Matthew Libatique Latest Celebrity News & Gossip

Jazz Tangcay Artisans Editor Hoyte Van Hoytema has taken top honors at the 38th annual American Society of Cinematographers Awards for his work on “Oppenheimer.” Van Hoytema topped a field that included Edward Lachman for “El Conde, Matthew Libatique for “Maestro,” Rodrigo Prieto for “Killers of the Flower Moon” and Robbie Ryan for “Poor Things.” The awards were handed out Sunday night at the Beverly Hilton Hotel. All five theatrical feature film nominees are also nominated for best cinematography at the Oscars.

Refresh for latest: Oppenheimer continued its romp through awards season by winning the top film prize at the American Society of Cinematographers‘ 38th annual ASC Awards, which were handed out Sunday night at the Beverly Hilton.

David Heuring At the inaugural American Society of Cinematographers awards almost four decades ago, about 100 attendees saw host Gregory Peck give a single award, acknowledging the artistry of Jordan Cronenweth on Francis Ford Coppola’s “Peggy Sue Got Married.” Today, the ASC Awards is an annual event with global reach where 10 major awards are presented, this year including recognition of music video cinematography. On March 3 at the Beverly Hilton, the 105-year-old organization will honor Spike Lee with its Board of Governors Award, in recognition of his career contributions to the art of visual storytelling.

The American Society of Cinematographers revealed the nominees for the 2024 ASC Awards, a precursor to the Oscar for Cinematography, and the results were somewhat as expected. Emphasis on “somewhat.” In the Theatrical Feature Film category, Matthew Libatique (“Maestro”), Robbie Ryan (“Poor Things”), Hoyte van Hoytema (“Oppeneheimer”), and Rodrigo Prieto (“Killers of the Flower Moon”) all earned nominations.

Matthew Libatique, the Academy Award-nominated cinematographer most recently lending his talents to Bradley Cooper’s Netflix pic Maestro, has been set to receive the American Film Institute‘s Franklin J. Schaffner Alumni Medal at the AFI Life Achievement Award Gala Tribute to Nicole Kidman, taking place at the Dolby Theatre in Los Angeles on April 27th.

When Bradley Cooper’s sophomore directorial outfit Maestro, an ambitious and extravagant Leonard Bernstein biopic, debuted at Venice, none of the film’s stars or crew made it on to the red carpet. SAG was 51 days deep into its strike against the studios. 

Will Tizard Contributor Like the cinematography sector overall this year, the profession’s prime annual festival, Poland’s Camerimage, has come through major challenges in 2023, says the event’s founder, Marek Zydowicz. Launching in the historic town of Torun on Nov.

EXCLUSIVE: Emmy nominee Elizabeth Banks (The Hunger Games) and Oscar nominee John C. Reilly (Chicago) are set to lead timely Cannes market package Dreamquil, an AI thriller which HanWay Films is launching.

Rebecca Rubin Film and Media Reporter When Darren Aronofsky brought his debut feature “Pi” to Sundance Film Festival in 1998, he negotiated for the rights to eventually revert back to himself. Now, 25 years later as the owner of the numbers-inspired psychological thriller, he’s sold the film to A24. As part of the acqusition, A24 has remastered “Pi” (stylized as π) and plans to release the film in theaters and on digital platforms this year. The 8K and Atmos restoration version will play on the big screen on Pi Day, which is March 14, to commemorate its 25th anniversary. “25 years ago, when we were just kids at Sundance, I was inspired by my hero Jim Jarmusch to fight for the rights of the film to return to the filmmakers,” Aronofsky said. “It took almost a quarter of a century, but time flies. In anticipation of this moment, we went back to the original black and white reversal 16mm film and scanned it at 8K. We also turned our original stereo mix into an Atmos experience. Everyone thought we were a little crazy but the film has never looked or sounded better. I am excited to team up with A24 and release this on Pi Day in Imax. I look forward to seeing everyone back in the theater soon.”  

obtained by Deadline. “There was never a screaming match between our director and anyone, let alone a member of our cast.”The statement follows a Friday report from Vulture in which an anonymous source recalled a “screaming match” between Wilde and Pugh.

Forty members of the crew and production team on Olivia Wilde’s new movie Don’t Worry Darling have spoken out to dispute “the absurd gossip” surrounding alleged on-set unrest during the production of the New Line Cinema pic starring Harry Styles, Olivia Pugh and Chris Pine.

The Don’t Worry Darling crew is over all the chatter about the drama between Olivia Wilde and Florence Pugh!

J. Kim Murphy A group of 40 crew members that worked on the production of “Don’t Worry Darling” issued a joint statement on Saturday, disputing a report that director Olivia Wilde and lead Florence Pugh got into an argument on the set of the film. The coalition of signees, which includes writer and producer Katie Silberman, cinematographer Matthew Libatique and costume designer Arianne Phillips, commends Wilde as “an incredible leader and director who was present and involved with every aspect of production.” The statement, obtained by People, expresses that “allegations about unprofessional behavior on the set of ‘Don’t Worry Darling’ are completely false.”

The Don’t Worry Darling film set wasn’t filled with conflict or tension at all, according to cinematographer Matthew Libatique.

The drama surrounding actor/director Olivia Wilde’s upcoming high-concept genre drama, “Don’t Worry Darling,” has reached something of a fever pitch in recent weeks, veering into tabloid-y/gossip territory. Starring Florence Pugh and Harry Styles, the “Don’t Worry Darling” back story is complicated but essentially centers on Shia LaBeouf being replaced on the film with Styles (Wilde suggested he was fired, LaBeouf said he quit), and Pugh, upset about various issues surrounding the film, its production, its marketing and more.

Clayton Davis There’s no denying Olivia Wilde can direct the hell out of a movie. And with her latest behind-the-camera effort, “Don’t Worry Darling,” the actress turned filmmaker constructs a sexy and suspenseful thriller. It’s a film that should resonate with moviegoers, who may show up to check out an easy-on-the-eyes ensemble that includes Florence Pugh, Harry Styles and Chris Pine. At the very least, it’s a film that will continue to generate plenty of chatter (there’s already a ton of pre-release headlines being made, some of them even about the movie itself). However, like most popcorn thrillers, the chances of the Academy checking the film off on their ballots is as farfetched as the movie’s attempt to make Harry Styles look unattractive in one critical scene. Nice try but I don’t buy it.

last few days; at least, that’s what Charlie assumes. Given his 600-pound girth, given his blood is pressure is at drop-dead levels, and given his apparently years-long project of slow-mo suicide, one has little reason to doubt him.Our first look at the man only confirms those suspicions.

Zack Sharf Let the Brendan Fraser comeback begin. A24 has released a first look at Darren Aronofsky’s upcoming drama “The Whale,” in which Fraser stars as a 600-pound middle-aged man struggling to reconnect with his 17-year-old daughter.

There are plenty of great filmmaking duos in Hollywood, pairs like Martin Scorsese and Thelma Schoonmaker or Pedro Almodóvar and Penélope Cruz. In his two decades working in film, some of Darren Aronofsky‘s best movies have been made in collaboration with cinematographer Matthew Libatique.

Olivia Wilde and Jason Sudeikis are back to work after their split late last year.

Matthew Libatique is a busy cinematographer. He had “Birds of Prey” and “The Prom” come out this year, and is shooting Olivia Wilde’s next film, “Don’t Worry Darling.” Now, the two-time Oscar-nominated cinematographer will reunite with frequent collaborator, Darren Aronofsky, for his next project.

Jazz Tangcay Artisans EditorCinematographer Matthew Libatíque has become known for his signature use of anamorphic lenses and working with light to add realism to his images.But for Ryan Murphy’s “The Prom,” the screen adaptation of the 2018 Broadway musical that premieres Dec. 11 on Netflix, he changed the approach.

about something, and it felt joyful. And we were all feeling the same thing – all of us had come off of making darker things, and I think we wanted to make something lighter and happier.”Also Read: 'The Prom' Film Review: Ryan Murphy Revisits a Midwest High School for a Musical Lesson in ToleranceMurphy used Gene Kelly and Stanley Donen’s “Singing in the Rain” as a model for what he wanted to do, and his cinematographer, Matthew Libatique, studied classic models as well.

In 2018 it was reported that Oscar-nominated cinematographer Matthew Libatique, who shot films like “Requiem for a Dream,” and “A Star Is Born,” was arrested in Poland for allegedly assaulting a first responder. Now, Libatique is facing four years in prison as he’s scheduled to stand trial in February.

Dave McNary Film ReporterMONDAY, AUG. 24The American Film Institute and Universal Pictures have launched a week-long “Black Stories Matter” series with  “BlacKkKlansman,” “Get Out,” “Girls Trip,” “Loving” and “Straight Outta Compton” available for free through Aug.