Cannes Film Festival Latest Celebrity News & Gossip

In Jean-Stéphane Sauvaire’s “Black Flies,” silence is as scarce a commodity as hope. Young first responder Ollie Cross (Tye Sheridan) learns very early on that the job comes with two partners: the one sitting next to you and the relentless cacophony of sounds that cut through the vastness of night as shears.

In “Indiana Jones and the Dial of Destiny,” the sturdy lark, positioned precariously in the liminal space between commerce and taste, there are the familiar callbacks, the big set pieces, the cracking bullwhip, dashing fedoras, nefarious Nazis, exotic locales, old friends and new faces. Something, however, is missing.

Harrison Ford and Calista Flockhart made a rare red carpet appearance Thursday at the 76th annual Cannes Film Festival for the world premiere of .The couple glowed as they smiled for the cameras at Palais des Festivals in Cannes, France. Ford wore a classic tuxedo while Flockhart donned an elegant raven black sleeveless V-neck tulle gown with velvet trim and bow detailing from Zuhair Murad's pre-Fall 2023 Ready-to-Wear Collection.

A few seconds before the world premiere of Sean Price Williams’ directorial debut “The Sweet East,” the names of Josh and Benny Safdie rolled on the screen as part of the Directors’ Fortnight vignette.

reports Deadline. “Did I feel boycotted by Hollywood,” said Depp repeating the reporter’s question after being half an hour late to the panel and citing traffic issues for his delay.

Japanese filmmaker Hirokazu Kore-eda’s latest gem, “Monster,” begins on an enormous inferno. The facade of a hostess club is engulfed in flames of mysterious origin, attracting everyone from curious neighbors to squealing children chasing down roaring fire engines to witness the chaos.

Uma Thurman had a special date on hand as she kicked off her time at the Cannes Film Festival!On Tuesday, the 53-year-old  Fiction actress walked the carpet during the opening ceremony at Palais des Festivals with her 21-year-old son, Levon Thurman-Hawke. The mother-son duo was picture perfect as they made their high-fashion arrival. Thurman was stunning in a floor-length gown, that she completed with a red drape that had a dramatic train trailing behind her.

Somewhere in the third hour of Steve McQueen’s documentary “Occupied City,” the camera slowly dollies left over a list of names in glowing green print on a black background, enumerating the thousands of Jews deported from Amsterdam during the Nazi occupation. A moment of silence in the audio mix announces this as an important shot, an occasion to consider the enormity of the loss that this four-and-a-half-hour film itemizes with near-comprehensive diligence.

At its best moments, the extremely straightforward construction of Cédric Kahn’s “The Goldman Case” allows for fascinating dynamics and images to occur apparently unforced, as if by themselves, for the viewer to seize on their own. The film, which has just opened the Directors’ Fortnight section of this year’s Cannes Film Festival, is refreshing for this bared-down, almost documentary-like approach — especially because it focuses on an incredibly complex man who needs all the space he can get to show everything that he is, in all his apparent contradictions.  READ MORE: 2023 Cannes Film Festival: 21 Must-See Movies To Watch This revelation takes place progressively, over the course of the almost surgically precise and aggressive trial that takes up most of the film’s runtime.

The use of body horror allegories in cinema to address the physical, physiological, and mental changes brought on by puberty could hardly be called original. However, by delightfully and intelligently remixing symbols and metaphors Malaysian director Amanda Nell Eu refreshes the concept in her zesty debut feature “Tiger Stripes.”  The term “body horror” could in fact be considered a misnomer in this case, as our fierce lead protagonist Zaffan (Zafreen Zairizal) doesn’t undergo anything as monstrous as growing a car in her belly or a biogun out of her hand.

during his tawdry defamation trial against ex-wife Amber Heard. On June 1, a jury awarded Depp a combined $15 million in damages after they found that Heard had defamed him in a 2018 Washington Post op-ed alleging spousal abuse.   Even if the jurors decided in Depp’s favor, the testimony was lurid and unflattering and neither notable came off blemish-free in the media frenzy. That sleazy spectacle arrived after another legal circus in 2020, when the actor lost a libel case in the UK against the Sun newspaper, which in 2018 had called him a “wife beater.”As a result of Heard’s allegations, Disney booted Depp in 2018 from future installments of the “Pirates” series, in which he played Captain Jack Sparrow.In 2020, Warner Bros.

Helen Mirren knows just how to make an entrance! On Tuesday, the actress graced the carpet at the 2023 Cannes Film Festival opening ceremony with a head-turning look.Blue was the hue for the 77-year-old star, who was all smiles as she arrived at the Palais des Festivals. For her look, Mirren wore a custom blue gown by Del Core.

This year, the Cannes Film Festival actually broke its own record for the number of female filmmakers in the official competition. That’s great news for an event that has come under fire in recent years for having less diversity and inclusivity than other prestigious festivals.

The Cannes Film Festival can be daunting. Sure, there are always 25-plus titles you know, but dozens of titles you’ve never heard of and don’t know if they’re worth seeing or covering.

Brie Larson, Paul Dano and Julia Ducournau are among the eight people chosen to complete the main competition jury at the 2023 Cannes Film Festival, Cannes organizers announced Thursday morning in Paris.Swedish director Ruben Ostlund, who won the Palme d’Or last year for “Triangle of Sadness,” was previously announced as president of the jury. The presence of Ducournau, who won the top award for “Titane” in 2021, means that the last two Palme winners will be part of the deliberations to determine who succeeds them this year.Other jurors will be Moroccan writer-director Maryam Touzani, who was in Cannes last year with “The Blue Caftan”; French actor Denis Menochet, who recently appeared in Ari Aster’s “Beau Is Afraid”; Zambian/British writer-director Rungano Nyoni, whose “I’m Not a Witch” premiered in Cannes; Afghan novelist and writer-director Atiq Rahimi, whose film work often adapts his own bestselling books; and Argentinian writer-director Damian Szifron, who landed an Oscar nomination for his 2014 Cannes film “Wild Tales.”The jury’s 5-to-4 split between men and women is typical for Cannes in recent years.

A little under two weeks ago, the Cannes Film Festival unveiled its lineup for the upcoming event. However, as we know with film festivals, the initial lineup is far from complete and more films can be added at any time.

Last week, after much speculation, we finally were given the initial lineup for this year’s Cannes Film Festival. Of course, the main lineup typically features the biggest names in film and this year is no different, with a new ‘Indiana Jones’ film as well as new films from directors like Martin Scorsese and Wes Anderson.

Disney and Lucasfilm are really hoping to send the “Indiana Jones” franchise off into the sunset with a bit of a bang.

After months of speculation, we now know when Martin Scorsese’s “Killers of the Flower Moon” drama is coming to theaters. And we only have a little more than six months to wait.

Few know how to win Palme d’Ors like Jean-Pierre and Luc Dardenne (aka the ‘Dardenne brothers’). The directing duo have bagged themselves two so far, placing them in the esteemed company of Coppola, Imamura, Haneke, Kusturica, Sjöberg, August, and Loach.

The 76th Cannes Film Festival is less than 12 weeks away and while rumors are flying about what films will screen and which films won’t, an important step in the process has officially taken place. The 2023 edition of the festival now has its Jury President.

Inspired by Robert Bresson’s 1966 classic “Au Hasard Balthazar,” Jerzy Skolimowski’s “EO” also follows the life and times of a humble donkey. However, this latest offering by the 84-year-old Polish filmmaker is in no sense a direct remake of one of cinema’s enduring masterworks.

Mere weeks after winning the Palme d’Or at the 2017 Cannes Film Festival for “The Square,” Swedish auteur Ruben Östlund announced his next project, “Triangle Of Sadness,” and five years later, it won Östlund his second Palme d’Or at Cannes; an exclusive club that puts him in the company of only six other filmmakers in the world. “Triangle Of Sadness” satirizes the elitist world of fashion and completes something of an accidental thematic trilogy, alongside 2014s “Force Majeure” and the aforementioned “The Square” (read our ‘Triangle of Sadness’ review here).

One of our favorite films of the 2022 Cannes Film Festival, writer/director James Gray’s new intimate drama, “Armageddon Time,” is getting dropped into awards season this year. Focus Features announced today that the film will open in limited release on October 28, 2022.

Patrick Frater Asia Bureau ChiefAction-drama film, “Emergency Declaration” pulled together several of Korea’s top stars – Song Kang-ho (“Parasite”), Lee Byung Hun (“G.I. Joe”) and Jeon Do-yeon (“The Housemaid,” “Secret Sunshine”) – and it first took to the air as a Midnight Screening at the Cannes Film Festival, back in July 2021.Directed by Han Jae-rim, the story involves a veteran police detective who receives a tip-off about an unspecified terrorist threat against a plane. Puzzlingly, he discovers that the chief suspect has got on the flight too.

As a procedural drama centrally interested in the radicalization of a young Muslim boy in Belgium, Adil & Bilall’s “Rebel” pulsates with terrible inevitability. Falling behind at school, with an adored older brother already having made the trip to Syria and a trafficker whispering in his ear, it’s less a question of if Nassim (Amir El Arbi, another tremendous kid actor for Cannes ’22 to tick off) is going to find himself on the Jihadist frontline, but when.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was a familiar winner striking gold again. For the second time in five years, director Ruben Östlund won the coveted Palme d’Or for his English-language debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square” and beat out eighteen other films to win this year’s top prize.

Though shot and set prior to the Russian invasion, by dint of being a Ukrainian picture detailing the aftermath of a woman soldier’s assault in the Donbas, “Butterfly Vision” lays claim to uniquely wretched timeliness at this year’s Cannes. What is an impressive if formally flawed first film from Maksym Nakonechnyi earns some emotional weight vis-a-vis present events: the Ukrainian flags of blue and white, flown with unsparing pride across Nakonechnyi’s images, bear the immediate frisson of beleaguered resistance, and that women Stateside presently face unprecedented threats to their bodily autonomy only compounds the miserable resonance.

The 75th Cannes Film Festival is coming to a close on Saturday afternoon, and after much speculation as to what would take home the top prize, it was familair winner striking gold again. For his second time in five year, director Ruben Östlund won the coveted Palme d’Or for his English-laungage debut film, “Triangle of Sadness.” Östlund first won the prize back in 2017 for “The Square,” and beat out eighteen other films to win this years top prize.

French actress Léa Seydoux is having a big moment right now at the 2022 Cannes Film Festival. Not only is she set to star in the latest film from director David Cronenberg, “Crimes Of The Future” (read our review), but she is also the lead in Mia Hansen-Løve’s “One Fine Morning” (read our review) But there is another project she is opening up about that she almost did.

The 75th Cannes Film Festival is coming to a close. The two-week festival saw some of the biggest stars and most anticipated films of the year come together to celebrate cinema.

s’il vous plaît!Over at the French film festival on the Cote d’Azur, which wraps up this weekend, it’s long been popular to give comical and undeserved standing ovations to just about anything that could be feasibly called a film. Next year the Claudes and Claudettes will be hopping to their feet for a dancing toad on TikTok (more deserving, honestly, than Lars von Trier.)The trade publications time these performative participation prizes like they’re Olympic runners.

Michelle Williams is glowing in Cannes! On Friday, the 41-year-old actress stepped out to attend the premiere of her latest film, , at the 2022 Cannes Film Festival, and proudly displayed her baby bump on the red carpet.Williams, who's currently in the midst of her third pregnancy, stunned in an all Chanel look, wearing a white and midnight blue lace long dress with embroidered top from the fashion house's Haute Couture Spring-Summer 2022 collection.Two hundred and seventy hours were spent embroidering 15,000 elements, including a floral motif embroidery composed of strass, glass beads and sequins, on the gown.She paired the dress with white shoes, along with a white gold and diamond ring and coordinating necklace, all which were designed by Chanel.Williams' Cannes appearance came the same month that she confirmed she and her husband, Tony-winning director Thomas Kail, are expecting their second child together.The couple also shares a son, Hart, whom they welcomed in 2020, the same year they tied the knot. Williams is also mom to Matilda, 16, the daughter she shares with the late Heath Ledger.«It’s totally joyous,» Williams told  of her third pregnancy.

Filmmakers seeking to denounce the crushing effects of capitalism often seem to rely on the excuse that if their films aren’t subtle, it’s because capitalism itself isn’t either. But such systems of exploitation probably wouldn’t still be around if, on top of having (very visible, obvious, violent) power on their side, the powers that be didn’t perniciously plant their hooks into the minds and hearts of their victims, making them do most of the work for them.

This year’s dark horse in competition at Cannes is easily “Leila’s Brothers,” Iranian writer-director Saeed Roustaee’s third feature and worthy follow-up to his intense 2019 cop thriller “Just 6.5.” With hints of “The Godfather” and Arthur Miller evident throughout, the drama is a sprawling tale exploring dysfunctional family dynamics, economic hardships, and generational wealth. READ MORE: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watch “Leila’s Brothers” follows the lives of a Tehran family as they struggle to stay afloat amidst financial hardships and complicated familial relationships.

The exquisite and sublime journeys of Oregon-based filmmaker Kelly Reichardt are arguably, more or less, incidental or oblique political statements about survival in America, often focusing on two or more friends, usually outsiders, and their struggle to endure. “Wendy And Lucy,” about a destitute woman and her soulmate canine companion, was overt about human inequity and hardship; “Meek’s Cutoff” depicted the unbearable burden of living off a hostile, unforgiving land; and “First Cow” presented the warm, but sad futility of two friends trying to sustain themselves under the grueling rigors of nascent American capitalism.