Kate Winslet is reflecting on her shot to stardom after starring in Titanic.
Kate Winslet is reflecting on her shot to stardom after starring in Titanic.
Zack Sharf Digital News Director Kate Winslet said in a new interview with Net-a-Porter that she actively took roles in smaller, independent films after the record-breaking success of “Titanic” because the fame that resulted in starring in James Cameron’s epic was “horrible.” Winslet was just 22 years old when “Titanic” opened in 1997 and became a cultural phenomenon. It won 11 Oscars, including best picture, and became the highest-grossing film of all time, as well as the first to gross $1 billion worldwide. To say it turned Winslet and co-star Leonardo DiCaprio into overnight superstars would be an understatement.
James Cameron’s 1997 film “Titanic” made her feel, well, “horrible.” “I felt like I had to look a certain way or be a certain thing, and because media intrusion was so significant at that time, my life was quite unpleasant,” Winslet, 48, told Porter magazine for their cover story. “Journalists would always say, ‘After “Titanic,” ‘ you could have done anything and yet you chose to do these small things,” Winslet continued.
Though he keeps hinting at the possibility of working on something outside of the ‘Avatar’ universe, it really does sound as if James Cameron will continue to make movies in that franchise until he decides it’s time to retire. With two films released and three more in various stages of development, there just doesn’t seem like there will ever be time for Cameron to venture outside of that universe.
McKinley Franklin editor Rapper Travis Scott stars in the first trailer for his and director Harmony Korine‘s indie film “Aggro Dr1ft,” which was shot entirely in infrared. The short trailer is bathed in the starkly contrasted colors of the infrared lens, and it follows an assassin on his journey. “Breaking away from the traditional parameters of cinema, ‘Aggro Dr1ft’ explores the onslaught of digital ephemera and interrogates modern life through the vernacular of video games.
Leonardo DiCaprio has revealed that he recommended two films from animation studio, Studio Ghibli, for director Martin Scorsese to watch.Speaking with Letterboxd earlier this week, the two Hollywood stars, who recently collaborated on their sixth movie together, Killers Of The Flower Moon, opened up about DiCaprio’s recommendations, which were both created by Hayao Miyazaki.“I was asked what films I introduced to you, but considering you’ve seen every film ever made up until 1980, it’s pretty hard to say,” DiCaprio said to the director.“Other than maybe Spirited Away – Miyazaki’s films – and maybe Princess Monoke,” he continued.Scorsese responded: “It was Spirited Away you told me to watch,”The 2001 animated fantasy movie was a huge success, crossing more than $395million at the box office against a $19.2million budget, and winning the Oscar for Best Animated Feature at the 75th Academy Awards.The 1997 movie, Princess Monoke was also a critical and commercial success, and held Japan’s box office record for domestic films until the release of Spirited Away.
One of the most anticipated TV shows of 2024, which actually might land in 2025, we’ll see (the creator has contradicted himself a bit on the timeline, so let’s stay hopeful is FX’s “Alien” series. Created by Noah Hawley, also the creator of FX’s long-running “Fargo” series, many genre fans are chomping at the bit to learn every detail they can about the show.
Avatar star Sam Worthington says shooting will resume next month on the next installment of the fantasy-sci-fi franchise, and promises that the third film in the series will be “bigger than you can imagine.”
Elsa Keslassy International Correspondent The French box office jumped 19% in 2023 with an estimated €1.3 billion ($1.4 billion) grossed from 181.2 million tickets, according to Comscore France. Unlike in 2022, when the top 10 was exclusively dominated by U.S.
Titanic is a cinematic masterpiece.
The Producers Guild of America announced today that Charles D. King will be honored with the 2024 Milestone Award, citing “his immeasurable contribution to the film industry.” King will accept the award at the 35th Annual Producers Guild Awards on Sunday, February 25.
Look, in the lead-up to “Avatar: The Way of Water,” I was a non-believer. I forgot the first rule of Hollywood blockbusters—Never doubt James Cameron.
Todd Gilchrist editor Even among James Cameron’s epic and frequently arduous productions, from “Titanic’s” nine months of filming to the three years spent on “Avatar: The Way of Water,” “The Abyss” was particularly ambitious — and difficult: The 1989 thriller was shot almost entirely underwater, requiring its crew and cast to learn how to shoot, and act, while using diving equipment with which many of them were completely unfamiliar. “You show up to do a diving movie, you’re going to have to dive,” says Cameron in a new clip from bonus features accompanying the film’s digital release on Tuesday.
James Cameron has reflected on the making of Titanic in a new interview, where he also revealed that he only cast short extras on the set in order to make the ill-fated ship look bigger.Cameron was talking to the Los Angeles Times for the film’s 4K remastering and home video release as part of the film’s 25th anniversary celebrations before he opened up about the casting and the size of the set.“The scale of everything was beyond anything we could imagine in terms of our prior experience,” he told the publication. “At the time we thought, ‘wow, there’s no way this movie could ever make its money back.
He’s still big. It’s the extras that got small, director James Cameron revealed in an interview this week about his 1997 film, Titanic.
Zack Sharf Digital News Director James Cameron revealed last month that he’s currently knee deep in the “very hectic” post-production of “Avatar 3.” Neither the director nor Disney is ready to unveil the title for “Avatar 3,” but it sounds like it won’t be “The Seed Bearer” as Cameron once considered. The titles for Cameron’s “Avatar” sequels have become social media fodder ever since November 2018 when the BBC reported the four movies would have the following names: “Avatar: The Way of Water,” “Avatar: The Seed Bearer,” “Avatar: The Tulkun Rider,” and “Avatar: The Quest for Eywa.” Cameron told Entertainment Tonight in 2019: “I can neither confirm nor deny — alright, here’s what I’ll tell ya: Those titles are among titles that are in consideration.
Leonardo DiCaprio has had himself quite the career, appearing in many lucrative films!
Kate Winslet is reflecting on working with Leonardo DiCaprio on Titanic.
James Cameron says he will spend more time in post on Avatar 3 than most directors spend on an entire film.
J. Kim Murphy The Gotham Awards are a night to celebrate independent film, but Cailee Spaeny snuck in a tease for 20th Century Studios’ upcoming “Alien: Romulus” when asked about the project on the red carpet Monday evening. The “Priscilla” star is leading the Fede Alvarez-directed revival, which has been described as a standalone story in the “Alien” universe.
‘Are you ready to go back to Titanic?’If anyone has fueled James Cameron’s erratic film dreams (and filled his pockets with lots of money), it’s most likely me. Although I was only 4 years-old when TITANIC hit the big screen (I hope that makes some of you feel rather old), I’ve since seen it around a billion times. On analogue television, on digital channels, at Christmas, during summer holidays, on video, on DVD, even at the cinema in 3D (yes, I was one of those people).
The Abyss is getting the 4K treatment and it looks like it is heading into cinemas – certainly in the U.S.We know this as we have an official trailer for the film and a confirmed stateside release date: 6th December. Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester, Todd Graff, John Bedford Lloyd, J.C.
James Cameron seems to have his head firmly in the “Avatar” clouds, as he plots the future of his sci-fi epic that will likely serve as the culmination of his filmmaking career. However, that doesn’t mean that James Cameron’s past is willing to fade away without a bit of a fight, as two of his most famous works are getting new life… in very different ways.
EXCLUSIVE: Plimsoll Productions is making some changes to its natural history team.
James Cameron described the production cost of Avatar: The Way Of Water as “very fucking expensive”, telling GQ that the sequel to his 2009 blockbuster – the most successful film of all time – cost so much to make that he told the studio it represented “the worst business case in movie history”.Cameron claimed that, in order for the sequel to simply break even, it would have to become “the third or fourth highest-grossing film in history”.“That’s your threshold,” he said. “That’s your break even.”Despite this, it is not the most expensive film in history.
We’ve said it a million times, but Steven Soderbergh is one of the best innovators working in filmmaking today. No, he doesn’t push technology forward with cutting edge CGI like James Cameron.
Alison Hammond was comically punched on-screen by bodybuilder Arnold Schwarzenegger in a hilarious segment on today's ITV's This Morning.
The angriest filmmaking fights that I’ve witnessed over the years have not been about cost or cast; they were about length. The movies were too long but so were the fights.
It would be hard to argue that “Deadpool” didn’t change the landscape of superhero/comic book adaptations. The successful R-rated “X-Men” adjacent film cemented Ryan Reynolds as a full-fledged action star and launched director Tim Miller as someone on the pulse of genre filmmaking.
New behind-the-scenes photos of the 1997 blockbuster smash “Titanic” have been released — and they look like they were taken 84 years ago.Leonardo DiCaprio and Kate Winslet — just 21 and 20, respectively, at the time — boarded the fictional S.O.S. Titanic as production kicked off in summer 1996.
William Earl SPOILER ALERT: This post contains spoilers from Episode 2 of “The Fall of the House of Usher,” “The Masque of the Red Death,” which debuted today on Netflix. During an ’80s flashback in Mike Flanagan’s new horror series “The Fall of the House of Usher,” two characters have a decidedly contemporary conversation during which they discuss AI being used to write scripts. In Episode 2, “The Masque of the Red Death,” during a scene which is set in 1980, the younger depiction of Roderick Usher (Zach Gilford) and his sister Madeline (Willa Fitzgerald) are speaking about technology.The brilliant and devious Madeline opines on math and technology, saying, “An algorithm is just a finite sequence of all defined instructions to solve a problem, or perform a computation.
After thirty-five years of development and waiting, Kevin Costner‘s Western epic “Horizon: An American Saga” begins next year. And the first part of the long-gestating passion project for the actor-director arrives in theaters in two parts: Part One in June 2024, and Part Two in August.
When you look at James Cameron’s filmography, the man doesn’t have any real missteps. Sure, you can dissect his directorial debut, “Piranha II,” or talk about how “Avatar” has completely dominated his career over the past decade, but by and large, the filmmaker has one of the most successful and influential IMDBs of anyone.
The Blackening, has signed on to produce alongside MindRiot Entertainment, which has also greenlit a docuseries based on the former OceanGate mission director Kyle Bingham.According to The Guardian, its current working title is Salvaged.In June, a tourist submarine named Titan made headlines when it went missing in the North Atlantic on an expedition to the Titanic shipwreck.At some point on its journey, it suffered a “catastrophic implosion” killing all five people on board, including Stockton Rush, the submersible’s pilot and the chief executive officer of OceanGate.The vessel was missing for four days before debris was discovered and the five passengers were confirmed dead.“The Titan Tragedy is yet another example of a misinformed and quick-to-pounce system, in this case, our nonstop, 24-7 media cycle that convicts and ruins the lives of so many people without any due process,” MindRiot co-founder Jonathan Keasey said in a statement via Deadline.“Our film will not only honour all those involved in the submersible tragedy, and their families, but the feature will serve as a vessel that also addresses a more macro concern about the nature of media today.”He added: “Truth is all that matters. And the world has a right to know the truth, always, not the salacious bait crammed down our throats by those seeking their five minutes of fame.
Todd Gilchrist editor James Cameron appeared Wednesday at Los Angeles genre festival Beyond Fest for a Q&A about “The Abyss” after a screening of the film’s seldom-seen two-hour and 51-minute Special Edition. Unbeknownst to attendees (but later confirmed by festival programmers), the DCP presentation turned out to be the 4K transfer Cameron announced last year, physical and streaming versions of which he said were “out of his hands” but all work has long been completed.
EXCLUSIVE: United Talent Agency has signed actor Jack Champion for representation in all areas, Deadline can exclusively reveal.
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