Kaouther Ben Hania will history for her native Tunisia on Sunday with its first Academy Award if her nominated work Four Daughters triumphs in the Best Documentary category on Sunday.
Kaouther Ben Hania will history for her native Tunisia on Sunday with its first Academy Award if her nominated work Four Daughters triumphs in the Best Documentary category on Sunday.
Tunisian filmmaker Kaouther Ben Hania’s Oscar-nominated documentary Four Daughters and Sudanese director Mohamed Kordofani’s Lupita Nyong’o-EPed drama Goodbye Julia lead the nominations in the eighth edition of the Critics Awards for Arab Films.
Nick Vivarelli International Correspondent Sudanese director Mohamed Kordofani’s “Goodbye Julia,” a timely morality tale that takes place just before the 2011 secession of South Sudan, leads the way in nominations for the eighth edition of the Critics Awards for Arab films, winners of which will be announced during the Cannes Film Festival. The first Sudanese film ever to screen in Cannes’ official selection, “Goodbye Julia” is the story of two women — one from the North, the other from the South — who are brought together by fate in a complex relationship that attempts to reconcile differences between northern and southern Sudanese communities in the currently war-ravaged country.
Cannes parallel section Acid, run by France’s Association for the Diffusion of Independent Cinema (ACID), has unveiled its 2024 line-up. (scroll down for full list)
Oscar winner Kevin Macdonald has won the €50,000 ($54,000) Series Mania Seriesmakers award.
Billie Eilish and her brother, Finneas, were among those who donned red "Artists4Ceasefire" pins at the 96th Academy Awards, as they joined calls for peace in the Middle East. And the Best Original Song winners weren't the only celebs who chose to wear these pins. Poor Things actor Ramy Youssef also donned a red pin.Talking to reporters ahead of the awards ceremony, he said: "We're calling for immediate, permanent ceasefire in Gaza.
Ceasefire pins among Oscar guests and nominees were numerous on this afternoon’s red carpet with Poor Things actor Ramy Youssef and Barbie “What Was I Made For?” songwriting team Billie Eilish and Finneas O’Connell donning them.
Jaden Thompson “What Was I Made For?” singer Billie Eilish, “Poor Things” star Ramy Youssef and more celebrities wore red pins in support of Artists for Ceasefire at the Oscars red carpet on Sunday. “We’re calling for immediate, permanent ceasefire in Gaza. We’re calling for peace and lasting justice for the people of Palestine,” Youssef told Variety‘s Marc Malkin on the red carpet.
EXCLUSIVE: Beta Film has picked up distribution rights to French thriller Homejacking, which is co-created by Lupin writer Tigran Rosine, and will launch sales at Series Mania.
John Hopewell Chief International Correspondent Seriesmakers, a joint initiative of Series Mania, Europe’s biggest TV festival, and European film-TV powerhouse Beta Group, has revealed the 10 top-notch project lineup of the second edition of its novel and high-powered mentoring program for filmmakers making their TV creator debut. This year’s Seriesmakers features in development drama series from Oscar winner Kevin Macdonald (“George Blake”), behind “The Last King Of Scotland,” and from Finnish director Mikko Myllylahti, who burst onto the scene co-writing with Juho Kuosmanen the latter’s “The Happiest Day in the Life of Olli Makki,” a 2016 Cannes Un Certain Regard winner.
Ten projects have been selected for the second edition of Seriesmakers, Series Mania’s development lab for feature film directors sidestepping into series production.
It’s been a busy week for Oscar-nominated documentary filmmakers Maite Alberdi and Kaouther Ben Hania. On Monday, Alberdi, director of The Eternal Memory, and Ben Hania, director of Four Daughters, joined fellow nominees at the glittering Oscar Nominees Luncheon at the Beverly Hilton. Today, they sit down with Deadline for the latest edition of our Doc Talk podcast.
Elsa Keslassy International Correspondent Justine Triet‘s Palme d’Or winning “Anatomy of a Fall” picked up top accolades at the 29th Lumiere Awards, France’s equivalent to the Golden Globes, at a ceremony held Monday at the Forum des Images in Paris. While Triet lost the best director nod to Thomas Cailley for his supernatural family drama “The Animal Kingdom,” “Anatomy of a Fall” won best film, actress for Sandra Huller, and screenplay for Triet and Arthur Harari.
Leo Barraclough International Features Editor Debbie Harry, lead singer of Blondie, will be among those taking part in on-stage talks at the International Film Festival Rotterdam, which runs Jan. 25 to Feb.
Caroline Brew editor The 35th Annual Palm Spring International Film Festival, which took place from Jan. 4 to 15, has announced this year’s jury award winners.
32 Sounds, the innovative documentary that explores the power of sonic experience, pulled off a shocker at the Cinema Eye Honors Friday night, winning Outstanding Nonfiction Feature over Still: A Michael J. Fox Movie and other prominent nominees.
As awards season switches up a gear, with the handing out of the Golden Globes and the publication of the Bafta shortlists, one major title stands out in the International categories of both: Justine Triet’s Palme d’Or winning courtroom drama Anatomy of a Fall. It would be a reasonable bet for the Oscar win in any year — if it were actually eligible. In lieu of Triet’s film, which fell well within Academy rules in terms of the amount of English spoken, the French selection panel opted instead for period gourmet drama The Taste of Things to do battle for the country’s honor, a move that is sure to cause a lot of confusion in the coming weeks.
Addie Morfoot Contributor This year’s Oscar feature documentary shortlist is made up of a group of 15 films that, by and large, big streamers aren’t interested in sharing with subscribers. Six films that made it to the shortlist — Lea Glob’s “Apolonia, Apolonia,” Nancy Buirski’s “Desperate Souls, Dark City and the Legend of Midnight Cowboy,” Kaouther Ben Hania’s “Four Daughters,” Maciek Hamela’s “In the Rearview,” Luke Lorentzen’s “A Still Small Voice” and Sam Green’s “32 Sounds” — have theatrical distribution, but were not picked up by a major streaming company such as Netflix, Amazon or Apple TV+.
Clayton Davis Senior Awards Editor The British Academy of Film and Television Arts, or BAFTA, has become a crucial indicator on which films and performances could garner support for the Academy Awards due to the huge overlap of voting members. Over the years, its influence on the Oscars has been undeniable, with many of its winners often helping to shape a narrative. After getting ignored by all the major guilds, last year’s German-language film “All Quiet on the Western Front” made a big showing before going on to nab nine Oscar nominations and winning four.
The list of feature documentaries still in contention for the Oscars has been cut to 15 finalists, a brutal culling from a contingent of 167 qualifiers. The annual shortlist announcement leaves a handful of filmmakers celebrating, many more disappointed, and documentary watchers with much to debate.
American Symphony, the Obamas-executive produced documentary about Grammy-winning musician Jon Batiste, scored a remarkable hat trick today as the Oscar shortlists were revealed, but a couple of documentary icons were left on the bench.
The third annual Red Sea Film Festival handed out its Yusr Awards on Thursday night, with Zarrar Kahn’s In Flames taking Best Feature and Farah Nabulsi’s The Teacher scoring a pair of wins including Best Actor for Saleh Bakri. See the full list below.
Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.
Rafa Sales Ross Guest Contributor The third edition of the Red Sea Film Festival, taking place in Jeddah between Nov. 30 – Dec. 9, will be the culmination of a highly successful funding cycle for the Red Sea Film Foundation.
The Gotham Awards, among the first of the movie-kudos season, is underway at Cipriani Wall Street in Manhattan. Deadline will be updating the winners list as they are announced.
As the voting window for the Oscar shortlists approaches, Academy members are considering Kaouther Ben Hania’s film Four Daughters in not one, but two categories: Best Documentary Film and Best International Feature.
Pat Saperstein Deputy Editor The Cinema Eye Honors for achievement in nonfiction and documentary films and series has announced nominees for the 17th awards ceremony. “Kokomo City” from D. Smith led the nominees with six.
Finnish filmmaker Aki Kaurismäki’s Fallen Leaves and UK director Jonathan Glazer The Zone Of Interest lead the nominations in the main categories of the 36th European Film Awards which will take place in Berlin on December 9.
Saudi Arabia’s Red Sea International Film Festival has unveiled it 2023 line-up and theme as it maintains its third edition against the backdrop of the escalating Israel-Gaza Conflict. (scroll down for full list)
Rafa Sales Ross Guest Contributor Ji.hlava Intl. Documentary Film Festival has unveiled the program for its 27th edition, which will take place in the Czech city of Jihlava between Oct.
Academy Award-nominee Kaouther Ben Hania’s Cannes prize-winning documentary “Four Daughters” won the Golden Eye for Best Documentary at the Cannes Film Festival. Now, Kino Lorber is releasing it this fall in limited release. “Four Daughters” made its World Premiere as the sole Arab film in Competition at the Cannes Film Festival and its North American premiere in the Special Presentations section at the Toronto International Film Festival, and has been submitted as the official Tunisian entry for Best International Feature at the 96th Academy Awards.
Morocco has submitted Asmae El Moudir’s The Mother Of All Lies as its candidate for Best International Film at the 96th Academy Awards.
Tunisia has picked Kaouther Ben Hania’s Four Daughters, which debuted in competition at this year’s Cannes Film Festival, as its entry for the Best International Feature Film category at the 2024 Oscars.
Saudi Arabia’s Red Sea International Film Festival has cancelled its swanky Women in Cinema gala event at the upcoming Venice Film Festival in response to the ongoing actors’ strike.
Nick Vivarelli International Correspondent Jane Campion, Laura Poitras, Mia Hansen-Løve and Martin McDonagh are among high-caliber members of the Venice Film Festival’s main jury. The prominent directors, most of whom are Venice regulars – Poitras last year scored the Golden Lion with documentary “All the Beauty and the Bloodshed” – will be joined on the Venice jury panel by Palestinian actor Saleh Bakri (“Wajib”); Chinese star Shu Qi (“The Assassin”); Italian director Gabriele Mainetti, who was at Venice last year with “Freaks Out”; and Argentinian auteur Santiago Mitre whose “Argentina, 1985” also launched from the Lido last year. They will join Damien Chazelle who – as previously announced – will serve as president of the Venice competition jury.
Patrick Frater Asia Bureau Chief Kino Lorber has picked up North American rights to Pham Thien An’s debut feature “Inside the Yellow Cocoon Shell.” The Vietnamese drama appeared in Cannes’ Director’s Fortnight section and was winner of the Camera d’Or. The company plans a theatrical release as well as a digital and home video releases on all major platforms after the film makes multiple stops on the international film festival circuit. “The sudden death of his sister-in-law brings unexpected responsibilities to Thien (Le Phong Vu), who is reluctantly tasked with bringing his five-year-old nephew Dao to their countryside hometown. On the road, Thien is drawn into a search for his long missing older brother, haunted and spurred forward by a series of sublime dreams that reignite suppressed memories, forbidden desires, and specters of his own youth. What began as a journey home becomes a pilgrimage marked by visual splendor and mystical overtones, a quest for understanding and certainty in a Vietnam that seems unable to provide any clear answers. As Thien battles with his own existential question of what is worth living for, Inside the Yellow Cocoon Shell interrogates the persistence and complexity of faith, not only in the spiritual but in the delicate beauty of earthly existence,” said Kino Lorber by way of a long synopsis.
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