Mark Jenkin Latest Celebrity News & Gossip

At long last, Mark Jenkin‘s buzzy sophomore feature “Enys Men” gets a US theatrical release later this month. The movie made waves with its British folk horror trappings and 16mm visuals at the Cannes Film Festival last year.

EXCLUSIVE: Emma Appleton (The Witcher, Everything I Know About Love) is among the leading cast of the indie British folk horror Heretic, the debut feature from filmmaker Dean Puckett, which has just wrapped production on the southwest coast of England.

EXCLUSIVE: WME has signed filmmaker Mark Jenkin (Enys Men) for representation in all areas.

As the new crop of 2023 festival favorites roll out, Focus Features presents A Thousand And One in over 900 carefully curated theaters, testing the appetite for specialty fare at a challenging moment.

Although he is rightly judged as being in the vanguard of British independent cinema, Mark Jenkin nonetheless seems out of place in such company. Unlike his contemporaries—Peter Strickland, Lynne Ramsay, Andrea Arnold, Clio Barnard, and Jonathan Glazer, among others—he is a strict formalist, creating expressions through the rhythms and combinations of images and sounds rather than through conventional narratives or theatrical gestures.

Having premiered at the Cannes Film Festival, the BFI London Film Festival, and the 60th annual New York Film Festival this year, if we’re going to call out a breakout horror for this year, it probably has to be British filmmaker Mark Jenkin’s “Enys Men.” And arguably, between Jekin, Ben Wheatley, and Peter Strickland, it’s safe to say that the creepy subgenre of freaky folk horror—think “The Wicker Man”—is really going through a renaissance period thanks to English filmmakers.

Manori Ravindran International Editor The London Film Festival has revealed its jury line-up for this year’s awards. The Official Competition jury is led by “Power of the Dog” and “Cold War” producer Tanya Seghatchian (pictured), while the First Feature Competition (Sutherland Award) jury will be headed up by director and actor Nana Mensah whose directorial debut “Queen of Glory” won the Best New Narrative Director prize at the 2021 Tribeca Film Festival. Elsewhere, Italian filmmaker Roberto Minervini will lead the jury selecting the winner of the Grierson Award for Best Documentary after winning the award in 2018 for his film “What You Gonna Do When the World’s On Fire.”

Mark Jenkin’s latest Cornish horror Enys Men and Alice Diop’s feature debut Saint Omer are among the eight titles set to compete in the Official Competition of the 66th BFI London Film Festival, running from October 5 – 16.

Naman Ramachandran The BFI London Film Festival has revealed eight titles that will be in official competition. The films include Santiago Mitre’s political drama “Argentina, 1985” (Argentina); Clement Virgo’s brotherly love tale “Brother” (Canada); Marie Kreutzer’s irreverent period drama “Corsage” (Austria-Luxembourg-Germany-France); Fyzal Boulifa’s atmospheric domestic drama “The Damned Don’t Cry” (France-Belgium-Morocco); Mark Jenkin’s folk horror tale “Enys Men” (U.K.); Hlynur Palmason’s historical epic “Godland” (Denmark-Iceland-France-Sweden); Soudade Kaadan’s poignant family film “Nezouh” (U.K.-Syria-France); and Alice Diop’s courtroom drama “Saint Omer.”

set to kick off on Sept. 30 with Noah Baumbach’s “White Noise” and close with the Oct.

Rebecca Rubin Film and Media ReporterNew movies from directors Claire Denis, Park Chan-wook, Ruben Östlund, Kelly Reichardt and Paul Schrader will play at the 60th New York Film Festival, which is running from Sept. 30 through Oct.

The 60th New York Film Festival unveiled its main slate from established and upcoming directors with Cannes’ Palme d’Or-winner Triangle of Sadness by Ruben Östlund, Claire Denis’s Stars at Noon (tied for Cannes Grand Prize), Park Chan-wook’s Decision to Leave (Cannes Best Director), and Charlotte Wells’ debut feature Aftersun (Cannes’ French Touch Jury Prize).

Jessica Kiang A central image in Mark Jenkin’s weathered, rough-hewn, rocky folk horror “Enys Men” is of a weathered, rough-hewn rock. A menhir that looks like it’s been orphaned from Stonehenge stands perched on a blustery hillside on the eponymous isle (pronounced Ennis Main, the Cornish for “Stone Island”).

“Bait,” British filmmaker Mark Jenkin’s breakout feature, could well be considered a horror movie. Set in a quaint little fishing enclave off the Cornish coast, where the ship decks are rickety and the townhouses’ whitewash ever-peeling, the knotty fear of loss is ever-present: of history, of possession, of tradition, of heritage, of liberty.

Mark Jenkin’s 2019 film Bait had the rare distinction of being a genuine out-of-the-blue discovery, featuring heavily on UK critics’ year-best lists after a modest arthouse release by the BFI. The black-and-white film’s experimental style was emphasized in all its press coverage, nodding to avant-garde auteurs like Stan Brakhage, Derek Jarman and Guy Maddin — all directors who are interested in the literal grain of film and video (indeed, Jenkin reportedly developed the negative with coffee and washing soda then distressed the image by hand). Throw in post-synch sound, and you have a film more likely to screen to two people and a dog at a smoky underground 1960s cine-club than win a BAFTA. 

previously asked U.S. President Biden specifically not to sanction Abramovich and that the oligarch had worked to help Ukraine because of his ties to the film industry.Serebrennikov also more broadly advocated against the outright banning of Russian culture as a way to protest the war.

As the land we now know as Britain was being invaded, the Celts were pushed to the fringe, to places such as Cornwall or Wales. This is evident when you hear the idiosyncratic and distinct Welsh or Cornish languages being spoken.

EXCLUSIVE:  NEON has taken the North American distribution rights to Mark Jenkin’s horror feature Enys Men, starring Mary Woodvine and Edward Rowe. The deal was hatched before Cannes, ahead of the pic’s world premiere in the Directors’ Fortnight section.

Brent Lang Executive Editor of Film and MediaNeon has purchased North American distribution rights to Mark Jenkin’s “Enys Men,” ahead of the horror film’s premiere in the Directors’ Fortnight section of the Cannes Film Festival.The film, which sounds very shades of “The Wicker Man,” stars Mary Woodvine and Edward Rowe. Jenkin wore a lot of hats on this one.

The UK’s independent film and TV sector has been given a shot in the arm with a £21M ($25M) Global Screen Fund building on the success of a pilot launched during the pandemic.

“1976,” Manuela Martelli“El Agua” (“The Water”), Elena Lopez Riera“The Dam,” Ali Cherri“The Super 8 Years,” Annie Ernaux and David Ernaux-Briot“Ashkal,” Youssef Chebbi“The Five Devils,” Lea Mysius“De Humani Corporis Fabrica,” Verena Paravel & Lucien Castaing-Taylor“Continental Drift,” Lionel Baier“Enys Men,” Mark Jenkin“Falcon Lake,” Charlotte Le Bon“Will-o’-the-Wisp,” Joao Pedro Rodrigues“Funny Pages,” Owen Kline“God’s Creatures,” Anna Rose Holmer & Saela Davis“Harkis,” Philippe Faucon“Men,” Alex Garland (special screening)“The Mountain,” Thomas Salvador“Pamfir,” Dmytro Sukholytkyy-Sobchuk“The Green Perfume,” Nicholas Pariser (closing film)“Paris Memories,” Alice Winocour“Under the Fig Trees,” Erige Sehiri“One Fine Morning,” Mia-Hansen Love“A Male,” Fabian Hernandez

Elsa Keslassy International CorrespondentDirectors’ Fortnight, the sidebar running alongside the Cannes Film Festival, has unveiled a strong lineup for its 54th edition, which will be the last one for outgoing artistic director Paolo Moretti. The sidebar has landed a pair of movies from A24, Alex Garland’s Men” which will play in the Special Screening section, and “God’s Creatures,” a psychological thriller directed by Saela Davis and Anna Rose Holmer, the filmmaking duo who made their feature debut with the Sundance film “The Fits.” Set in an Irish fishing village, “God’s Creatures” stars Aisling Franciosi, Emily Watson and Paul Mescal.

Cannes Directors’ Fortnight has unveiled its line-up for 2022. Scroll down to see the full list.

Radiohead side-project The Smile have shared a new track today (March 17) called ‘Skrting On The Surface’ – listen to it below.The band, which consists of Radiohead’s Thom Yorke and Jonny Greenwood as well as Sons Of Kemet drummer Tom Skinner, announced the news on social media yesterday (March 16) along with a link to a new video that you can now watch below.The song was first performed by the band during Glastonbury’s Live At Worthy Farm livestream event in 2021, and more recently during a series of back-to-back gigs in London. The track began its life as a Radiohead song, but was never released.The Smile’s latest single follows on from the group’s two previously released songs, ‘The Smoke‘ and ‘You’ll Never Work In Television Again‘.The video for the new track, which you can watch below, was shot in 16mm black and white by BAFTA-winning writer and director Mark Jenkin in the depths of the disused Rosevale Tin Mine in Cornwall UK.

Thom Yorke, Jonny Greenwood, and Tom Skinner have returned with their second track as The Smile. The Radiohead singer and guitarist joined forces with the drummer of English jazz quartet Sons of Kemet in May 2021 for a surprise performance at Glastonbury, and shared their debut single, "You Will Never Work In Television Again" at the start of the year.

The Smile, the side project of Radiohead‘s Thom Yorke and Jonny Greenwood with Sons Of Kemet’s Tom Skinner, have released their new single ‘The Smoke’ – you can hear the track below.The song is the follow-up to the trio’s debut single ‘You Will Never Work In Television Again’, which arrived earlier this month.A lyric video for ‘The Smoke’ has been released today (January 27) to accompany the new track, with the clip being created by the BAFTA-winning writer and director Mark Jenkin.You can listen to The Smile’s ‘The Smoke’ below.The Smile’s three sold-out live shows in London this weekend (January 29-30) will be livestreamed online to a global audience.The livestreams, which will be directed by the award-winning Paul Dugdale and produced by Driift, will be available to watch at home and in select independent venues and cinemas across the UK, US and Europe.The Smoke (more on that later) at production rehearsals for this weekend… pic.twitter.com/WXJNhkLbsq— The Smile (@thesmiletheband) January 27, 2022You can find further information about the livestreams and screenings by heading here, and see this weekend’s broadcast schedule below.BROADCAST #1: London – 8pm Sat. / New York – 3pm Sat. / Los Angeles – 12pm Sat. / Sydney – 7am Sun. / Tokyo – 5am Sun.BROADCAST #2: London – 1am Sun. / New York – 8pm Sat. / Los Angeles – 5pm Sat. / Sydney – 12pm Sun. / Tokyo – 10am Sun.BROADCAST #3: London – 11am Sun. / New York – 6am Sun. / Los Angeles – 3am Sun. / Sydney – 10pm Sun. / Tokyo – 8pm Sun. Yorke performed The Smile’s ‘Free In The Knowledge’ at the Royal Albert Hall back in October as part of the Letters Live event, footage of which was released last month.

By Tom Grater

Mark Jenkin, a double BAFTA nominee for his acclaimed debut Bait, has set his next project, Enys Men, an ecosophical horror film, with Film4 having come on board as co-financier.Jenkin will direct from his own script, set on island and about a woman haunted by echoes of both the past and future, with shooting expected to begin in May.Bait, black-and-white, hand-processed and shot on a vintage 16mm camera, become one of 2019's arthouse sleeper hits.

Writer-director Mark Jenkin, whose feature debut “Bait” was nominated for two BAFTAs last week, has set his next project, “Enys Men” (“Stone Island”), with Film4.

By Tom Grater