David Ayer Latest Celebrity News & Gossip

It’s crazy to think, but it has been over seven years since the release of David Ayer’s “Suicide Squad.” And though that film did amazingly well at the box office, the filmmaker has consistently spoken out about how Warner Bros. completely changed his film in post-production and released a bastardized version of his superhero film.

EXCLUSIVE: David Ayer’s Levon’s Trade has started principal photography on location in London with Jason Statham (Fast & Furious franchise) joined in the cast by David Harbour (Stranger Things), Michael Peña (Narcos: Mexico), Jason Flemyng (Boiling Point) and Arianna Rivas (The Harvest).

David Ayer may never get to release his director’s cut of “Suicide Squad,” but he’s maintaining relevancy thanks to the success of “The Beekeeper.” Ayer’s latest made $152.6 million at the global box office off a $40 million budget: a big enough success to guarantee that he’ll at least make mid-budget movies for the foreseeable future. READ MORE: ‘The Beekeeper’ Red Band Trailer: Jason Statham Is Out For Revenge In David Ayer’s New Action Film And that’s precisely what Ayer has up next.

EXCLUSIVE: Fresh off the success of his action pic The Beekeeper, David Ayer is continuing to stay busy. The director has signed on to helm Paramount Pictures’ Heart of the Beast. Damien Chazelle and Olivia Hamilton are producing under their Wild Chickens Productions banner as part of their first-look deal with the studio. Ayer and Chris Long will also produce under their Cedar Park Entertainment banner.

Jason Statham.The Beekeeper sits at the top of the 2024 box office chart so far, with a total worldwide figure of $150 million (£118 million). That puts it comfortably ahead of Sony’s Madame Web and Matthew Vaughn’s Argylle, which sit on $77 million and $86 million, respectively.Statham stars in the film as Adam Clay, a former beekeeper who sets out for revenge after a retired schoolteacher takes her own life after losing her charity’s funds to a phishing scam.

according to IMDB’s Box OfficeLast Saturday, the film’s star, Reneé Rapp, performed on “Saturday Night Live” as its musical guest, and was introduced by Rachel McAdams, who starred in the original “Mean Girls,” released in 2004.“The Beekeeper,” remained in second place, with earnings of just over $1.8 million.Due to the success of the action thriller, its director, David Ayer, and star, Jason Statham, have decided to collaborate once again on for “Levon’s Trade,” based on comic author Chuck Dixon’s first novel, according to Deadline.The rom-com “Anyone But You” which debuted in December, is still melting hearts, and remained in third this week, raking in $1.5 million. This weekend, the film is slated to surpass the $70 million mark in domestic earnings.

EXCLUSIVE: In a lucrative pact, Amazon MGM Studios has landed U.S. theatrical rights to Levon’s Trade, with Prime Video taking streaming rights in a slew of major international territories, we can reveal.

So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. 

Rebecca Rubin Film and Media Reporter The “Mean Girls” movie musical topped a sleepy box office as “I.S.S.,” a sci-fi thriller that takes place aboard the International Space Station, misfired in its opening weekend. “Mean Girls” added $11.7 million in its second weekend of release, bringing its domestic tally to $50 million. Ticket sales dropped a steep 59% from its debut.

There’s not much going on at the weekend box office. Yes, point fingers at the dual strikes’ impact on the theatrical schedule. But it’s also January, which typically counts a couple of the year’s lowest-grossing weekends. The 3-day for all titles is looking at $68M, which is not only the first weak weekend of the New Year, but -8% off the same frame a year ago, which did $72.4M. Per Box Office Mojo, the first two weekends of January respectively grossed $85.7M and $97M.

William Earl administrator SPOILER ALERT: This article discusses mild plot points in the new movie “The Beekeeper.” David Ayer‘s new film “The Beekeeper” is an action movie extravaganza that’s reminiscent of the best Schwarzenegger and Stallone flicks of the ’80s. Jason Statham stars as Adam Clay, a man who seeks vengeance on the call center that scams one of his friends (played by Phylicia Rashad). Unfortunately for the criminals, led by nepo baby tech bro Derek Danforth (Josh Hutcherson), Statham has a secret past that makes him an ass-kicking machine.

Rebecca Rubin Film and Media Reporter Can “Mean Girls” make fetch happen at the box office? Paramount’s new take on the teen classic is aiming to generate $30 million from 3,800 North American theaters over Martin Luther King Jr. weekend. The studio projecting a debut in the high $20 million range.

Peter Debruge Chief Film Critic “The Beekeeper” is the best kind of bad movie — which is to say, it’s the sort that puts entertainment ahead of pretentiousness, embracing the laughter sure to accompany such an unapologetically stupid, ultra-violent premise. Starring Jason Statham in what feels like a parody of Jason Statham movies, this conspiracy-fueled action showcase tortures its central metaphor until it can only be seen as a joke, featuring the “Transporter” star as ruthless, retired government assassin-turned-benevolent beekeeper Adam Clay, who’s pushed back into berserker mode after a phishing attack targets the kindly old woman from whom he rents a barn.

As DC fans know all too well, there’s another cut of David Ayer’s “Suicide Squad” dubbed the “The Ayer Cut,” a longer, much darker version of the theatrical version that the filmmaker himself has basically disavowed (henceforth known as #TheAyerCut for the purposes of this article). Given the release of “Zack Snyder’s Justice League,” his very different, much darker version of the Joss Whedon directed “Justice League,” DC fans have been clamoring for an #AyerCut film, and it’s been discussed on social media for years.

David Ayer is hoping his cut of the 2016 DC Studios film Suicide Squad gets released one day.

Will David Ayer‘s cut of “Suicide Squad” ever see the light of day? It’s something Ayer teased quite a bit this year in interviews and elsewhere, even stating that new DC Studios co-head James Gunn had interest in releasing it. There are no guarantees here, but Ayer still sounds optimistic about the possibility in a new interview with Total Film, even if his “Suicide Squad” reaching fans is an uphill battle.

John Bleasdale Guest Contributor Action star Jason Statham considers David Ayer’s “The Beekeeper,” which opens next year, as one of his buzziest movies yet. “I can’t wait for people to see that. It’s really sophisticated and cool, full of heart and excitement,” he said Thursday at the Red Sea Film Festival.

Zack Sharf Digital News Director Universal has long wanted to reboot “Scarface,” Brian de Palma’s 1983 crime classic starring Al Pacino as a powerful Miami drug lord. Multiple directors have circled the reboot over the years, including Antoine Fuqua, Luca Guadagnino and David Ayer. The latter director boarded “Scarface” the year after his “Suicide Squad” grossed $747 million worldwide despite negative reviews.

David Ayer continues to be optimistic that his cut of 2016’s Suicide Squad will see the light of day.

For fans of action films, names like David Ayer, Jason Statham, and Sylvester Stallone are enough to get you excited. And when you combine all three, as is the case in the upcoming film, “Levon’s Trade,” people are going to expect the possibility of something special.

EXCLUSIVE: Black Bear and BlockFilm — the new production label of former Miramax boss Bill Block — are set to heat up the AFM market some more today with action movie Levon’s Trade, which will star Jason Statham (Fast & Furious franchise) and be directed by David Ayer (Suicide Squad) from a screenplay adapted by Sylvester Stallone (Creed).

EXCLUSIVE: Heading into next week’s AFM, U.S. sales firm The Exchange has made multiple hires and promotions.

The trailer for Jason Statham‘s new action thriller has been released.

Though, in recent years, David Ayer is largely known as the guy who directed “Suicide Squad” and experienced all the behind-the-scenes drama that accompanied that production, we shouldn’t forget that the filmmaker had a whole career making action films. Now, he returns to his wheelhouse with the new film, “The Beekeeper.” READ MORE: David Ayer Says ‘Suicide Squad’ Dailies Were So Well Received That There Was Talk Of “Oh, Maybe Ayer’s Gonna Take Over DC.” As seen in the trailer for “The Beekeeper,” the film fits beautifully in the fairly recent “man with a particular set of skills” action subgenre.

EXCLUSIVE: In a major shakeup at Miramax, CEO Bill Block will exit the company this week, a move that will come as soon as Tuesday when his contract expires. It does not look like there was much if any negotiation on a new deal for Block, which raises questions of exactly which areas the multi-faceted company will lean into.

Matt Donnelly Senior Film Writer Bill Block is out as CEO of Miramax. The executive and film producer was hired in 2017. Block’s contract expired this week and was not renewed, sources said.

One last story from Jon Bernthal’s podcast with David Ayer about “Suicide Squad.” Sorry, but this one’s full of juicy tidbits. OK, Bernthal has a podcast called “Real Ones,” where he brings his friends on mostly.

It’s a decent film, nowhere close to a masterpiece, but the stories of the making of David Ayer’s WWII tank drama “Fury” are nearly legendary. Ayer put his cast, including Brad Pitt, through a rigorous boot camp; they all took it very, very seriously, bonded, and seemingly all started acting the part of tough guy soldiers in real life when cameras weren’t even rolling.

Despite its disputes being more than seven years old, David Ayer’s 2016 superhero film, “Suicide Squad,” continues to be a source of controversy for dejected fans online and a point of contention for the filmmaker. Part of it is because “Suicide Squad” was a vestige of the old Zach Snyder-led DC Universe, which is no more, and part of it is because the film was apparently tampered with beyond belief.

David Ayer is speaking out about “Suicide Squad”, his 2016 DC Comics-inspired film that introduced Margot Robbie as Harley Quinn.

Suicide Squad is the biggest heartbreak in his career.The director, who has previously been outspoken about the 2016 film’s theatrical cut being “beaten into a comedy”, discussed the transformation from his original “dark, soulful movie” during an appearance on Jon Bernthal’s Real Ones podcast.Asked what his biggest heartbreak is in the film industry, Ayer said: “Hollywood – I tell people – is like watching someone you love get fucked by someone you hate. The big one is Suicide Squad.

David Ayer is looking back on one of his biggest movies, which wound up being one of his biggest disappointments – Suicide Squad.

David Ayer is recalling his feelings on Suicide Squad and says that the cut that was released of the film was his biggest Hollywood heartbreak.

Zack Sharf Digital News Director David Ayer appeared on the latest episode of Jon Bernthal’s “Real Ones” podcast and cited “Suicide Squad” as his biggest heartbreak in Hollywood. The director has been vocal over the last several years about the 2016 theatrical cut of “Suicide Squad” not being his preferred version of the film. That cut was widely panned by critics, but Ayer has long maintained that the studio changed the film’s entire tone from his original concept.

The “Fast And Furious” franchise may be one of the biggest in Hollywood at the moment, but one of its original creators feels like it’s left him behind. EW reports that David Ayer, who penned the the first film in the blockbuster series, “The Fast And The Furious,” said he has “nothing to show,” for writing the picture.

David Ayer feels done in by the “Fast & Furious” franchise.