, and recent and upcoming characters like Moon Knight, Daredevil, and Blade seem poised to finally unveil the street-level supernatural sub-genre element of Marvel.
With “Werewolf by Night,” the Marvel Cinematic Universe is getting spooky.The new 53-minute movie, dubbed a “Marvel Studios Special Presentation” and directed by Michael Giacchino, debuts on Disney+ next week. Starring Gael Garcia Bernal as the title character, it evokes the spirit of Universal monster movies from the 1940s, with its black-and-white photography, scratchy soundtrack and somewhat exaggerated performances.
As a final capstone to MCU‘s Phase 4 content on Disney+, Kevin Feige and Marvel Studios have cooked up a TV special just in time for the Halloween season. “Werewolf By Night” showcases a little-seen part of the Marvel universe, taking on the more ghoulish corners of the comics lore.
As a final capstone to MCU‘s Phase 4 content on Disney+, Kevin Feige and Marvel Studios have cooked up a TV special just in time for the Halloween season. “Werewolf By Night” showcases a little-seen part of the Marvel universe, taking on the more ghoulish corners of the comics lore.
While it had been rumored and reported for months before, it wasn’t until this year’s D23 that we actually got confirmation that Marvel Studios was going to release a Halloween special on Disney+ titled “Werewolf By Night.” But when the studio finally released a teaser, not only did fans realize that Marvel Studios isn’t just dipping its toes into horror, “Werewolf By Night” is leaping headfirst into the deep end, embracing the old-school Universal Monsters-era of the genre.
Werewolf By Night has received positive first reactions following an early screening to critics and fans.The Marvel TV special had a surprise premiere at Austin’s Fantastic Fest on Sunday (September 25), which has a tradition of featuring ‘secret screenings’ each year.Directed by Michael Giacchino, Werewolf By Night stars Gael Garcia Bernal as Jack Russell, a man afflicted with a curse that turns him into a werewolf while retaining his human intellect. The special also stars Laura Donnelly as monster hunter Elsa Bloodstone, Harriet Sansom Harris as Verusa and Al Hamacher as Billy Swan.Marvel Comics character Man-Thing also makes its debut in the TV special, who is a humanoid swamp monster.Eric Goldman, editor at Fandom, praised the TV special’s homage to classic monster movies, writing: “The throwback black and white classic horror approach works perfectly for the story and feels so unique within the MCU.
Clayton Davis Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official predictions for the upcoming Oscars, Emmys, Grammys and Tony awards ceremonies, curated by Variety senior awards editor Clayton Davis. The prediction pages are Davis’ assessment of the current standings of the race and do not reflect personal preferences for any film or performance. Like any organization or body that votes, each individual category is fluid and subject to change. Predictions are updated every Thursday. LAST UPDATED: Sept. 22, 2022 CATEGORY COMMENTARY: Composer John Williams is a legend in every facet of the music world. Aside from winning 25 Grammys and five Oscars, he is undoubtedly the most important musical artist living today. Tapped for Steven Spielberg’s personal semi-autobiographical film “The Fabelmans,” he adds another great composition to his already impressive resume. If nominated, at 90 years old he would surpass costume designer Ann Roth and documentarian Agnes Varda as the oldest nominee, of any competitive Oscar category, in history.
Fans were greeted with a couple first official looks at the new MCU series coming to Disney+. During the D23 Expo, the first trailers for “Secret Invasion” and the all-new Halloween special, “Werewolf by Night”, were shown much to their delight.
Marvel Studios took the wraps off its first TV special, the Halloween-themed Werewolf by Night, at Disney’s D23 Expo on Saturday, unveiling a trailer and revealing that the special will premiere October 7. Watch the trailer above and see the key art poster below.
Werewolf By Night at Disney’s D23 Expo – check it out above.The footage debuted during the Marvel, Lucasfilm and 20th Century Studios presentation on Saturday (September 10), which featured announcements about future shows and films across the Marvel Cinematic Universe and Star Wars.The special stars Gael Garcia Bernal as Jack Russell, an ordinary man who carries an ancient family curse that turns him into a werewolf.Michael Giacchino, who has previously composed scores for various Marvel outings, is the director on the special.
told Extra. But the actor’s claim that “a whole new team” created “Lightyear” is, perhaps unsurprisingly, categorically untrue. Angus MacLane, who co-wrote and directed “Lightyear,” has been at Pixar for many years.
Jazz Tangcay Artisans EditorThe music of the gaming world is finally getting recognition of its own from the Recording Academy.On the heels of last week’s announcement that the organization behind the Grammys is going to recognize a non-classical songwriter of the year, along with other new areas of contention, comes an award category for best score soundtrack for video games. The first winner will be revealed at next year’s Grammy Awards, scheduled for Jan.
“Jurassic World Dominion” is now playing in theaters, and those venturing out to see the blockbuster sequel may be wondering one crucial thing: is there a post-credits scene?It’s a fair question. The last “Jurassic” film, 2018’s “Jurassic World: Fallen Kingdom,” had a short post-credits scene at the end of the film that very much teed up what “Dominion” was going to be about.
Colin Trevorrow’s return to the director’s chair for the (alleged) final installment of the ‘Jurassic’ saga opens with a fake NowThis video. The zippy edit splices together footage from what Jeff Goldblum’s Dr.
Jazz Tangcay Artisans EditorPixar has released an advanced track from the soundtrack of the upcoming “Toy Story”-related film, “Lightyear”: “Mission Perpetual” by composer Michael Giacchino.The film is an origin story focusing on “Toy Story’s” beloved Buzz Lightyear. The film introduces Buzz, voiced by Chris Evans, as a human space ranger who inspired the toy line seen in the Pixar franchise.
Jon Burlingame editor“Star Trek” has always been known for its progressive casting on screen. But over seven live-action series and 13 movies dating back more than half a century, the science-fiction franchise has never had a woman composer – until now.Nami Melumad, who has been scoring the animated “Star Trek: Prodigy,” has stepped up a notch and is scoring weekly episodes of “Strange New Worlds,” the new Paramount Plus series that chronicles the voyages of the pre-Captain Kirk Enterprise.“It’s been a very busy few months,” says the Israeli-born composer, who has been writing an average of 45 minutes of music per episode of “Strange New Worlds” and is now on her 14th episode of “Prodigy” for Nickelodeon.
Chris Willman Senior Music Writer and Chief Music CriticThe announcement of winners for the ASCAP Screen Music Awards, being held virtually again for 2022 and announced Monday morning, included revealing the top vote-getters for several Composers’ Choice Awards, including the scores for “Encanto” and “The White Lotus.”Germaine Franco prevailed for film score of the year for “Encanto.” Cristobal Tapia de Veer won two of these peer-voted awards, for television score of the year and television theme as well, for “The White Lotus.
Major spoilers for “Moon Knight” episode one follow.The premiere episode opens not on Oscar Isaac but rather Ethan Hawke, playing Arthur Harrow. We didn’t know much about his character before the show and we honestly don’t know all that much after the first episode. But this initial scene certainly sets the stage: we see him at a desk.
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