A California vibe. There are many reasons why MAMA Shelter has become one of the hottest rooftops in Los Angeles. It’s colorful, a cool hangout spot day and night, and it’s got one of the best views of the city.
07.09.2022 - 09:07 / msn.com
Penélope Cruz dazzled in a lace couture gown on the red carpet at The Venice Film Festival on Sunday, 3 September. The star looked the picture of elegance as she attended the premiere for L'immensità, in which she stars as leading lady, Clara, in a film about a mother-of-three navigating her life in 1970s Rome. To attend the red carpet event, Penélope wore a black lace gown adorned with stunning pink detailing, designed as part of Chanel's couture collection.
The show-stopping gown features pink detailing which forms to make an intricate and beautiful lace design. It is complete with a high-neck, long sleeves and a slit down the side. Penélope chose a beautiful hair and makeup look to perfectly match her outfit.
She wore her signature, dark hair in a straight style, falling below her shoulders and framing her face. For her makeup, she opted for a smoky eye look and black eyeliner, a radiant glow and a coral/pink lip. The following day (Monday, 5 September) Penélope swapped her gown for a chic, off-duty look as she was spotted on a water taxi in Venice.
For her daytime look, the star opted for a checked waistcoat and blazer with a pair of patterned jeans. She accessorised her look with black heeled sandals, sunglasses and a black clutch bag. The 79th Venice Film Festival is currently taking place and runs from 31 August - 10 September 2022.
A California vibe. There are many reasons why MAMA Shelter has become one of the hottest rooftops in Los Angeles. It’s colorful, a cool hangout spot day and night, and it’s got one of the best views of the city.
Charlotte Dawson was all smiles as she stepped out at a star-studded event as she revealed she's hoping to lose weight for her 30th birthday. The mum-of-one looked fabulous as she attended the launch of a new aesthetics clinic in Manchester.
Nick Vivarelli International Correspondent Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival. “Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 ($487,000) intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector. Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
Jennie Punter Tucked in a corner of the Catskills, Casa Susanna was a modest private resort where cross-dressing heterosexual men and transgender women gathered on summer weekends through the 1950s and ‘60s to live as their true selves, dressed in the ladies’ fashion of the day and engaging in bourgeois social activities such as taking snapshots. Over the past 15 years, a handful of articles, academic research, and photography exhibitions (and let’s not forget the 2014 Tony-nominated play by Harvey Fierstein) have gradually opened the door to this secret subculture of Cold War America. Now “Casa Susanna,” a new documentary by French filmmaker Sébastien Lifshitz (“Wild Side,” “Little Girl”), flings it open.
Nick Vivarelli International Correspondent With “Chiara,” Susanna Nicchiarelli’s portrait of Saint Clare of Assisi – the 13th century saint born into a wealthy family who at age 18 became a nun after hearing St. Francis preach – the Italian director completes her trilogy of female biopics, segueing from “Nico, 1988” and “Miss Marx,” which both launched from Venice’s Horizons section. With “Chiara,” she makes the leap into the main Venice competition. Nicchiarelli spoke to Variety about what drew her to portraying this prototypical feminist and directing “My Brilliant Friend” star Margherita Mazzucco in the pic’s titular role. Excerpts. What drove you to want to tell us this story about St. Clare?Well, first of all, I was always passionate about Saint Francis. I have a very strong memory when I first saw Franco Zeffirelli’s “Brother Sun, Sister Moon.” I was at school when they showed it to us and this boy, this man, taking his clothes off in front of the Bishop. That was a very strong image. Francis’ battle speaks to us just as much today because it’s a battle for poverty, against social injustice. It’s about being on the side of the poor, of those who are different, and the injustices of a society in which very few have everything and then most have nothing. So, this was their battle. The medieval society was like that. It’s not so different from the way it is now.
New Girl cast member Zooey Deschanel has been going strong with Property Brothers’ star Jonathan Scott for about three years now, much to the delight of their many fans. The couple didn’t hesitate to go Instagram official in October 2019, shortly after meeting on an episode of Carpool Karaoke, and have since given their followers several glimpses into their life together.
Cannes Film Festival. Yet, the Venice Film festival pre-dated its French film counterpart, with its inaugural festival taking place at the Excelsior hotel in Venice, Italy, in the year 1932.
Guy Lodge Film Critic Gianni Amelio was in his late sixties when he came out as gay a few years ago. The announcement preceded the release of his documentary “Happy to Be Different,” which worked toward an overriding sunniness in contemplating the trials and challenges of being gay in Italy at various points in the 20th century. In turning to a gay-themed narrative project, Amelio narrows the focus and dims the mood: “Lord of the Ants” takes as its subject the gay Italian author Aldo Braibanti, and the social and legal opposition he faced over his sexuality in mid-1960s Rome. Solemn, stately and perhaps a little stifled, it’s the kind of queer statement you might expect from a veteran filmmaker who wasn’t until relatively recently out and proud, and is rather poignant for that.
It looks like things went off reasonably well for Olivia Wilde and Florence Pugh on the red carpet on Monday!
Harry Styles is starring in two huge movies this year, but he still doesn’t think he knows what he’s doing when it comes to acting.
Florence Pugh made a sparkling statement on the 79th Venice International Film Festival red carpet on Monday. The actress is in Italy for the premiere of Olivia Wilde's forthcoming film where Pugh stars opposite Harry Styles. Pugh brought her grandmother as her date for the premiere, and the two walked the red carpet in perfect style.
Olivia Wilde arrived on the Lido Monday morning for the hotly-anticipated press conference for her latest film Don’t Worry Darling. Wilde was joined by her principal cast, including Harry Styles, Gemma Chan, and Chris Pine. As previously reported, Florence Pugh, the film’s lead, was not in attendance because her flight from the Budapest set of the Dune sequel didn’t land in Venice until after the presser began. Pugh is expected to attend the film’s evening premiere.
Manori Ravindran International Editor Pop star Harry Styles may be in one of the most hotly anticipated movies at the Venice Film Festival, but he still considers himself a newbie in the acting world. The musician told journalists in Venice: “Music I’ve done a little longer so I’m a bit more comfortable. What I like about acting is I feel like I have no idea what I’m doing.” The “Don’t Worry Darling” star said he considers music and acting to be “opposite in a lot of ways.” “Making music is a really personal thing,” said Styles, who was speaking at a press conference for the Warner Bros. Discovery movie on Monday afternoon. He was joined by his co-stars Gemma Chan and Chris Pine, and his director and rumored girlfriend Olivia Wilde.
Even before the title flashes up for Venice Film Festival competition entry L’Immensita, we know that Penelope Cruz is the most fun mom – most likely the only fun mom – in town. She doesn’t just set the table for dinner; she puts on music, leads the kids in a choreographed dance and singalong as they pass plates and cutlery, emoting into a passing fork as if it were a microphone. Adults bore her. At a birthday dinner for an ancient relative, she slips under the table to join her children in removing and mixing up everyone’s shoes. “I want to play!” she says, eyes gleaming.
J. Kim Murphy Although Florence Pugh will be attending the Venice Film Festival for the premiere of “Don’t Worry Darling,” the star is limiting her promotional activities at the festival. After arriving in Venice by private jet, Pugh will attend Monday’s red carpet premiere of “Don’t Worry Darling.” However, the actress will not be participating in the press conference for the film, which is set to take place on the same day. Pugh’s plans for Venice were confirmed to Variety by festival representatives. Pugh leads “Don’t Worry Darling” alongside an ensemble that includes Harry Styles, Chris Pine, Gemma Chan, Kiki Layne, Nick Kroll and Olivia Wilde, who also directs the thriller. Wilde and Styles reportedly arrived in Venice on Sunday, one day ahead of the premiere.
Nick Vivarelli International Correspondent In Italian director Emanuele Crialese’s new drama “L’Immensità,” which is set in 1970s Rome, Penélope Cruz plays a mother of three who, while contending with a violent Italian husband, winds up in a psychiatric institution. “I don’t think my character is crazy at all,” Cruz said. “She is trapped in her family. Trapped in her home, in her body. In the situation in which she finds herself living. She doesn’t have a plan B. There is no escape,” she added. “She’s not crazy at all. She’s oppressed in many different ways. And she simply can’t take it anymore.
Emanuele Crialese put in a buoyant performance at the Venice Film Festival Sunday, during which he discussed how his identity informed his Golden Lion contender L’immensità.
Mario Gianani, CEO of Fremantle’s Rome-based The Young Pope and My Brilliant Friend production powerhouse Wildside, is enjoying a high-profile time on the international film festival circuit this year.
Leo Barraclough International Features Editor Variety has been given exclusive access to a first-look clip for “Amanda,” Carolina Cavalli’s quirky Italian-cool film in Venice Horizons, starring Benedetta Porcaroli (star of Netflix series “Baby”), and featuring Italian heavyweight Giovanna Mezzogiorno, and Italian “X-Factor” winner Michele Bravi. The film, which is reminiscent of early Wes Anderson, premieres at Venice on Monday, then goes to Toronto – it’s the only Italian film to play both fests this year. Charades is handling international sales. I Wonder is distributing in Italy. The film centers on Amanda, 24, who lives mostly isolated and has never had any friends, even if it’s the thing she wants the most. When she discovers that as toddlers her and Rebecca used to spend a lot of time together, Amanda chooses her new mission: to convince her that they are still best friends.
Cannes Film Festival. Yet, the Venice Film festival pre-dated its French film counterpart, with its inaugural festival taking place at the Excelsior hotel in Venice, Italy, in the year 1932.