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Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019).  And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.

Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019).  And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.

“Till” is sixth on the box office charts after expanding to 2,058 theaters, grossing just $2.8 million for a per-theater average of $1,366 and a running total of $3.6 million. The good news for Chinonye Chukwu’s true-story drama about the murder of Emmett Till is that critical and audience praise has been overwhelming, with a 98% Rotten Tomatoes score and an A+ on CinemaScore.

Anne Hathaway goes bold and bright for a few appearances to promote her new movie, Armageddon Time, in New York City on Wednesday (October 12).

EXCLUSIVE: Jaylin Webb, the young star of James Gray’s autobiographical period drama, Armageddon Time, has signed with Innovative Artists for representation. 

The trailer for James Gray’s “Armageddon Time”, starring Anthony Hopkins, Anne Hathaway, and more, is here.

Michaela Zee editor James Gray is reminiscing about his childhood in Queens in the first trailer for his semi-autobiographical film “Armageddon Time.” Inspired by the director’s upbringing in 1980s Queens, the film loosely follows Gray’s experiences as a student at the Kew-Forest School in New York City — where Donald Trump also attended. Starring newcomer Banks Repeta as Paul Graff, “Armageddon Time” also includes Jeremy Strong and Anne Hathaway as Paul’s parents Irving and Esther, and Anthony Hopkins as his grandfather. Additional cast members include Jaylin Webb, Ryan Sell, Tovah Feldshuh and John Diehl as Fred Trump. In May, Hathaway and Gray broke into tears as the film received a seven-minute standing ovation following its premiere at the Cannes Film Festival. Viewers were also surprised to see Jessica Chastain appear in a small cameo as Donald Trump’s sister, Maryanne.

EXCLUSIVE: Anne Hathaway praised James Gray for not being a “kid-glove” director. The filmmaker directed the Oscar-winning star in his autobiographical film Armageddon Time, which is receiving its North American premiere Friday at the Telluride Film Festival.

EXCLUSIVE: Director James Gray has revealed to Deadline that Johnny, a pivotal character portrayed by Jaylin Webb (The Wonder Years) in Gray’s autobiographical film Armageddon Time, was killed during a drug deal in the mid-1980s, some six years after we last see him in the movie.

One of our favorite films of the 2022 Cannes Film Festival, writer/director James Gray’s new intimate drama, “Armageddon Time,” is getting dropped into awards season this year. Focus Features announced today that the film will open in limited release on October 28, 2022.

Focus Features announced today that it will release James Gray’s semi-autobiographical drama Armageddon Time in limited theaters on October 28. The film will expand domestically on November 4 before going nationwide on the 11th.

Anne Hathaway is looking so chic for her second appearance at the 2022 Cannes Film Festival!

Clayton Davis James Gray’s “Armageddon Time,” a deeply personal look at how the auteur became the auteur we, or at least the French, came to know and love, debuted to warm applause on Thursday. However, the film’s problematic depiction of racial inequalities in the Reagan era may turn off awards voters.

CANNES – James Gray’s new film, “Armageddon Time,” is an autobiographical tale recounting the systematic racism he witness at the age of 12-years-old over four decades ago. His parents are played by Anne Hathaway and Jeremy Strong, while he’s reimagined as Paul, an artistic dreamer portrayed by Banks Repeta.

Anne Hathaway is looking incredible on the Cannes red carpet!

Matt Donnelly Senior Film WriterAnne Hathaway and Jeremy Strong made the end of the world seem pretty fabulous on Thursday night, hitting the Croisette for the Cannes Film Festival premiere of writer-director James Gray’s “Armageddon Time.”Gray’s semi-autobiographical film about growing up in 1980s Queens stars newcomers Banks Repeta (as the Gray surrogate) and Jaylin Webb (as his best friend). Hathaway and Strong play solid a Jewish couple with dreams of upward mobility.

William Earl Variety will partner with Campari to bring the Variety Studio to the 2022 Cannes Film Festival. The interview studio will run May 18 – 25 and feature conversations with top directors and stars attending the 75th annual fest.Talent participating in the interview studio includes Anne Hathaway, Jeremy Strong, Michael Banks Repeta, Jaylin Webb and writer/director James Gray from “Armageddon Time” (Focus Features), a coming-of-age story about family and the generational pursuit of the American dream; Julianne Moore and Jesse Eisenberg from his feature directorial debut, “When You Finish Saving the World” (A24), a comedy-drama about a mother (Moore) and her teenage son’s (Finn Wolfhard) complex relationship; Paul Mescal and writer-director Charlotte Wells from “Aftersun” (Pastel), an intimate drama following Sophie (Frankie Corio) as she reflects on a holiday she took with her father (Mescal) 20 years earlier; Alicia Vikander and writer-director Olivier Assayas from “Irma Vep” (HBO), a remake of the French silent film classic “Les Vampires”; and writer-director Park Chan-wook, and actors Tang Wei and Park Hae-il from “Decision to Leave” (Mubi), a thriller following a detective’s investigation of a man’s death in the mountains.

“We have our own superheroes here at Focus Feature and they are going to bring older filmgoers back to your movie theaters,” Lisa Bunnell, Focus Features distribution chief, promised thousands of cinema execs at the Universal presentation today.

EXCLUSIVE: Anthony Hopkins and Jeremy Strong are set to join the cast of Focus Features Armageddon Time with James Gray writing and directing. Anne Hathaway is also on board as are newcomers Banks Repeta along with Jaylin Webb and Ryan Sell. The film is currently in production in New York.