“He’s not only who he is at home,” the friend of a Korean filmmaker tells the director’s daughter in Hong Sang-soo’s latest film. But “who he is at home” is at the heart of what “Walk Up” is all about.
13.09.2022 - 12:31 / theplaylist.net
They headed north to the wilderness in the 1970s, when Michelle (Sarah Gadon) was 15 and pregnant with Cea, “because if there was one thing Papa Dick was sure of, it was that the wilderness would solve all their problems.” They ended up in the Kootenay Plains, up in Alberta, where “Papa Dick” (Robert Carlyle) headed up a commune that sounds an awful lot like a cult. Cea Sunrise Person first told her story in her 2014 memoir, “North of Normal,” which has been adapted into a film of the same name by director Carly Stone and screenwriter Alexandra Weir.
“He’s not only who he is at home,” the friend of a Korean filmmaker tells the director’s daughter in Hong Sang-soo’s latest film. But “who he is at home” is at the heart of what “Walk Up” is all about.
Peter Debruge Chief Film Critic Growing up in Texas toward the tail end of the 20th century, I was not taught about Emmett Till. I’ve learned about him since, of course. Till’s name adorns this year’s overdue federal antilynching act, and his tragic fate has inspired plays and films, including 2018’s Oscar-nominated short, “My Nephew Emmett,” and now a powerful new feature from Chinonye Chukwu, who gave Alfre Woodard one of her greatest roles in 2019 Sundance winner “Clemency.” Till’s story — that of a 14-year-old Black boy from Chicago who was kidnapped in the middle of the night and lynched while visiting his family in Mississippi — may have been omitted from my Southern schooling for racist reasons, though I suspect it had as much to do with Western culture’s “great man” bias. History, as a field of study, celebrates the achievements of heroic individuals. Nat Turner, Harriet Tubman, Rosa Parks. Those names were all taught. But Emmett Till was a kid whose murder galvanized the American civil rights movement, and it has taken a different kind of thinking — à la “Say Their Names” campaign or Ryan Coogler’s “Fruitvale Station” — to position victims in the public’s mind.
is back with its 11th installment in FX’s long-running horror anthology series, which is officially dubbed and will debut mid-October. Presumably leaning into the queer esthetic teased by leaked photos of the production, the newest season also stars an all-star LGBTQ cast, including Joe Mantello, Zachary Quinto, Russell Tovey, Charlie Carver, Isaac Powell and Denis O’Hare. Rounding out this year’s ensemble are Billie Lourd, Leslie Grossman, Sandra Bernhard and Patti LuPone. For those keeping track, marks the return of alums Quinto, Powell, LuPone, Lourd, Grossman and Bernhard, while the rest are newcomers to the franchise despite having previously worked with co-creator Ryan Murphy.While few details are known about the new season, FX chairman John Landgraf told that season 11 would go back to being one story after last year’s Double Feature. “It actually takes place in different timelines but it’s one subject, one story, with a beginning, middle and an end, like many of the prior stories,” he said. Sadly, for fans of the series, longtime recurring players Sarah Paulson and Evan Peters appear not to have roles in season 11.
The 11th installment of FX’s American Horror Story franchise is set for a fall premiere. FX has slotted Wednesday, October 19 for the debut of AHS: NYC. The announcement also is a confirmation of the title and the season’s focus on the Big Apple. The first two episodes of the 10-episode season will drop at 10 PM ET/PT on FX and will stream the next day on Hulu. They will be followed by two episodes each Wednesday for four subsequent weeks. FX also released the key art below.
After two years of holding in-person but stripped down editions of the festival, South Korea’s Busan International Film Festival (BIFF, October 5-14) is back in full force this year with a packed line-up of screenings, red carpets, parties, awards and industry events.
Jessica Kiang If ever you’ve glanced into lit-up living rooms while driving down a suburban street at dusk, or glimpsed a neighbor’s apartment over their shoulder when you drop off a package, and found yourself idly wondering not just what the inhabitants’ lives are like, but what maybe your life would be like if you occupied those exotic domestic spaces — well, has mischievous Korean miniaturist Hong Sangsoo made a movie for you. “Walk Up,” the festival darling’s latest benignly sozzled, black-and-white delight, daydreams around that idea, its gentle profundity smuggled in under cover of multilevel playfulness. The movie is a play on time, on imaginative shoestring filmmaking, and on Hong’s own persona. It’s even a play on words, with its three stories sprouting out from each other over three separate stories of the same Seoul walk-up.
Peter Debruge Chief Film Critic African American boxing champ Muhammad Ali famously refused to fight for his country, justifying himself with the oft-quoted quip, “No Viet Cong ever called me n—–.” That’s one-half of American history, and an important one. “Devotion” tells the other, presenting the story of a Black pilot so determined to defend — and die for, if need be — the United States that he was willing to endure institutional bigotry to become the Jackie Robinson of the skies: Jesse Brown, the first aviator of color to complete the Navy’s basic training program. A square but satisfying social justice drama set against the backdrop of the Korean War, “Devotion” impressed on the biggest screen possible at the Toronto Film Festival two months before its Nov. 23 theatrical release. Featuring elements of both “Green Book” and “Red Tails,” the film is more than just a stirring case of Black exceptionalism; it also celebrates the one white officer who had Brown’s back, Tom Hudner, treating the bond these two men formed as something exceptional unto itself. Director JD Dillard dazzles with see-it-in-Imax airborne sequences, but the meat of the film focuses on the friendship between Brown (“Da 5 Bloods” star Jonathan Majors) and his white wingman, played by Glen Powell, the “Hidden Figures” actor who most recently appeared in “Top Gun: Maverick.”
As the climate crisis worsens, the need for urgent action grows exponentially. Ignoring a problem doesn’t make it go away, and this one threatens total global collapse.
Baek Yerin will soon be heading to North America to tour – find dates, cities and ticket sale info below.On September 20, the singer took to Twitter to announce her forthcoming 2022 North American tour, which will take place from November to December. Baek will be kicking off the 14-show tour in Atlanta on November 28, before heading to cities like Los Angeles, Chicago and New York.<2022 Yerin Baek North America Tour>⠀Nov 28 : AtlantaNov 30 : HoustonDec 1 : Fort WorthDec 4 : Santa AnaDec 5 : Los AngelesDec 7 : BerkeleyDec 9 : DenverDec 11 : ChicagoDec 13 : TorontoDec 15 : BostonDec 17 : New YorkDec 19 : Washington DC— Yerin Baek (@yerinbaek) September 19, 2022Tickets to the concerts, which will be available here via Ticketmaster, go on sale on September 22 at 10am local time.
As the Toronto International Film Festival comes to its official Closing Night we say goodbye to the re-energized fest for another year, but not before we say ‘hello Dali’ or actually the final World Premiere of the festival, Daliland which picks up the celebrated artists’ life in its later years focusing on the odd relationship between his and his controlling wife. If only this film stuck to that idea and didn’t take a detour into a misbegotten coming of age plotline about the young assistant both Dalis take a shine to in their own way.
Can you get the same satisfaction from a round of “NBA 2K” as you can from dunking in real life? Is a trip to the San Diego Zoo Safari Park good enough to check off “African safari” on your bucket list? Does pelting your brother-in-law’s best man with paintballs at the bachelor party make you a combat veteran? Look away if you don’t want to spoil the answers, but: No, no, and no, and puttering around a Quonset hut pretending to be an astronaut isn’t the same thing as hitching a rocket to Mars, either.
They headed north to the wilderness in the 1970s, when Michelle (Sarah Gadon) was 15 and pregnant with Cea, “because if there was one thing Papa Dick was sure of, it was that the wilderness would solve all their problems.” They ended up in the Kootenay Plains, up in Alberta, where “Papa Dick” (Robert Carlyle) headed up a commune that sounds an awful lot like a cult. Cea Sunrise Person first told her story in her 2014 memoir, “North of Normal,” which has been adapted into a film of the same name by director Carly Stone and screenwriter Alexandra Weir.
Josh Duhamel and Audra Mari are tying the knot!
Massachusetts is the best state to live in for reasons its residents have always known: we’re smarter, healthier, happier, and all around better off than everybody else. We have the decency and common sense to shove most of our pro-fascist wingnuts toward the boondocks.
“The Swimmers” is inspired by the true story of teenage Olympic athlete and Syrian refugee Yusra Mardini who, in 2015, along with her sister Sara and two others, dragged a boat full of fellow refugees across the Aegean sea. After the girls made it to Germany, Yusra was selected along with ten others to compete with the Refugee Olympic Team at the 2016 Summer Olympics in Rio.