Elissa Karasik Latest Celebrity News & Gossip

The Writers Guild of America revealed nominations Thursday in television, new media, news, radio/audio and promotional categories for the 2022 WGA Awards, which are scheduled to take place Sunday, March 20 hosted by the WGA West and WGA East.

The Marvels, Nia DaCosta’s action-packed addition to a decent if not spectacular year for the films of the MCU.The ending we’re talking about is not only the film’s climactic showdown and good-humored epilogue but, since this is a Marvel movie, also the buzzworthy mid-credits sequence. All three components offer satisfactory closure to the story at hand, while heralding intriguing future adventures for the film’s titular trio of superheroes.The credits scene, in particular, foreshadows the first truly exciting MCU plot development since Marvel cracked open its now 33-film fictional universe into a kaleidoscopic multiverse of rarified worlds and reimagined characters.

In an era where the Marvel Cinematic Universe frequently shuttles between multiverse escapades and interplanetary conflicts, Nia DaCosta‘s The Marvels emerges as a breath of fresh air, eschewing bombast for a nuanced exploration of its characters. DaCosta, alongside writers Megan McDonnell and Elissa Karasik, anchors the superhero spectacle in the tangible and personal, making the extraordinary feel accessible and grounded.

McKinley Franklin editor Brie Larson, Teyonah Parris and Iman Vellani are ready to kick ass in “The Marvels.”  Marvel Studios has released a new trailer for “The Marvels,” the sequel to 2019’s “Captain Marvel.” The film will star Larson in her longstanding role of Carol Danvers while Parris and Vellani make their Marvel Cinematic Universe theatrical debuts, reprising their respective roles of Captain Monica Rambeau and Kamala Khan, aka Ms. Marvel.  Building on the film’s first trailer, the latest teaser gives Marvel fans a look of what’s to come for the female-led supergroup. Carol, Monica and Kamala are forced to band together after their powers become interwoven, swapping into one another’s places when their powers are activated. There’s also a better look at Samuel L. Jackson’s return as Nick Fury and Zawe Ashton’s villain, Dar-Benn, who is intent on destroying several worlds.

**WINNER.Original Screenplay“Being the Ricardos,” written by Aaron Sorkin“Don’t Look Up,” screenplay by Adam McKay, story by Adam McKay & David Sirota“The French Dispatch of the Liberty, Kansas Evening Sun,” screenplay by Wes Anderson, story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman“King Richard,” written by Zach Baylin“Licorice Pizza,” written by Paul Thomas AndersonAdapted Screenplay** WINNER “CODA”, screenplay by Siân Heder, based on the original motion picture “La Famille Belier” directed by Eric Lartigau, written by Victoria Bedos, Stanislas Carree de Malberg, Eric Lartigau and Thomas Bidegain“Dune,” screenplay by Jon Spaihtsand Denis Villeneuveand Eric Roth, based on the novel “Dune” written by Frank Herbert“Nightmare Alley,” screenplay by Guillermo del Toro & Kim Morgan, based on the novel by William Lindsay Gresham“tick…tick…BOOM!,” screenplay by Steven Levenson, based on the play by Jonathan Larson“West Side Story,” screenplay by Tony Kushner, based on the stage play, book by Arthur Laurents, music by Leonard Bernstein, lyrics by Stephen Sondheim, play conceived, directed and choreographed by Jerome RobbinsDocumentary Screenplay“Becoming Cousteau,”written by Mark Monroe & Pax Wasserman** WINNER “Exposing Muybridge,” written by Marc Shaffer“Like a Rolling Stone: The Life & Times of Ben Fong-Torres,”written by Suzanne Joe KaiDrama Series“The Handmaid’s Tale,” written by Yahlin Chang, Nina Fiore, Dorothy Fortenberry, Jacey Heldrich, John Herrera, Bruce Miller, Aly Monroe, Kira Snyder, Eric Tuchman “Loki,” written by Bisha K.

Quibi was set to make a series about Snapchat founder Evan Spiegel, but the series is no longer moving forward.

By Joe Otterson