AGC International has nabbed international rights to Late Night With The Devil from Aussie filmmaking duo Colin and Cameron Cairnes and will launch sales at the upcoming American Film Market.
AGC International has nabbed international rights to Late Night With The Devil from Aussie filmmaking duo Colin and Cameron Cairnes and will launch sales at the upcoming American Film Market.
EXCLUSIVE: Longtime IFC Films and Cinetic Media PR colleagues Laura Sok and Kate McEdwards are launching new PR and strategy firm, Track Shot.
EXCLUSIVE: Deadline has learned that IFC Films longtime Head of PR, Laura Sok, will be departing.
William Earl This October, Variety has enlisted some our favorite spooky content creators to share their scary movie essentials. Chloe Okuno, whose film “Watcher“ is one of the best horror movies of the year, shared her picks for the best paranoid thrillers of all time. One of the most primal fears is someone watching every move you make, quietly invading your privacy as they prepare to strike.
this week?A24 has acquired the rights to “Instinct,” an erotic thriller from Reijn that debuted at the 2019 Locarno Film Festival in Switzerland (it also played the Toronto International Film Festival shortly after) and is planning a one-night-only event to release the film later this week, Thursday, Sept. 22, in its screening room.
Elsa Keslassy International Correspondent Charlotte Wells’ “Aftersun” won the Grand Prize of the Deauville American Film Festival on Saturday evening during a ceremony which was followed by the French premiere of Olivia Wilde’s “Don’t Worry Darling.” “Aftersun” had world premiered at Critics Week in Cannes where it won a prize. The movie marks the feature debut of Wells, a New York-based Scottish filmmaker. Headlined by “Normal People” actor Paul Mescal, the bittersweet drama follows a father and his daughter who take a holiday at a Turkish resort in the late 1990s. The movie is being represented in international markets by Charades and will be distributed in North America by A24.
Elsa Keslassy International CorrespondentGina Gammell and Riley Keough’s “War Pony,” Charlotte Wells’ “Aftersun” and Agnieszka Smoczyńska’s “The Silent Twins” are among the several female-driven anticipated feature debuts slated for the Deauville American Film Festival’s competition.Eight titles out of 13 features set to compete at Deauville as first films. “War Pony” world premiered at Un Certain Regard in Cannes and won the Camera d’Or for best debut.
Nick Vivarelli International CorrespondentU.S. actor David Dastmalchian (“Dune,” “The Suicide Squad”) is attached to star as the host of a late-night talk show that goes horribly wrong in upcoming indie chiller “Late Night With the Devil,” which is currently shooting in Australia.Directed by Australian writing-directing duo Colin and Cameron Cairnes (“100 Bloody Acres,” “Scare Campaign”), “Late Night” is the second title spawned by a multi-picture deal between low-budget U.S.
Chloe Okuno’s feature debut Watcher recorded the biggest opening weekend grosses ever for IFC Films and its IFC Midnight/Shudder label on 764 U.S. screens — also one of the distributor’s widest ever releases.
Indie distributors, grabbing a frame between Top Gun: Maverick and Jurassic World Dominion, are out with a handful of decently wide releases for the specialty space including Neon’s Cannes title Crimes of the Future (127 screes), IFC Midnight thriller Watcher (764) and Roadside Attractions’ WWI period piece Benediction (87). Sony Pictures Classics launches Phantom of the Open in four theaters in NY and LA.
A sophisticated and studious slow-burn that recalls the classical gaslighting thrillers of yore, Chloe Okuno’s “Watcher” yields a chilling portrayal of feminine alienation as it follows an alienated American ex-pat in Romania. We follow Julia (Maika Monroe of “It Follows”) while she settles into her elegant apartment with her husband, finds herself increasingly isolated, and struggles with an innate feeling that someone is following her.
Everyone loves an excellent voyeuristic thriller with notes of existential alienation, right? That’s the vibe of “Watcher,” a new slow-burn chiller from Chloe Okuno starring Maika Monroe, Karl Glusman, and Burn Gorman that premiered at Sundance earlier this year. The gist? As a serial killer stalks the new Romanian city she is totally foreign to and can’t speak the language, Julia (Monroe)— a young actress who just moved to town with her boyfriend—notices a mysterious stranger watching her from across the street in this terrifying thriller.
Naman Ramachandran The U.K. premiere of “Good Luck To You, Leo Grande,” directed by Sophie Hyde, will open this year’s Sundance London (June 9-12), with lead actors Emma Thompson and Daryl McCormack in attendance.
Don’t you hate that feeling of being watched? You may not even know that someone is watching you, but you can feel it. Well, that’s just the tip of the iceberg in the new film, “Watcher.” READ MORE: ‘Watcher’ Review: An Alienated Maika Monroe Is Unmoored In An Isolated Tale Of Paranoia & Voyeurism [Sundance] As seen in the teaser for “Watcher,” the film follows a young woman who notices that her neighbor in the building across the street just calmly stands at his window and peers in her direction.
Nick Vivarelli International CorrespondentImage Nation Abu Dhabi and low-budget Australian genre label Spooky Pictures have announced “Late Night With the Devil,” the second title under their multi-picture deal following Chloe Okuno’s “Watcher,” which made a splash at Sundance.“Late Night With the Devil” will be helmed by writing/directing duo Colin and Cameron Cairns (“100 Bloody Acres,” “Scare Campaign”) and is set to start shooting in Australia later this year.Cinetic is handling the U.S./North American rights to the film. Stuart Ford’s AGC Intl.
Jamie Lang After a banner 2021 for high-end genre films, industry vets are hopeful that the fantastic can resurrect the corpse of pre-COVID theatrical distribution.As bolts of lightning reanimated the body of Frankenstein’s monster, Julia Ducournau’s “Titane,” which turned heads when it took the Palme d’Or at Cannes, and Sundance Grand Jury prize-winner “Nanny,” a supernatural tale from director Nikyatu Jusu, have revitalized the festival scene.While “Nanny” may have been the jewel in the genre crown at Sundance, the influence that genre cinema held over 2022’s first major festival was wide-ranging and undeniable. Chloe Okuno’s psychological thriller “Watcher” impressed — segueing into several sales deals — as did Hanna Bergholm’s psycho-horror feature “Hatching,” sold by Wild Bunch and Charades-sold Spanish standout “Piggy,” the follow-up to Carlota Pereda’s 2019 Spanish Academy Award-winner “Cerdita.” Among genre titles at Berlin this year are Dario Argento’s serial killer thriller “Dark Glasses” in the Berlinale Special section, while Bertrand Bonello’s subconscious voyage “Coma” and Peter Strickland’s gory “Flux Gourmet” (pictured above) feature in Encounters.
HEADLINERSBig names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.Apollo 10 1/2: A Space Age ChildhoodDirector/Screenwriter: Richard Linklater, Producers: Tommy Pallotta, Mike Blizzard, Femke Wolting, Bruno FelixA coming-of-age story set in the suburbs of Houston, Texas in the summer of 1969, centered around the historic Apollo 11 moon landing. Cast List: Jack Black, Zachary Levi, Glen Powell, Josh Wiggins, Milo Coy, Lee Eddy, Bill Wise, Natalie L’Amoreaux, Jessica Brynn Cohen, Sam Chipman, Danielle Guilbot (World Premiere)AtlantaDirector: Hiro Murai, Producers: Donald Glover, Stephen Glover, Hiro Murai, Stefani Robinson, Paul Simms and Dianne McGunigleTaking place almost entirely in Europe, Season 3 of FX’s Atlanta finds Earn, Alfred ‘Paper Boi,’ Darius and Van in the midst of a successful European tour, as the group navigates their new surroundings as outsiders, and struggle to adjust to the newfound success they had aspired to.
Rebecca Rubin Film and Media ReporterIFC Films and the AMC Network-owned digital platform Shudder purchased North American rights to “Watcher,” an eerie thriller that premiered at this year’s Sundance Film Festival.IFC Midnight, the company’s genre division, plans to release the film in theaters and on VOD (beginning with the horror-centric streamer Shudder) in 2022. The exact date has not been set yet.Chloe Okuno directed “Watcher,” a suspenseful story about a young woman who moves into a new apartment with her fiancé gets the creepy sense that she’s being observed.
American tourists spooked out by what they see on their visit to a European country will always be a valid premise for a film. The same goes for movies concerned with voyeurism, whether our protagonist is the one watching or the one being watched — though they usually are both, as is the case in Chloe Okuno’s “Watcher.” Playing in the U.S.
An American woman moves to Bucharest with her partner and begins to suspect she’s being stalked in “Watcher,” a stylish, unnerving thriller that premiered Friday at the Sundance Film Festival.Starring Maika Monroe (“The Guest”), Karl Glusman (“Devs”) and Burn Gorman (“The Dark Knight Rises”), the film is one of the big acquisition titles at the festival.Though hardly the first film to have a pretty blonde looking over her shoulder everywhere she goes, “Watcher” has the distinction of having a woman behind the camera too. The director, Chloe Okuno, fought for the job.
Jessica Kiang If the camera lingered just a little more lasciviously on the opening sex scene, or if we got to ogle the bondage-clad ladies writhing in their glass booths in the underground strip club sequence longer, Chloe Okuno’s smart little feature debut might be said to herald the longed-for return of the lost, lamented erotic thriller. Without that skeevy edge, “Watcher” has to settle for a plain-vanilla “thriller” designation that doesn’t really do justice to its throwback qualities, nor to the enjoyable way it reworks its many cinematic references into an understatedly stylish commentary on modern womanhood, #NotAllMen and the latest incarnation of the concept of gaslighting.There’s a little bit of “Repulsion” here, a dash of “Rear Window,” obviously, and an airy nod to “Lost in Translation,” but mostly “Watcher” plays in a less exalted sandbox.
The shadow of Alfred Hitchcock’s 1954 murder mystery Rear Window looms large over Chloe Okuno’s nail-biting Sundance U.S. Dramatic Competition entry, Watcher — but this debut feature is much more than homage. In fact, quite a few other suspense classics get the nod in the film’s trim 95-minute running time. Still, Watcher is very much its own creation, a sustained package that delivers on so many fronts — direction, cinematography, production design, music, performance — that what could have so easily been a formulaic slasher, genuinely pushes the boundaries of its genre, toying with an unusual bleakness that will keep audiences guessing until the end.
It’s amusing to remember that back when the original “V/H/S” was released, some resisted or dismissed it because they were tired of found footage movies. Yet here we are, nine years later, and while the format certainly isn’t as ubiquitous as it was, this franchise has proven durable; “V/H/S/2” was, if anything, better than its predecessor.
EXCLUSIVE: Netflix has acquired a package built around Ian MacAllister McDonald’s Black List script Rodney & Sheryl. Anna Kendrick comes attached to star and Chloe Okuno to direct a drama based on the true story of the time that a serial killer competed on and won a date on the popular TV game show The Dating Game. The killer, Rodney Alcala, was in the midst of a killing spree in 1978 when he brazenly took part in the show. Kendrick will play Cheryl Bradshaw, the contestant,
Maika Monroe (It Follows), Karl Glusman (Nocturnal Animals) and Burn Gorman (Enola Holmes) have signed on to star in psychological thriller Watcher, directed by Chloe Okuno. Set to begin shooting this month, Watcher follows young married couple Julia (Monroe) and Francis (Glusman) as they move into a new apartment in Bucharest just as a citywide panic is brewing over a possible serial killer on the loose.
Cast has been set for Chloe Okuno’s Watcher, with Maika Monroe (It Follows), Karl Glusman (Nocturnal Animals) and Burn Gorman (Enola Holmes) signing on for the phycological thriller.
Nick Vivarelli International CorrespondentU.S.
Image Nation Abu Dhabi has inked a multi-picture deal with Los Angeles-based Spooky Pictures and set up-and-coming director Chloe Okuno’s psychological thriller “Watcher” as the slate’s first title.
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