Alex Ritman A number of major names from the U.K. film and TV world and beyond have donated items — and their own time — to an auction raising money for Gaza.
Alex Ritman A number of major names from the U.K. film and TV world and beyond have donated items — and their own time — to an auction raising money for Gaza.
EXCLUSIVE: Tilda Swinton, the Academy Award- and BAFTA Award-winning actress most recently seen in yet another indelible role in David Fincher’s Netflix hitman pic The Killer, has signed with CAA.
Tilda Swinton has built an entire career working with auteurs, from her early days with Derek Jarman to her recent work with Wes Anderson, David Fincher, and Joanna Hogg. And she’ll continue the trend in upcoming projects too, as The Film Stage reports the actress will work with Pedro Almodóvar on his next film.
The 26th annual British Independent Film Awards take place this evening in London. Scroll down for the winners list.
Moroccan filmmaker Asmae El Moudir has made history at the 20th edition of Morocco’s Marrakech Film Festival as the first local director to win its top prize with her hybrid documentary The Mother Of All Lies.
Tilda Swinton famously cut her acting teeth on the experimental films of late director Derek Jarman such as Caravaggio and The Garden as well as life-long friend Joanna Hogg’s debut short Caprice and Sally Potter’s Orlando.
Ben Croll This year’s Marrakech International Film Festival opened with a testament to art. Two months after a devastating earthquake, and in light of the ever-more heart-wrenching news coming out of the Middle East, the film showcase kicked off with a humanist rallying cry voiced by jury president Jessica Chastain. “In the weeks leading up to the festival, we were not sure that we would even be able to be here,” Chastain said at the Marrakech opening ceremony on Friday.
Jessica Chastain, resplendent in a shimmering silver tasseled jump suit, championed the power of art to bring about positive change at the opening night of the Marrakech Film Festival on Friday evening.
The 20th edition of the Marrakech International Film Festival has announced its selection, opening with Richard Linklater’s comedy Hit Man. (scroll down for full list of films)
Raine Allen-Miller’s debut feature Rye Lane leads this year’s British Independent Film Award nominations with 16 nods, including Best Director and Best British Independent Film.
Nick Vivarelli International Correspondent The Marrakech International Film Festival has announced its full jury, signaling that the event is forging ahead with its 20th edition despite the Israel-Hamas conflict — which has caused cancellations of several other fests in the region — and the earthquake that hit the country in September. Joining Jessica Chastain – who is the fest’s previously announced jury president – will be Iranian actor Zar Amir; French actor Camille Cottin; Australian actor and director Joel Edgerton; British director Joanna Hogg; U.S. director Dee Rees; Swedish-Egyptian director Tarek Saleh; Swedish actor Alexander Skarsgård and French-Moroccan writer Leïla Slimani.
A growing list of 300 film professionals, including Martin Scorsese, Olivier Assayas, Joanna Hogg, and Radu Jude, have signed an open letter calling for the contract of outgoing Berlinale Artistic Director Carlo Chatrian to be reinstated and extended beyond 2024.
Carlo Chatrian whose mandate as artistic director of the Berlinale will come to an end next year. As we reported last week, Chatrian had been expected to stay on beyond 2024, and was surprised to learn that the German body which oversees the festival, Kulturveranstaltungen des Bundes in Berlin (KBB), announced that it would no extend his contract. The org had previously said it would abandon the model of having an executive director and an artistic director and return instead to having a single director, following the next edition.
Todd Gilchrist editor Warner Bros. will commemorate its 100th anniversary with a block of programming on Turner Classic Movies starting April 1. TCM will broadcast remastered and newly restored versions of 10 classic Warner Bros. films, each featuring an introduction from a filmmaker or film expert culled from the network’s ongoing partnership with the Film Foundation, a non-profit preservation and exhibition organization. The program coincides with the April 13-16 run of the TCM Classic Film Festival in Hollywood. On April 13, a new 4K restoration of 1959’s “Rio Bravo,” Howard Hawks’ classic western starring John Wayne, Dean Martin, Ricky Nelson and Angie Dickinson, will premiere on TCM and serve as the opening night film of the festival. Dickinson will attend the in-person event, while Martin Scorsese will introduce the film on TCM’s small-screen presentation. Similarly, Warner Bros. will premiere a new 4K restoration of Elia Kazan’s “East of Eden,” starring James Dean, on both the big screen and the network, the latter featuring an introduction by filmmakers Wes Anderson and Joanna Hogg.
BFI Distribution has picked up Tilda Swinton and Joanna Hogg’s latest collaboration, The Eternal Daughter, for theatrical release in the UK and Ireland.
Naman Ramachandran BFI Distribution has acquired Joanna Hogg’s gothic ghost story “The Eternal Daughter,” starring Tilda Swinton in a dual role, for theatrical release in the U.K. and Ireland and will release in cinemas this fall. In the film, an artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past. The film had its world premiere at Venice in 2022 and also screened at the London and Toronto festivals. Alongside its wider distribution, it will also screen at London’s BFI Southbank as part of a complete Hogg retrospective season, which will run alongside a program of films that have influenced her work. The film is the BFI’s second acquisition from A24, following “God’s Creatures” earlier this year.
Arlo Parks has announced that she will release her second album ‘My Soft Machine’ later this year. First single ‘Weightless’ is out now.“’Weightless’ surrounds the painful experience of caring deeply about someone who only gives you tiny breadcrumbs of affection”, she says.
We just wrapped a year of some solid female-directed films: Dimee Shi’s animated explosion “Turning Red,” Sarah Polley’s Mennonite masterpiece “Women Talking,” Joanna Hogg’s exquisitely understated “The Eternal Daughter.” Now it’s time to get hype for another slate of women-led projects, including two wide-release comedies centered around Asian-American women, the next Greta Gerwig joint, and Elizabeth Banks’ “Cocaine Bear.” It’s officially our fifth year running this feature, so hopefully, by now, you know the drill.
EXCLUSIVE: Once again, working under the Guild’s restrictive rules for inclusion among nominees for the WGA Awards for Best Original and Adapted Screenplays, several leading Oscar contending screenplays are AWOL on the official WGA ballot sent to eligible voting members this morning.
EXCLUSIVE: London-based Lark is one of the buzziest new boutique film and TV agencies in Europe.
We’ve already gotten the Gotham Awards and have seen the New York Critics Circle announce their winners. As we start the final countdown of 2022, many of us continue to play desperate catch-up of the year’s best, making the prospect of an entire month worth of new releases daunting.
Joanna Hogg’s and Tilda Swinton’s creative partnership goes back nearly fifty years. The two became friends when they were only ten years old, and this school friendship eventually led to Hogg casting Swinton as the lead in her (1986) NFTS graduation film, “Caprice,” about a woman stuck in a fashion magazine.
Manori Ravindran International Editor In Hollywood, beauty isn’t just skin deep — it’s a currency. So it’s striking that Harris Dickinson makes fun of his own bountiful good looks in Ruben Östlund’s satirical comedy “Triangle of Sadness,” in which he plays a spoiled male model who goes on a humbling journey. In person, Dickinson cuts a striking figure at 6’2”, with sculpted features and full, cherry lips. But ask this 26-year-old from a working-class, South London family about his own physicality, and he instantly recoils. It’s easy to understand why: to objectify him for his beauty alone is to miss him entirely. Dickinson is increasingly everywhere — not only in British cinema but also in an impressive number of Hollywood features. His may not be an overnight success, but his popularity has been simmering, andwill soon boil over into stardom. In four years, he’s had leading roles in indie hits like Joanna Hogg’s meta romance “The Souvenir II” and studio fare like Sony’s psychological murder mystery “Where the Crawdads Sing.”
The first three big fall film festivals may have come and gone, but there are more fests returning to their post-pandemic offerings in the months ahead. The 60th New York Film Festival, for instance, will begin on Saturday, Jan.
Manori Ravindran International Editor The stars descended on Soho House in downtown Toronto on Saturday for Variety and Chanel’s Female Filmmakers’ Dinner during the Toronto International Film Festival. Guests in attendance included Tilda Swinton, star of Joanna Hogg’s “The Eternal Daughter”; Gina Prince-Bythewood, director of “The Woman King”; Darren Aronofsky, director of “The Whale”; and Anna Kendrick, who’s in Toronto shopping her new AGC Studios project “The Dating Game” to market buyers. Stars mingled on a packed rooftop before convening in the club’s private dining room, which gathered around 100 of the festival’s bright lights in filmmaking. They dined on a bespoke Soho House menu of beef tartare with black truffle, black cod and bok choy, and wagyu rib cap with porcini purée.
Tilda Swinton takes over the red carpet in a dazzling lavender gown at the premiere of The Eternal Daughter during the 2022 Venice International Film Festival on Tuesday (September 6) in Venice, Italy.
Tilda Swinton is switching up her look.
Jessica Kiang A mysterious nighttime mist swirls through Joanna Hogg’s sorrowful, secluded “The Eternal Daughter.” It is pumped, in artificial, Hammer-horror puffs and plumes, across groves and gravel driveways. It snakes around gables topped with gargoyles, snags on hedges, rubs against dark, staring, possibly haunted windows. It shrouds the film the way the unspoken words, undefined guilt and unfulfilled duties that exist between maybe every mother and daughter can cloud the truth of their fraught, primal connection. And it is this grave film’s most apposite motif, in being beautiful and mood-making but vaporous: try to grasp it and your hand closes on nothing but a faint, damp chill. Filmmaker Julie (Tilda Swinton), her aging mother Rosalind (Tilda Swinton) and Rosalind’s dog Louis (Tilda Swinton’s dog Louis) arrive in a white cab one foggy night at the remote Welsh hotel that Julie has booked for a stay over Rosalind’s December birthday. One of the secrets guarded by the mansion’s imposingly eerie Gothic facade is that it was not always a hotel. It used to belong to Rosalind’s aunt Jocelyn, and as a child during the war, Rosalind stayed here. So there’s a sentimentality to Julie’s choice of the place, as well as a very slightly sneaky agenda, signalled each time she furtively hits record on her phone as Rosalind begins to reminisce: Julie is gleaning material for an upcoming project about her and her mother, though she’s finding it difficult to get started.
There’s always been a haunted mood in Joanna Hogg’s films, felt both in the deceptively mundane domestic rhythms of the likes of “Exhibition” and “Archipelago,” and in the exquisite memory pieces, “The Souvenir” and “The Souvenir Part II.” Like the best and most personal of storytellers—Chantal Akerman comes to mind as a creator with akin sensibilities—Hogg is a filmmaker possessed by the slivers of her recollections.
Naman Ramachandran The subject of the ongoing Russian invasion of Ukraine, one of the topics of discussion at the Venice Film Festival, bubbled to the surface again on Tuesday with Tilda Swinton making a statement with her hair dyed yellow. “It’s my honor to wear half of the Ukrainian flag,” Swinton said at the press conference for Joanna Hogg’s “The Eternal Daughter,” when complimented on her look by a journalist. Swinton expressed that it was an honor later during the conference as well. The star wore a light blue top, which complements the dark blue of the Ukraine flag. Shot during lockdown, “The Eternal Daughter” follows an artist and her elderly mother who confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past. Swinton plays both mother and daughter. The names of the mother and daughter in the film are Rosalind and Julie, the names for Swinton and her real life daughter Honor Swinton Byrne in Hogg’s “The Souvenir” and “The Souvenir Part II.”
Filmmaker Joanna Hogg, who is behind the award-winning “The Souvenir” films returns this week at the Venice Film Festival with a new film, “The Eternal Daughter,” which stars Tilda Swinton (“Three Thousand Years of Longing“). The pic is described as a ghostly story slightly influence by Hogg’s own relationship with her late mother that explores the fraught and powerful bonds between mother and daughter but with otherworldly elements.
Tilda Swinton is back on the Lido, this time with director Joanna Hogg’s Venice competition title The Eternal Daughter.
Nick Vivarelli International Correspondent Last year Andrea Scrosati – who is group COO and continental Europe CEO of Fremantle – was at Venice with two films. This year Fremantle’s got six pics launching from the Lido, three of them in competition, which is a larger contingent than any of the U.S. studios or streamers. Fremantle’s business model, which involves a cluster of companies mostly across Europe that they either fully own or are majority investors in, has been bearing fruit on their film side. Their output has grown “from 8 to 32 delivered movies in two years,” Scrosati says. And the multi-pronged company’s Venice lineup – which includes Luca Guadagnino’s “Bones and All,” Emanuele Crialese’s “L’Immensità,” and Joanna Hogg’s “The Eternal Daughter” – is a reflection of that.
The BFI London Film Festival has unveiled its full list of titles, with the program comprised of 164 features and 23 world premieres across film and TV.
A24 has several highly anticipated new films on their fall slate, including Darren Aronofsky’s “The Whale” and Joanna Hogg’s “The Eternal Daughter.” The third world premiere you should be paying attention to is Elegance Bratton‘s narrative directorial debut, “The Inspection.” And not just because the autobiographical elements from Bratton’s life it features on screen. READ MORE: NYFF 2022 Adds World Premieres: “She Said,” and New Docs By Martin Scorsese, Elvis Mitchell, and more Set to debut at the 2022 Toronto International Film Festival and close the 2022 New York Film Festival, “The Inspection” centers on Ellis (Tony and Emmy Award nominee Jeremy Pope), a gay, black man who decides to join the Marines might be the only hope he has in life.
Memoria, Wes Anderson’s The French Dispatch and Joanna Hogg’s The Souvenir Part II. She’ll shortly be seen opposite Idris Elba in George Miller’s oddball romantic fantasy Three Thousand Years of Longing, with further collaborations with Hogg (The Eternal Daughter) and Anderson (Asteroid City) set to premiere before the year is out, along with a voice role in Guillermo del Toro’s animated Pinocchio.
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