Manchester City star Phil Foden can help fire England to a hugely important Nations League win in Italy on Friday night.
04.09.2022 - 04:41 / theplaylist.net
Paul Schrader is under no illusions about “Master Gardener,” the sure-to-be-divisive final chapter in an informal trilogy that kicked off with 2017’s “First Reformed” and continued with last year’s “The Card Counter.” For starters: the film centers on a former white supremacist (played by Joel Edgerton) and his attempts at redemption. “This one is going to piss people off,” Schrader told IndieWire of the film, which premiered out of competition this weekend at the Venice Film Festival, where the auteur is also being given a lifetime achievement award.
Manchester City star Phil Foden can help fire England to a hugely important Nations League win in Italy on Friday night.
Is any race for a nomination in this category moot? Has Steven Spielberg already won it for his personal, Hollywood industry-friendly drama “The Fabelmans”? Possibly, but not probably. The Director’s branch of the Academy has become one of the most international of all the branches.
Bill Maher thinks Joe Biden is currently doing a good job. But he also warned against fan fiction as history, perhaps offering a contradiction that only he understands.
Manchester City will be hoping for another three points this Saturday before the international break as they travel to Wolverhampton Wanderers in the Premier League.
Paul Scholes has predicted that Cristiano Ronaldo will work his way back into the Manchester United starting XI for Premier League matches soon.
Allison Janney is looking back on her time working alongside Elliot Page in the 2007 film, . ET's Denny Directo spoke to Janney at the premiere of her new film, , where she spoke about the film, which celebrates its 15th anniversary later this year.«Oh my God, Elliot Page — having the best time with him on that movie,» Janney gushed. «And reading the script, Diablo Cote's script was something that just was so, it was like nothing else I'd ever read before, and I knew it when I read it, I was excited to be a part of that, and Jason Reitman, the director's extraordinary.»It was a wonderful experience I had yeah," she added. While Page, who has since come out as transgender, earned an Oscar nomination for their work in the film, he told in June, that it was at the height of the film's success that he was struggling with his identity the most.«During awards-season time, I was closeted, dressed in heels and the whole look — I wasn’t okay, and I didn’t know how to talk about that with anyone,» Page recalled.«I can't pinpoint a 'worst' day,» he continued, «but when was blowing up — this sounds strange to people, and I get that people don’t understand.
Regé-Jean Page and Glen Powell are set to star in a series inspired by Butch Cassidy and The Sundance Kid for Amazon.
Paul Schrader is under no illusions about “Master Gardener,” the sure-to-be-divisive final chapter in an informal trilogy that kicked off with 2017’s “First Reformed” and continued with last year’s “The Card Counter.” For starters: the film centers on a former white supremacist (played by Joel Edgerton) and his attempts at redemption. “This one is going to piss people off,” Schrader told IndieWire of the film, which premiered out of competition this weekend at the Venice Film Festival, where the auteur is also being given a lifetime achievement award.
“I made a new life for myself from flowers,” marvels the green-thumbed Narvel Roth. “How unexpected is that?” To be fair, it’s about the only plausible thing that happens in Paul Schrader’s Venice Film Festival out of competition entry Master Gardener, an incredibly silly but fitfully entertaining noir-tinged drama that follows so neatly on from First Reformed and The Card Counter that it’s almost as if Schrader has patented his own sui generis subgenre, a mix of the sublime and the ridiculous that just about works if you’re prepared to walk the line with it.
Joel Edgerton has the support of his partner Christine Centenera at his big premiere at the 2022 Venice Film Festival!
A man scribbles in his diary. The pages are visible by dim light, the wooden table nondescript.
Sarah Polley, at the Telluride Film Festival for the world premiere of Women Talking, her latest film as a director, acknowledged how lucky she was as an actress to have worked with so many female filmmakers. They told her to be “fierce” when they saw that she wanted to work behind the camera.
Gene Maddaus Senior Media Writer A man who met writer-director Paul Schrader at a campus event at their Michigan alma mater has filed a lawsuit alleging that Schrader later stole his ideas and used them in the film “The Card Counter.” Mark Vanden Berge alleges in the suit that he met Schrader after a screening of “First Reformed” at Calvin University, a Christian college in Grand Rapids, in February 2018. He says he told Schrader about a treatment he was working on for a film called “Blown Odds,” about a gambler’s search for redemption, and asked Schrader for help developing it into a marketable screenplay. According to the suit, Schrader told him to email him the treatment. Vanden Berge sent it to him, according to the suit, but never heard back from Schrader directly, though he says he was told that Schrader had received it.
Naman Ramachandran Leads Sigourney Weaver, Joel Edgerton and Quintessa Swindell were thankful for the opportunity to work with revered writer-director Paul Schrader on his latest film “Master Gardener,” showing out of competition at the Venice Film Festival. In a lively press conference on Saturday attended by the leads and Schrader, the filmmaker referred to the “lonely man in the room” archetype that he’s returned to in film after film beginning with “Taxi Driver.” “Hopefully, I’m done with him,” Schrader said. “I’ve always admired Paul’s work; never dreamed of working with him, because I’m not a lonely man in the room – I’m the lusty woman in the house,” Weaver said, adding that the “Master Gardener” role was one of the best she’s ever had. Weaver also thanked Schrader for writing two great parts for women in the film.
Elsa Keslassy International Correspondent After taking a break from his filmmaking career to preside over the French film promotion org Unifrance, Jean-Paul Salomé has made a big comeback with a pair of films with Oscar-nominated French actor Isabelle Huppert. The latest one, “The Sitting Duck,” is world premiering at Venice in the Horizons section. Adapted from Caroline Michel-Aguirre’s book “La Syndicaliste,” “The Sitting Duck” tells the true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse who becomes a whistleblower, denouncing top-secret deals that shook the French nuclear sector. One day, Kearney is found in her home, tied to a chair, the letter “A” carved into her abdomen, and a knife handle inserted into her vagina. Traumatized, she has no memory of the assault. However, after an investigation, the police accused her of staging the attack herself.
Naman Ramachandran Bhutanese filmmaker Dechen Roder’s new film, “I, The Song,” which is selected at the Venice Production Bridge’s gap financing market, will commence principal photography in December. Roder’s debut feature “Honeygiver Among the Dogs” premiered at Busan in 2016, and went on to have a successful festival run including at Berlin, Locarno, Hong Kong, Taipei and Fribourg, where it won three major awards. “I, The Song” was born when two friends of Roder experienced the horror of being in non-consensual pornographic videos and photos in Bhutan, where in both cases it was recorded and shared without their knowledge or consent.
Naman Ramachandran Revered writer-director Paul Schrader is enjoying a late career renaissance, with “Master Gardener” being his third successive film to premiere at Venice after “First Reformed” and “The Card Counter.” The film follows Narvel Roth (Joel Edgerton), the conscientious horticulturist of the historic Gracewood Gardens estate, which is owned by wealthy dowager Norma Haverhill (Sigourney Weaver). When she demands that he take on her troubled biracial great-niece Maya (Quintessa Swindell) as an apprentice, Roth’s spartan existence turns chaotic. Schrader made Roth, a man with a past, a gardener because he felt that the profession is a “rich metaphor” for both good and evil. “On one hand, a white supremacist can say ‘We’re the gardeners, we pull out the weeds.’ On the other hand a humanist can say, ‘We’re gardeners, we help things grow.’ And both are using the gardening metaphor — one is evil and one is good,” Schrader told Variety.
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