Alice Diop’s French drama Saint Omer opens in theaters today, and I remember the emotions I felt when I saw the film at Venice last year. It was a very personal experience for me — as if someone was telling my story on screen. At the beginning of my eventual interview with Diop, I asked where she sees herself within the French film industry. She made it clear she has stopped contemplating how she fits in. “It’s a question that I’m asked a lot, but I no longer ask myself where I fit in with French cinema,” she said. Can’t blame her for thinking that way. Creators of color often are asked those questions — or about the state of inclusion in Hollywood and how they would improve it. Questions that their white counterparts frequently and unfairly avoid.