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Peter Debruge Chief Film CriticThe first major animated feature for a post-Trump era, “Raya and the Last Dragon” is as leftie a toon as Disney has ever made, though its core message of unity and come-togetherness should hardly seem political at all. Notably, it’s a movie with no villain, no love interest, no musical numbers and no talking animals — unless you count Awkwafina’s loquacious (and potentially world-saving) water dragon Sisu.

Owen Gleiberman Chief Film CriticThe Danish filmmaker Thomas Vinterberg came up in the Dogme 95 movement, and he’s sort of like Lars von Trier if von Trier, beneath the radical flourishes, had become a conventional-minded director of mildly outré TV movies. (Netflix should snap him up.) In a Vinterberg film, there’s the hook, which is often provocative, and then there’s the execution, which tends to be overly telegraphed and a touch plodding and not fully psychologically convincing.