Juliette Binoche spoke about what she described as the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian film festival.
Juliette Binoche spoke about what she described as the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian film festival.
Todd Gilchrist editor As the star of “Sixteen Candles,” “Pretty in Pink” and “The Breakfast Club,” Molly Ringwald understands why she’s still considered “the patron saint of teenagers.” Commercially successful and critically acclaimed, those films — and her performances — depicted adolescents with an emotional sophistication like few films before them. But Ringwald was bringing that complexity to the screen from her first role in Paul Mazursky’s “Tempest,” and the fact that she’s continued to do so throughout her career is why she’s set to receive the Variety Creative Vanguard Award at the Miami Film Festival on April 6.
For several months now, “Boyhood” filmmaker Richard Linklater has been vaguely hinting at making a French New Wave Film shot in Paris, but what that actually meant, given lack of details seemed vague. Now, it seems like the shape of the film is starting to become clearer.
Naman Ramachandran Feature debutant writer-director Shaun Seneviratne has unveiled the first clip of “Ben and Suzanne, A Reunion in 4 Parts,” which will world premiere at SXSW in the narrative feature competition. Starring Sathya Sridharan (“The Whale”) and Anastasia Olowin (“Tourists”), the film is set in Sri Lanka, the land of Seneviratne’s heritage. The actors play the characters Ben Santhanaraj and Suzanne Hopper in a romantic reunion turned unconventional adventure in a hilarious yet amorous journey across the country.
Elsa Keslassy International Correspondent After making its debut at last year’s Cannes Film Festival with Jean-Luc Godard’s last work and Pedro Almodóvar’s “Strange Way of Life,” Anthony Vaccarello‘s Saint Laurent Productions has boarded Jacques Audiard’s “Emilia Perez” as a co-producer. The musical thriller joins Saint Laurent Productions’ roster of prestige projects, including Oscar-winning director Paolo Sorrentino’s “Parthenope,” David Cronenberg’s “The Shrouds,” and the next films from Abel Ferrara, Wong Kar Wai, Jim Jarmusch and Gaspar Noé.
Berlinale. They followed a red carpet that mixed demonstrations and high style over a more than two-hour stretch. Festival co-chief Mariëtte Rissenbeek felt it necessary to address head on the festival’s recent controversy over invitations to five far-right (AfD) members of the German parliament.
Wes Anderson has revealed that his next feature film project will be simpler in terms of its production scale and with a more compact cast, after his ensemble works The French Dispatch and Asteroid City.
The Toronto International Film Festival has announced this year’s Wavelengths and Classics sidebars, the former section known for its politically charged, geographically diverse fare with a wide range of work drawn from the worlds of documentary, contemporary art, and international art-house cinema.
EXCLUSIVE: Cinema Guild has acquired North American distribution rights for Portuguese director Pedro Costa’s short film The Daughters of Fire, following its buzzy world premiere in Cannes this year.
Brigitte Bardot has been dealing with health issues.
Emergency services were called to Brigitte Bardot’s Saint Tropez home on Wednesday after the iconic French actress and animal rights activist suffered breathing difficulties, according to French media reports.
Though on the periphery of the Cahiers du Cinema and French New Wave scenes, which spawned the likes of Jean-Luc Godard, Francois Truffaut, and Agnes Varda, Jean Eustache is a key figure in the history of French film. Unlike the directors listed above, Eustache came into his own at the end of the 60s, when the idealism and revolutionary fervor of the era was beginning to fizzle.
Sometimes, you think you know all there is to know about classic cinema, and then someone like the cinephiles at Janus Films reminds you there are still so many hidden gems to rediscover. While not as well-known as the French New Wave icons like Jean-Luc Godard, François Truffaut, Éric Rohmer, Alain Resnais, Agnès Varda, etc., French filmmaker Jean Eustache is still a key figure in the history of the Nouvelle Vague.
Sometimes, you think you know all there is to know about classic cinema, and then someone like the cinephiles at Janus Films reminds you there are still so many hidden gems to rediscover. While not as well-known as the French New Wave icons like Jean-Luc Godard, François Truffaut, Éric Rohmer, Alain Resnais, Agnès Varda, etc., French filmmaker Jean Eustache is still a key figure in the history of the Nouvelle Vague.
What’s there to say about French director Michel Hazanavicius? His two “OSS 117” films with Jean Dujardin are foreign cult comedies. And then the duo struck gold stateside with “The Artist,” which won Best Picture, Best Director, and Best Actor at the 2012 Oscars.
Naman Ramachandran Disney’s “The Little Mermaid” made a splashy debut at the U.K. and Ireland box office, topping the charts with £5 million ($6.2 million), per numbers from Comscore. In its second weekend, Universal’s “Fast X” held strong with £2.2 million in second place for a total of £10.2 million. In third position, in its fourth weekend, Disney’s “Guardians Of The Galaxy Vol. 3” collected £1.5 million for a total of £31.6 million. Universal’s “The Super Mario Bros. Movie” earned £292,155 in fourth place in its eighth weekend for a total of £52.2 million. Warner Bros.’ “Hypnotic” rounded off the top five debuting with £217,252.
pic.twitter.com/6tv8TEj8zwFonda, an honorary Palme d’Or winner herself, presented Triet the prestigious award for her dramatic thriller film “Anatomy of a Fall” (“Anatomie d’une Chute”). In her speech, Fonda reflected on the first time she attended the French film festival many years ago.“There were no women directors competing at that time, and it never even occurred to us that there was something wrong with that,” Fonda said. “We have a long way to go.
Chinese actress Zhou Dongyu, who is in Cannes with Anthony Chen’s Un Certain Regard title The Breaking Ice, has had a fairytale career trajectory.
Godard speaks! Again. Quite rightly there’s a lot of hoopla about the world premiere of a 20-minute trailer the late cinema legend Jean-Luc Godard made for a feature film that will never exist: Phoney Wars.
Elsa Keslassy International Correspondent French actor Marine Delterme has signed with WME and has joined the cast of Park Chan-Wook’s HBO spy series “The Sympathizer” alongside Robert Downey Jr. Delterme, who currently lives in Los Angeles with her husband Florian Zeller, the Oscar-winning director of “The Father,” is best known in France for her role in the long-running procedural series “Alice Nevers.” Delterme has also acted in Roland Joffe’s “Vatel,” Mike Figgis’ “Women and Men 2,” and Christian Duguay’s “Coco Chanel.” She also collaborated with directors such as Jean Luc Godard, Manuel Poirier, Benoît Delepine, Philippe Leguay, Raoul Ruiz, Philippe Harrel, Cyril Collard, Cedrick Klapish, Caroline Champetier, Gerard Oury and Claude Berri.
EXCLUSIVE: International sales rights for late iconic director Jean-Luc Godard’s final work Trailer Of The Film That Will Never Exist: Phony Wars have been acquired by Goodfellas ahead of its world premiere in Cannes Classics on Sunday.
There are many stories about Jean-Luc Godard in Cannes, like the year he helped to shut it down (1968) because of the civil unrest that was sweeping France at the time. Then there was the time when (in 1985) he was ambushed in the Palais by a Belgian anarchist and hit in the face with a custard pie after the premiere of Détective. And, as recently as 2018, there was the time he conducted a press conference for his film The Image Book via FaceTime from Switzerland, making journalists line up to speak into a mobile phone.
Ryuichi Sakamoto's management have shared a playlist he compiled to be played at his funeral. Sakamoto died earlier this year and, per a statement released alongside the funeral playlist, "lived with music until the very end." The playlist was created privately but has now been shared with the public.
U.S. director Harmony Korine will be heading to Switzerland this summer to receive an honorary award at the 76th edition of the Locarno Film Festival, running from August 2 to 12.
Guy Lodge Film Critic “Carmen” didn’t begin life as an opera: French Romantic writer Prosper Mérimée conceived this tale of Spanish passion and tragic jealousy in 1845, thirty years before his compatriot Georges Bizet brought it into its best-known, aria-rich form. But it’s a story that thrives on operatic delivery, hinging on emotions so large and loud they beg to be sung at the top of one’s lungs. That makes it the opera that filmmakers can’t leave alone, even as they tend to switch out the music: Its screen interpretations range from Otto Preminger’s Broadway-rooted “Carmen Jones” to Jean-Luc Godard’s daring, Beethoven-infused “First Name: Carmen” to Robert Townsend’s Beyoncé-starring “Carmen: A Hip-Hopera.” With the plainly titled “Carmen,” ballet star and first-time feature director Benjamin Millepied joins that club, mostly eschewing song in an attempt to conjure the material’s intensity through dance. He is only intermittently successful.
Cannes chief Thierry Frémaux unveiled the bulk of the Official Selection for the 76th edition of the festival at a packed press conference in Paris on Thursday morning.
French fashion house Saint Laurent is moving into the world of cinema with an official production banner headed by house creative director Anthony Vaccarello.
Oscars for omitting certain individuals from the In Memoriam segment of the broadcast.During the ceremony at the Dolby Theatre in Los Angeles on Sunday (March 12), John Travolta introduced the In Memoriam section to remember those from the film industry who have died over the past year.As Lenny Kravitz performed ‘Calling All Angels’, a black-and-white slideshow remembered late stars such as Olivia Newton-John, Ray Liotta, Jean-Luc Godard, James Caan and others.At the end of the segment, a QR code was shown where viewers could find more of those lost over the past year on the Academy’s website.The absence of certain individuals from the televised broadcast, however, has sparked some criticism among viewers – especially Charlbi Dean, who played a lead role in Best Picture nominee Triangle Of Sadness.“She was the lead in a best picture this year and you don’t add her to the in memoriam?!?! RIP Charlbi Dean,” one viewer wrote.Others not included in the broadcast include Leslie Jordan, Anne Heche, Tom Sizemore and Paul Sorvino.
Lenny Kravitz performed his song ‘Calling All Angels’ on piano for the 2023 Oscars In Memoriam tribute segment last night (March 12).The musician sang and played piano as the slideshow played out honouring those in the film industry who have died in the past year.‘Calling All Angels’ is taken from Kravitz’s 2004 album ‘Baptism’. Watch below.This year’s tribute honoured the late Olivia Newton-John, Vangelis, Jean-Luc Godard, James Caan, Ray Liotta, and Angelo Badalamenti.
Anne Heche, “Saving Private Ryan” star Tom Sizemore and Charlbi Dean, who appeared in this year’s Best Picture nominee “Triangle of Sadness.”Fans also noted the absence of Cindy Williams: While she was best known for the ’70s TV sitcom “Laverne & Shirley,” she notably appeared in two classic films of the era, George Lucas’ “American Graffiti” and Francis Ford Coppola’s “The Conversation.”And while the tribute included “Goodfellas” star Ray Liotta, who died unexpectedly on May 26, 2022, his costar Paul Sorvino, who died in July 2022, was left out. Also missing from the tribute: two-time Oscar nominee Melinda Dillon of “Close Encounters of the Third Kind,” legendary acting coach Sandra Seacat, “The Nutty Professor” actress Stella Stevens, “Creature From the Black Lagoon” stuntman and cinematographer Ricou Browning, Fred Ward of “The Player” and “The Right Stuff,” “The Wild Bunch” actor Bo Hopkins, “Magnolia” and “Boogie Nights” star Philip Baker Hall, French actor Jean-Louis Trintignant, Stanley Kubrick regular Joe Turkel, David Warner of “Titanic” and “Time Bandits,” veteran actor Clu Gulager, blacklisted ’40s star Marsha Hunt, Henry Silva of “The Manchurian Candidate” and “Ocean’s 11,” British actor Leslie Phillips, and Sacheen Littlefeather, who famously appeared on behalf of Marlon Brando to explain why he wasn’t accepting his Best Actor Oscar for “The Godfather.” Among the stars and Hollywood vets honored at the 95th Academy Awards were James Caan, Angela Lansbury, Raquel Welch, Louise Fletcher, Jean-Luc Godard, Gina Lollobrigida, Robbie Coltrane, Nichelle Nichols, Kirstie Alley, and Olivia Newton John.
The Oscars’ annual In Memoriam segment on Sunday included a live performance of the song “Calling All Angels” by Lenny Kravitz.
I Am Cuba would probably still be locked away in a vault in Russia,” Scorsese continued. “He also produced films that really counted, by Werner Herzog, Paul Schrader, Norman Mailer, Jean-Luc Godard, Barbet Schroeder, Agnieszka Holland and others.
Good afternoon Insiders. Max Goldbart here and as the world prepares for Queen Elizabeth II’s funeral, which has dominated headlines this week, I’ll take you through the past few days in international TV and film.
Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle. But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.
Marta Balaga Finland’s leading film festival Love & Anarchy is ready to celebrate its 35th edition, free of COVID restrictions and finally able to focus on the films and the audience, says executive director Anna Möttölä in Helsinki. But it has been a bittersweet time, marked by the loss of Jean-Luc Godard and Lina Wertmüller back in December, whose 1973 film gave the event its name. While Wertmüller will be celebrated with a screening of “Seven Beauties,” another tragedy is on the team’s mind: the sudden death of Charlbi Dean, the star of Ruben Östlund’s Palme d’Or winner – and the festival’s opening film – “Triangle of Sadness.”
As you’re probably aware at this point, acclaimed filmmaker Jean-Luc Godard passed away earlier this week at the age of 91. The exact details of his passing have been kept private, but it is being reported that he used assisted suicide to end his own life.
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