Jamie Dack Latest Celebrity News & Gossip

EXCLUSIVE: CAA has signed filmmaker Jamie Dack, whose debut feature Palm Trees and Power Lines earned her the U.S. Dramatic Directing Award at the 2022 Sundance Film Festival.

EXCLUSIVE: Black Bear’s management arm has signed the Swedish actor and model Simon Lööf for representation.

EXCLUSIVE: Black Bear’s management arm has signed Danish-American actor Elliott Crosset Hove for representation.

Film Independent Spirit Awards were handed out live Saturday night. Continuing a long-standing tradition, the 38th annual ceremony, which honors and celebrates independent filmmakers, took place at the Santa Monica Pier in Santa Monica, California. This year’s most-nominated films were , which garnered eight total nods and competed in the Best Feature category against , which had seven nods. Other top movies included , and .,, and, meanwhile, led the TV nominations with three each, while the latter three faced off in the Best New Scripted Series category.

Brent Lang Executive Editor “Palm Trees and Power Lines,” the story of a teenage girl who is groomed by a man twice her age, received nearly universal acclaim when it debuted at Sundance in 2022, going on to win an award for Jamie Dack’s direction. And yet, despite all the good reviews and honors, it took months for the film to find a distributor. The reason, Dack says, is many film companies didn’t want to touch a movie that tackles such a controversial subject. “People were scared,” says Dack. “There were many companies that wanted to take meetings with me and that told me they wanted to work with me on my next project. They were blunt. They said, ‘we love this film, but we just can’t distribute it.'”

*WINNER.“Bones and All” “Everything Everywhere All at Once” “Our Father, the Devil” “Tár” “Women Talking”   “Aftersun” “Emily the Criminal” “The Inspection” “Murina” “Palm Trees and Power Lines”    Todd Field, “Tár”Kogonada, “After Yang”Daniel Kwan & Daniel Scheinert, “Everything Everywhere All at Once”Sarah Polley, “Women Talking”Halina Reijn, “Bodies Bodies Bodies”   Lena Dunham, “Catherine Called Birdy” Todd Field, “Tár” Kogonada, “After Yang” Daniel Kwan & Daniel Scheinert, “Everything Everywhere All at Once” Sarah Polley, “Women Talking”   Joel Kim Booster, “Fire Island” Jamie Dack, Audrey Findlay, Story by Jamie Dack, “Palm Trees and Power Lines” K.D. Dávila, “Emergency” Sarah DeLappe, Story by Kristen Roupenian, “Bodies Bodies Bodies”John Patton Ford, “Emily the Criminal”   Cate Blanchett, “Tár” Dale Dickey, “A Love Song” Mia Goth, “Pearl” Regina Hall, “Honk for Jesus.

It’s crazy to think that boyish-looking Jonathan Tucker, known for roles in “The Virgin Suicides” (1999), “Hostage” (2005), “In the Valley of Elah” (2007), and “The Ruins” (2008), is now 40 years old. And beyond roles like “Charlie’s Angels” (2019), the perennially youthful-looking actor generally plays nice guys, introverts, and the like.

Tomris Laffly A humdrum thriller that clumsily digs into themes of sexual and emotional trauma, Amy Redford’s sophomore feature “Roost” follows Anna (Grace Van Dien), an archetypal perceptive teenage girl on the cusp of maturity. Because she’s the observant kind who yearns for big ideas and possibilities outside of her small suburban world, it’s no surprise that it isn’t a square teenage boy from her school that romantically sweeps Anna off her feet, but a man of nearly 30 years of age she’s met online. He’s the creepily mysterious Eric (Kyle Gallner, chillingly effective), someone who ignites Anna’s all-consuming emotions, shares her love of Emily Dickinson and notices (at least on the surface) the complexities of this young girl who wants to cross over to adulthood fast. But when he shows up at Anna’s doorstep uninvited all too abruptly after traveling hundreds of miles, he rattles the disturbed Anna, who struggles with saying a firm no to Eric’s disarming demeanor.

Elsa Keslassy International Correspondent Charlotte Wells’ “Aftersun” won the Grand Prize of the Deauville American Film Festival on Saturday evening during a ceremony which was followed by the French premiere of Olivia Wilde’s “Don’t Worry Darling.” “Aftersun” had world premiered at Critics Week in Cannes where it won a prize. The movie marks the feature debut of Wells, a New York-based Scottish filmmaker. Headlined by “Normal People” actor Paul Mescal, the bittersweet drama follows a father and his daughter who take a holiday at a Turkish resort in the late 1990s. The movie is being represented in international markets by Charades and will be distributed in North America by A24.

EXCLUSIVE: The Imitation Game outfit Black Bear Pictures is bolstering the senior ranks of its fledgling management division with the hire of respected former ICM Partners and William Morris agent Joanne Roberts Wiles.

Deauville Unveils American Indie-Focused Competition Selection

Leo Barraclough International Features EditorInternational production, finance and sales outfit Film Constellation is launching sales at the Cannes Film Market on Sundance winner “Palm Trees and Power Lines,” starring Jonathan Tucker (“The Virgin Suicides,” “Charlie’s Angels,” “Westworld”) and introducing Lily McInery.The feature debut of Jamie Dack, who expanded on her 2018 Cinéfondation short of the same title, “Palm Trees and Power Lines” follows 17-year-old Lea as she meets Tom, a charismatic man twice her age who promises an alternative to her unsatisfying adolescent life. Quickly falling for his charm, Lea sees him as the solution to all of her problems, but as Tom’s grip tightens, his intentions become distressingly clear.

Brent Lang Executive Editor of Film and Media“Palm Trees and Power Lines,” an unnerving and deeply disturbing look at an older man who grooms a bored teenager, asks challenging questions about consent and predation.As Tom, Jonathan Tucker, a veteran scene-stealer in “Kingdom” and “Westworld,”  is a revelation, painting a picture of pure evil that is nonetheless charming and seductive. He appears on the scene as Lea (newcomer Lily McInerny) is feeling bored and disconnected from her single mother and friends and prays on that loneliness and dissatisfaction for sinister ends. “Palm Trees and Power Lines” marks co-writer and director Jamie Dack’s feature film debut and earned rave reviews when it debuted at this year’s Sundance with some critics praising it as one of the best films of the festival.

Filmmaker Jamie Dack is no stranger to film festivals. Her short film about teenage malaise in suburban Southern California “Palm Trees and Power Lines” premiered at the 2018 Cannes Film Festival as a Cinéfondatio selection.

Every so often, the movies like to argue with themselves by dropping two versions of the same story within spitting distance of one another: “Dante’s Peak” and “Volcano,” “Deep Impact,” and “Armageddon.” The one-two punch of Sean Baker’s “Red Rocket” and Jamie Dack’s “Palm Trees and Power Lines” is, for clarity’s sake, nothing like dueling dumb-dumb disaster spectacles, but to consider Dack’s film without considering Baker’s is both impossible – everyone at Sundance is doing it– and frankly careless (but mostly impossible).

Writer-director Jamie Dack has expanded her widely admired 2018 short film Palm Trees and Power Lines into a considerably more thorny and disturbing feature of the same title. Shot verité style on the most banal possible locations, the film, which is making its world premiere in the U.S. Dramatic Competition section of the Sundance Film Festival, takes an unvarnished look at an environment that is arid both literally and figuratively, one in which young people seem to be given precious little guidance or structure by family or society. Dack doesn’t explicitly editorialize but makes acutely clear the vulnerability of adolescents left too much to their own devices at a formative age.

Owen Gleiberman Chief Film CriticA good filmmaker doesn’t just stage a scene. He or she creates a space (temporal, emotional, psychological, suspenseful). When that happens, we’re no longer just watching the characters — we’re drawn right into that space, until we’re almost floating in it, in sync with the characters’ identities and interactions, their minds and heartbeats.

Angelique Jackson Gretchen Mol, Jonathan Tucker and newcomer Lily McInerny are set to star in “Palm Trees and Power Lines,” from director Jamie Dack.Based on Dack’s short of the same name — which debuted as a Cinéfondation selection at the 2018 Cannes Film Festival — “Palm Trees and Power Lines” is a coming-of-age drama about a disconnected teenage girl named Lea (McInerny) who enters a relationship with a man twice her age.