If storytelling has taught us anything, it’s that even if a protagonist doesn’t complete their hero’s journey, there is, at the very least, the attempt of a redemption arc. On a search for redemption is where we find Dimman in Axel Petersén’s most recent film, “Shame on Dry Land.” READ MORE: TIFF 2023 Announces Its Centrepiece Programme, Featuring Brian Helgeland’s ‘Finestkind,’ ‘Quiz Lady,’ ‘The Promised Land’ & More While the Toronto International Festival may be a bit odd this year due to the ongoing SAG and WGA strikes, there are still plenty of films to look forward to, “Shame on Dry Land” being one of them.