MK2 Films has sold Cannes buzz pic The Worst Person In The World to MUBI following an auction for UK/Ire rights. The buyers has also taken Indian rights.
30.06.2021 - 21:37 / manchestereveningnews.co.uk
A person is in hospital after a lorry went up in flames in front of horrified drivers.
The incident happened at around 4.15pm on Manchester Road in Partington on Wednesday afternoon.
Video shared with the Manchester Evening News showed drivers slowing down as black smoke billowed up ahead.
A flat-bed lorry was then visibly engulfed in flames.
READ MORE: Investigation launched after gunshots fired at empty house
The M.E.N has chosen not to share the footage given the seriousness of the
MK2 Films has sold Cannes buzz pic The Worst Person In The World to MUBI following an auction for UK/Ire rights. The buyers has also taken Indian rights.
Neon has picked up U.S.
Mk2 Films has sold Cannes buzz pic The Worst Person In The World to Parasite distributor NEON following a tussle for North American rights, we can reveal.
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The Emmys are coming and they’ve got a host.
Director Joachim Trier has developed quite a relationship with the Cannes Film Festival over the years. Two of his films, 2011’s “Oslo, August 31st” and 2015’s “Louder Than Bombs,” have premiered at the festival, and he also served as the Jury President for the 57th Independent Critics’ Week at Cannes in 2018.
Midway through “The Worst Person in the World,” everything stops. Everyone in the streets of Oslo is frozen in an instant.
A sharp and poignant look at how one’s supposedly best years pass by so quickly you barely realize it, The Worst Person in the World is loaded with freshly observed intimate moments that make up the things of life. For about two-thirds of the way, director Joachim Trier and his co-writer Eskil Vogt keep this study of a smart, vibrant young woman alive with inventive scenes brimming with play and sex.
Ben Croll As he set out on “The Worst Person in the World,” which premiered July 8 in competition at Cannes, director Joachim Trier wasn’t looking to expand what he informally calls the Oslo Trilogy.Having worked stateside with 2015’s “Louder Than Bombs” and in genre with 2017’s “Thelma,” the Norwegian filmmaker just felt the need for a kind of soft reset.“My co-writer Eskil [Vogt] and I wanted to go back to basics, back to the form we started out with — human stories, in this case about love,”
Guy Lodge Film CriticAt a weekend getaway otherwise populated entirely by fortysomethings, 29-year-old Julie (Renate Reinsve) is subjected to some amateur analysis from a well-meaning elder. “Being young today is different,” the other woman observes, noting the increased pressure millennials face in daily life.
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