Gianni Amelio Latest Celebrity News & Gossip

Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.

With Italy not being a nation typically associated with progressive views and attitudes regarding sexuality, it was reassuring to hear the largely local crowd at the “Lord of the Ants” press screening of the Venice Film Festival laugh at the preposterous words of an ultra-religious woman on screen talking about how she “cured” her son from homosexuality by sending him to a saint. Whether the scene was intended to provoke that reaction is another story.

Guy Lodge Film Critic Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.

Myrmecology is a study of science that looks at the life, society, and hierarchy of Ants. Early Myrmecologists believed that Ant culture was utopian and thought by studying them in encased Ant farms, they could find solutions to human problems. However, in Gianni Amelio’s Italian post-WWII drama, The Lord of the Ants (Il Signore Delle Formiche), flips this idea around. It examines why strict societies foster cultures of oppression where everyone must play their role or be punished. The screenplay by Amelio, Federico Fava, and Edoardo Petti chooses its dialogue with precision. They want us to know they resent post-Mussolini Europe and how not just homosexuals but anyone on the margins is oppressed under fascist rule. 

Nick Vivarelli International Correspondent Prominent arthouse sales company The Match Factory has closed multiple sales on Italian auteur Gianni Amelio’s Venice competition title “Lord of the Ants” ahead of its Venice premiere on Tuesday. The Match Factory has sealed deals on Amelio’s latest work – which is a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law – that will ensure the film’s theatrical release in: Australia/New Zealand (Palace Films); Japan (Zazie Films); Spain (Surtsey Films); Sweden (TriArt Film) and Greece (Ama Films). Further deals are in negotiation, the company said. Braibanti was convicted after a complaint from his partner’s father, who later forced his son to be treated with electroconvulsive therapy in an ill-conceived attempt to rid him of his homosexuality. The Fascist-era law that punished Braibanti, which made it a crime to lead innocent or unwary people “morally” astray, was repealed in 1981.

Gregg Goldstein Since 2007, Venice’s Queer Lion Award has reflected and elevated the best in LGBTQ cinema. Fifteen years later, founder Daniel N. Casagrande said this year’s Venice Film Festival will be “the most queer edition ever.” Among the fest’s 30 LGBTQ-themed titles, 19 are competing for the Queer Lion, including a record six films from the main competition. They include Todd Field’s orchestra conductor drama “Tár,” starring Cate Blanchett; Darren Aronofsky’s estranged gay father study “The Whale,” featuring Brendan Fraser; Laura Poitras’ doc “All the Beauty and the Bloodshed,” chronicling bisexual artist Nan Goldin’s life and anti-opioid crusade; Andrea Pallaoro’s trans woman family drama “Monica”; Emanuele Crialese’s “L’immensità,” starring Penélope Cruz as the mother of a transgender child; and Gianni Amelio’s “Il signore delle formiche,” the true story of an Italian artist jailed under an infamous anti-gay law.

Welcome to Deadline’s International Disruptors, a feature where we shine a spotlight on key executives and companies outside of the U.S. shaking up the offshore marketplace. As the Venice Film Festival kicks off today, we’re speaking with RAI Cinema CEO Paolo Del Brocco about some of the company’s 24 titles featuring in the festival this year as well as his ongoing challenge to lure Italian audiences back into the cinema after a rocky post-pandemic period. 

Leading Italian theatrical distribution and production house Eagle Pictures has acquired a 100% stake in emerging independent film and TV production start-up 302 Original Content.

Nick Vivarelli International CorrespondentItalian auteur Gianni Amelio (“Open Doors”) will shoot a biopic of Italian poet, playwright and director Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law. The Match Factory has boarded the pic and is launching international sales in Cannes.

Nick Vivarelli International CorrespondentItaly’s 66th David di Donatello Awards are set to celebrate on May 11 a year of resilience for Cinema Italiano that also looks likely to germinate some creative renewal, just as Italian movie theaters start to reopen and production is booming.Giorgio Diritti’s biopic “Hidden Away,” about crazed primitivist painter Antonio Ligabue, Gianni Amelio’s wistful “Hammamet,” which reconstructs the Tunisian self-exile of scandal-plagued Italian leader Bettino

Nick Vivarelli International CorrespondentGiorgio Diritti’s biopic of an obscure artist “Hidden Away,” Gianni Amelio’s “Hammamet,” about scandal plagued Italian leader Bettino Craxi, and dark drama “Bad Tales” by the D’Innocenzo Brothers lead the race for Italy’s David di Donatello Awards, the country’s top film prizes, for which this year there is no clear frontrunner.Interestingly, “Hidden Away,” which scooped 15 nominations, and “Bad Tales,” which tallied 13 noms, both star actor Elio