EXCLUSIVE: Netflix’s Director of Local Language Originals for the CEE, Anna Nagler, has outlined the streamer’s ambitions in region, as its biggest drama series from the region, High Water, launches globally today.
EXCLUSIVE: Netflix’s Director of Local Language Originals for the CEE, Anna Nagler, has outlined the streamer’s ambitions in region, as its biggest drama series from the region, High Water, launches globally today.
Series Mania was Warner Bros. Discovery’s European roll-out timeline for Max, announced Thursday at the climax of the Series Mania’s Lille Dialogues. The most keenly anticipated session was nearly Series Mania’ Forum first: a Netflix showcase hosted by a confident Larry Tanz who significantly proved the only goal streamer exec to drill down on volume commitment.
The boss of one of the world’s biggest TV distributors has predicted streamers will return to commissioning originals in bulk once they “break even.”
Netflix EMEA boss Larry Tanz has criticized local quotas for “stifling creativity” and said the streamer remains “all in” while competitors “dial back.”
Isabelle Adjani and Famke Janssen are to star in thriller series for Netflix coming from France and the Netherlands.
Elsa Keslassy International Correspondent While at Series Mania Festival, Larry Tanz, Netflix‘s VP of EMEA Content, unveiled ambitious new shows commissioned from France and the Netherlands, including an untitled thriller series starring Isabelle Adjani, and “Amsterdam Empire,” a Dutch crime series starring and executive produced by Famke Janssen. The untitled French thriller series revolves around a young mother on the run finds an unexpected opportunity to bounce back by becoming a picker in a prestigious flower farm in Provence. But the mysterious death of the family patriarch of the company casts her under the spotlight as the prime suspect.
Patricia Arquette has been unveiled as this years Series Mania guest of honor and will deliver a masterclass.
Marta Balaga Winter is coming, but not at Netflix, as the streamer will be launching its reality show “Summer Job” – produced by Banijay Italia – before the end of the year. “I am proud, because it’s an original show made for Italy,” said Tinny Andreatta, VP of content for Italy, at MIA Market on Wednesday. Netflix has been eager to expand its unscripted content. “We know our members love it. It’s a really exciting and growing area for us,” added Larry Tanz, VP of content for EMEA. Mentioning some recent successes from “Young, Famous & African” to “I Am Georgina,” both coming back for a second season, as well as new Spanish offering “Who Likes My Follower?”
Netflix’s Italian arm is hunting for anti-heroes.
Italy’s International Audiovisual Market MIA is expecting a return to full force this year ahead of its eighth edition in Rome from October 11 to15.
EXCLUSIVE: Veteran film executive David Kosse is leaving his post as VP of International Film at Netflix amid a restructure of the company’s European content business. Kosse joined the streamer in 2019, overseeing all international film production and acquisitions with a focus on making and acquiring significant non-English language films with global appeal. He is expected to continue to produce for Netflix and others.
EXCLUSIVE: Netflix EMEA TV boss Larry Tanz has claimed the streamer is defying subscriber teething problems by continuing to grow investment in the region, standing by commitments and helping crews and talent as he prepares to welcome a wealth of prospective hits including Dark creators Baran bo Odar and Jantje Friese’s 1899.
EXCLUSIVE: A landmark 45M shekel ($13M) tax rebate for Israeli TV and film productions passed into law at the very last moment before the government collapsed this week.
EXCLUSIVE: Netflix led an Israeli charm offensive late last month, with EMEA Vice President, Head of Original Series, Larry Tanz, spending five days in the nation speaking to talent, execs and key funders in what is becoming a regulatory battleground.
K.J. Yossman Netflix are expanding their European presence with a new office in Poland.The office, which is set to open in the country’s capital of Warsaw later this year, will function as a central hub for Netflix’s Central and Eastern Europe (CEE) productions.“The Netflix office in Warsaw is a natural next step for us and will help build long-term cooperation in the region as well as deepen existing ties, creating new opportunities for content creators and producers,” said Larry Tanz, Netflix EMEA’s vice president of original series.
Netflix has opened an office in Poland that will serve as its hub for Central and Eastern Europe (CEE).
When Netflix lured Larry Tanz from Michael Eisner’s digital studio Vuguru in 2014 to head up its content acquisition in Europe, the streamer’s regional presence was no more than a little townhouse on a canal in Amsterdam. Seven years and one pandemic later, the exec, who is now VP of Original Series for EMEA, is making shows in 20 different countries, with people on the ground in London, Madrid, Berlin, Rome and Paris to name a few.
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