EXCLUSIVE: Chris Sussman, Netflix’s Director of UK Scripted Series, is leaving the streamer, Deadline has learned.
03.06.2022 - 02:05 / thewrap.com
“Ozark” most certainly went out with a bang.The concluding Netflix drama landed the top spot on Nielsen’s Top 10 list, for the week of May 2-8.According to Nielsen, “Ozark” netted over 3 billion minutes viewed, an increase of 29% from the week prior, which is when the final episode run debuted on Netflix. Two-thirds of the show’s viewers were in the 35-64 age range.
Coming in second was another ending Netflix show — “Grace and Frankie.” The Jane Fonda and Lily Tomlin starring comedy netted 880 million viewing minutes. It’s audience was 77% female, per Nielsen.Disney+ landed on the list with “Moon Knight” in third for the week.
It had 715 million minutes viewed. All three shows landed in the Top 10 list for both streaming programs and original streaming programsTaking the fourth spot on the streaming programs list was Netflix’s “Cocomelon,” the children’s show, a hit on Netflix’s own streaming charts worldwide, while “Criminal Minds” was fifth.
The list was rounded out by “Heartland” (6th), “NCIS” (7th), “Encanto” (8th), Prime Video’s “Outer Range” (9th) and “Better Call Saul” (10th).On the original programs list, after the same top 3, it was “Outer Range” in fourth, one of two Prime Video entries on the Top 10. Four more Netflix shows followed — “Bullsh*t the Gameshow,” “Meltdown: Three Mile Island,” “Bridgerton” and “The Circle” (in that order).
EXCLUSIVE: Chris Sussman, Netflix’s Director of UK Scripted Series, is leaving the streamer, Deadline has learned.
Netflix’s original series take on popular author Michael Connelly’s The Lincoln Lawyer (previously the basis of a Matthew McConaughey feature) posted a dominant win on the U.S. streaming chart for May 16 to 22.
“It was a wild ride,” exclaims 2x Primetime Emmy nominated Grace and Frankie production designer Devorah Herbert about the final season of the Netflix/Skydance Jane Fonda-Lily Tomlin series.
What’s better than Roald Dahl‘s 1988 novel “Matilda,” about a young girl with psychokinetic powers who uses them to transcend her life’s crappy circumstances? For some, it might be Danny Devito‘s 1996 adaptation of the Dahl book, beloved by those the age of this writer. For others, it could end up being “Roald Dahl’s Matilda The Musical,’ a new adaptation based on the Tony and Oliver award-winning play.
Netflix has released images from the final hours of Stranger Things, which drop July 1.
on Netflix, the season closes out some aspects of the story while leaving plenty up in the air, since there’s a movie in the works, too. This makes it as dramatic as ever, but underwhelming as an end to this story in its TV series incarnation.Ever since it premiered in 2013, the show has followed the Shelby mob family in Birmingham, England, through the aftermath of World War I, as they’ve risen from the streets to the halls of Parliament, and clashed with various enemies.
Stranger Things season four.The first seven episodes of season four were released on Netflix last month, with the final two installments set to arrive on July 1.Ahead of the final two episodes, Netflix has released a trailer which picks up following events in episode seven ‘The Massacre At Hawkins Lab’.The trailer features numerous brief flashes of scenes, including Jim Hopper (David Harbour) next to frozen Demogorgons and Dustin (Gaten Matarazzo) armed in a Dungeons and Dragons-inspired outfit.A teaser for the final two episodes reads: “You can’t stop this now.”The eighth episode is set to be one hour and 25 minutes in length, while the finale will be the longest episode yet at two hours and 30 minutes.Netflix announced earlier this year that Stranger Things would conclude with season five.Speaking to NME about the show’s end, co-creator Matt Duffer said: “We do have an end. I’m sure a lot of it’s going to change, but now [it’s] the end.
John Stamos' final text exchange with the late Bob Saget is included in the upcoming Netflix tribute to the comedian. "Dirty Daddy: The Bob Saget Tribute" was filmed by Saget's friend Mike Binder.The footage focuses on the "Full House" star's memorial held at the Comedy Store.The tribute is set to drop in June on Netflix. "I wanna read my last text from Bob," Stamos says in the trailer.
Ozark creator Chris Mundy joined cast members in speculating on fan theories surrounding the show Netflix drama’s final moments – as well as discussing the idea of a movie.The discussion took place as part of the show’s FYC event in Los Angeles on Sunday (June 5). US talk show host Jimmy Kimmel moderated and interviewed Mundy, as well as leading actors Jason Bateman and Julia Garner, editor Cindy Mollo, production designer David Bomba, music supervisor Gabe Hilfer, and cinematographer Shawn Kim.Asked about the theory that Jonah (Skylar Gaertner), the son of Marty and Wendy Byrde (Jason Bateman and Laura Linney), destroyed some crucial incriminating evidence, Mundy said he thought the ending was “pretty unambiguous”, adding: “I think he shot Mel [the cop], and Mel is dead.
Jennifer Maas TV Business Writer“Stranger Things” Season 4, Volume 1 has already smashed multiple Netflix viewership records in less than two weeks after its release, and anticipation for Volume 2’s July 1 launch is building more by the day. But the success of the streamer’s first-ever two-batch drop with just over a month in between releases does not mean Netflix is considering shaking up the “Stranger Things” model further ahead of its fifth and final season, meaning there are no plans to shift the Duffer Brothers series to a weekly release.“For the fans of ‘Stranger Things,’ this is how they’ve been watching that show, and I think to change that on them would be disappointing,” Peter Friedlander, Netflix’s head of scripted series for U.S.
The beginning of the end! After six years at Netflix, Stranger Things is getting ready to wrap up its journey with a fifth and final season.
Netflix just dropped the new teaser-trailer for “Manifest” season 4.
Selome Hailu “Stranger Things” Season 4 and “Obi-Wan Kenobi” are currently the leading titles on their respective streamers, and both debuted on May 27. With “Stranger Things” maintaining its status as one of Netflix’s most popular original properties, and “Obi-Wan Kenobi” marking the latest expansion of the “Star Wars” franchise, their premieres created what Nielsen called “the most anticipated weekend ever in streaming” — and Netflix came out on top.Netflix reported that Part 1 of the fourth season of “Stranger Things” had the company’s biggest premiere weekend ever for an English-language series, garnering 287 million hours viewed globally.
It’s almost time for takeoff; it appears season 4 of Manifest will finally debut on Netflix this fall.
Ahead of the premiere of the second season of “Locke & Key” in October of last year, Netflix announced that the show’s third and final season had been commissioned. While fans may be disappointed that the show’s upcoming season marks its end, they can be reassured by the fact that the termination of the show is on the creator’s terms.
Season 3 of Netflix’s Locke & Key will premiere August 10, the streamer revealed today as part of its annual Geeked Week. As Deadline revealed exclusively in April, the upcoming third season will be the supernatural thriller series’ last. Netflix also released a teaser trailer that gives a first look at Locke & Key‘s final chapter.
The climactic half of Ozark‘s final season propelled the drama to a dominant win on Nielsen’s weekly streaming chart for May 2 to 8.
One final showdown. As fans await the conclusion to season 4 of Stranger Things, executive producer Shawn Levy hinted that the best is yet to come.
Elsa Keslassy International CorrespondentEmpreinte Digitale, the thriving Paris-based production company behind Disney +’s “Parallèles,” has hired Thomas Saignes, a well-established producer whose track record includes “Bad Banks” and “Parlement.” Joining from Cinétévé, Saignes will be in charge of producing drama series and one-offs for streaming services and traditional TV channels, as well as spearheading Empreinte’s international co-productions.Saignes, who is based in Paris and lived a number of years in Montreal, Canada, has been actively involved in the financing and co-productions of films and series with international and European partners, notably Benoit Jacquot’s period movie “Farewell, my Queen.” Prior to Cinétévé, Saignes worked at the Luxembourg-based company Iris where he was involved in the ZDF-Arte series “Bad Banks” which Federation sold around the world. During his tenure at Cinétévé, Saignes collaborated with veteran producer Fabienne Servan-Schreiber and was a driving force behind several ambitious series, for instance Noé Debré’s political satire “Parlement” whose season 3 will soon launch on France Televisions; as well as the French-Italian series “Survivors,” and “Cuisine Interne,” an upcoming crime show set in the world of French gastronomy.