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Chinonye Chukwu On Making ‘Till’: “Where The Camera Focuses Is Its Own Act Of Resistance” – New York Film Festival - deadline.com - New York - New York - Chicago - state Mississippi
deadline.com
02.10.2022 / 09:53

Chinonye Chukwu On Making ‘Till’: “Where The Camera Focuses Is Its Own Act Of Resistance” – New York Film Festival

Chinonye Chukwu was certain of two things setting out to tell the story of a loving and lovely 14-year-old boy lynched in 1955 Mississippi for whistling at a white woman. First, the story had to be told from the perspective of Mamie, the mother of Emmett Till. “We had to follow closely her emotional journey. For without Mamie, the world, we, would not have known who Emmett Till was.”

Barbara Broccoli On Powerful Movie ‘Till’: “This Is Not A Time For Us To Look Away” – New York Film Festival - deadline.com - London - New York - USA - New York - state Mississippi
deadline.com
02.10.2022 / 01:49

Barbara Broccoli On Powerful Movie ‘Till’: “This Is Not A Time For Us To Look Away” – New York Film Festival

EXCLUSIVE: Barbara Broccoli, one of the teams of producers behind the powerhouse film Till, about the extraordinary efforts of Maimie Till Mobley to find justice after the lynching of her 14-year-old son Emmett Louis Till, for whistling at Carolyn Bryant, a white woman, by white supremacists in Mississippi in 1955, told Deadline, that audiences must seek out the movie: ”This is not a time for us to look away.”

‘White Noise’ Director Noah Baumbach Says He Never Saw Don DeLillo’s Novel as ‘Unfilmable’ at New York Film Festival’s Opening Night - variety.com - New York - USA - New York
variety.com
01.10.2022 / 20:47

‘White Noise’ Director Noah Baumbach Says He Never Saw Don DeLillo’s Novel as ‘Unfilmable’ at New York Film Festival’s Opening Night

Antonio Ferme editor Long before “Marriage Story” writer-director Noah Baumbach was attached to Netflix’s “White Noise,” several filmmakers mounted attempts to adapt the notoriously “unfilmable” novel of the same name written by Don DeLillo. Variety reported in 2004 that “The Addams Family” director Barry Sonnenfeld was on board to direct the film, known as his “longtime passion project.” The torch was then handed off to Michael Almereyda, best known for his 2000 film “Hamlet” starring Ethan Hawke, after Uri Singer acquired the rights to DeLillo’s novel. Baumbach’s “White Noise” served as the opening night screening for the 60th annual New York Film Festival on Friday, making its North American debut after a divisive premiere at the Venice Film Festival. The director told Variety on the red carpet that he didn’t give a second thought to the idea that his film’s source material was unadaptable.

New York Film Festival Marks 60th Anniversary - variety.com - New York - New York - Manhattan - city Kazan
variety.com
30.09.2022 / 19:11

New York Film Festival Marks 60th Anniversary

Andrew Barker Senior Features Writer In September 1963, the first ever New York Film Festival was held in Manhattan’s Lincoln Center, and it counted as something of an experiment, an early test case as to whether the sort of serious, artistically inclined fests that were quickly becoming established in Europe could find real purchase stateside. The inaugural lineup included Luis Buñuel’s “Exterminating Angel,” Roman Polanski’s debut, “Knife in the Water,” and Yasujirō Ozu’s swan song “An Autumn Afternoon.” According to a Film Comment report at the time, the inaugural fest sold more than 20,000 tickets before a single film had unspooled. Not bad for a first time out.

New York Film Festival Celebrates 60th Edition And A Return To Familiar Footing - deadline.com - New York - New York
deadline.com
30.09.2022 / 18:59

New York Film Festival Celebrates 60th Edition And A Return To Familiar Footing

Dennis Lim, the artistic director of the New York Film Festival, has a confession.

2022 New York Film Festival Preview: 14 Must-See Movies - theplaylist.net - New York - New York - city Sangsoo
theplaylist.net
26.09.2022 / 23:40

2022 New York Film Festival Preview: 14 Must-See Movies

As we are seeing this film festival season return to what we all knew and loved pre-pandemic, we are so excited to have one of the longest-running U.S.-based film festivals return for its 60th year (yes, 60!!).

Writer-producer Zack Estrin has died, aged 51 - www.nme.com - California - New York
nme.com
26.09.2022 / 04:27

Writer-producer Zack Estrin has died, aged 51

Prison Break and Netflix’s Lost In Space – has died, aged 51.The writer-producer died in Hermosa Beach, California, on Friday September 23, confirmed by his talent agency, WME.Circumstances surrounding Estrin’s death are not currently clear. Estrin is suspected of dying from a cardiac arrest after collapsing while jogging, through an exact cause of death is still pending an autopsy.In a statement per Variety, Estrin’s family called him “the best husband, father, son and friend. “Zack Estrin was our everything,” the statement read.

New ‘Cloverfield’ film in the works from director Babak Anvari - www.nme.com - New York
nme.com
23.09.2022 / 22:07

New ‘Cloverfield’ film in the works from director Babak Anvari

Cloverfield franchise is in development at Paramount Pictures, according to reports.Babak Anvari, best known for directing horror films Under The Shadow and 2019’s Wounds, is set to direct the project from a script written by Joe Barton (Giri/Haji). J.J.

Juliette Binoche admits 'it wasn't easy' working with Jean-Luc Godard - www.msn.com - Britain - Spain - France - Switzerland
msn.com
19.09.2022 / 20:19

Juliette Binoche admits 'it wasn't easy' working with Jean-Luc Godard

Juliette Binoche has admitted "it wasn't easy" working with late director Jean-Luc Godard on 1985's Hail Mary. The Breathless director passed away at his home in Rolle, Switzerland on 13 September at the age of 91. During a press conference at the San Sebastian Film Festival in Spain on Sunday, his Hail Mary star was asked about working with the French-Swiss filmmaker.

Juliette Binoche on Working Naked With Jean-Luc Godard, Growing Old, Going For the New - variety.com - Britain - France - USA
variety.com
18.09.2022 / 15:09

Juliette Binoche on Working Naked With Jean-Luc Godard, Growing Old, Going For the New

Liza Foreman “You have to know how to reject roles so as not to enter into a system in which women are only seen in a certain way,” said French actor Juliette Binoche on Sunday. Binoche spoke up for women whilst answering questions from the press at the San Sebastián Film Festival where she is a recipient this year of the festival’s Donostia Award, as a tribute to her career. “The English Patient” star is a go-to actress for a slew of auteur directors, including Krzysztof Kieślowski and Claire Denis. Denis joined her on stage to discuss “Both Sides of the Blade,” a love triangle film co-starring Binoche, which will screen at the festival before the award’s presentation.

Juliette Binoche Talks About The “Anguish” Of Working With Jean-Luc Godard & “Ageing In Front Of The Camera” — San Sebastian - deadline.com
deadline.com
18.09.2022 / 14:35

Juliette Binoche Talks About The “Anguish” Of Working With Jean-Luc Godard & “Ageing In Front Of The Camera” — San Sebastian

Juliette Binoche spoke about what she described as the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian film festival.

International Insider: Period Of Mourning; TIFF Back To Life; Jean-Luc Godard Remembered; San Seb & French Oscar Picks - deadline.com - France
deadline.com
16.09.2022 / 16:17

International Insider: Period Of Mourning; TIFF Back To Life; Jean-Luc Godard Remembered; San Seb & French Oscar Picks

Good afternoon Insiders. Max Goldbart here and as the world prepares for Queen Elizabeth II’s funeral, which has dominated headlines this week, I’ll take you through the past few days in international TV and film.

Isabelle Huppert Remembers Jean-Luc Godard: ‘We’re All a Bit Like Orphans Now That He’s Gone’ - variety.com - France
variety.com
15.09.2022 / 16:17

Isabelle Huppert Remembers Jean-Luc Godard: ‘We’re All a Bit Like Orphans Now That He’s Gone’

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

Martin Scorsese Remembers Jean-Luc Godard & Says His Films “Feel More Necessary & Alive Than Ever” - theplaylist.net
theplaylist.net
14.09.2022 / 18:28

Martin Scorsese Remembers Jean-Luc Godard & Says His Films “Feel More Necessary & Alive Than Ever”

As you’re probably aware at this point, acclaimed filmmaker Jean-Luc Godard passed away earlier this week at the age of 91. The exact details of his passing have been kept private, but it is being reported that he used assisted suicide to end his own life.

Godard Is Gone — A Remembrance Of The Stubborn & Iconoclastic Film Director - deadline.com - Chicago
deadline.com
14.09.2022 / 05:15

Godard Is Gone — A Remembrance Of The Stubborn & Iconoclastic Film Director

Stubborn and iconoclastic as always, Jean-Luc Godard has passed to another realm–and by his own choice– at age 91. Ever-iconoclastic, impudent and exasperating, forever pushing boundaries but remaining elusive, and an artist in every fiber of his being, Godard always did exactly what he wanted to do; for a few years many followed him ardently, and for lots of us in the 1960s he led the way into a vastly exciting and personal form of cinema. Thereafter he went entirely his own way, losing most of his audience but remaining at the forefront of exploring what cinema is, could be, and, sometimes, what it absolutely shouldn’t be.

Jean-Luc Godard chose to end life through assisted dying, lawyer confirms - www.nme.com - France - New York - Switzerland
nme.com
13.09.2022 / 22:31

Jean-Luc Godard chose to end life through assisted dying, lawyer confirms

passed away on Tuesday (September 13) at the age of 91.Now, his long-time legal adviser, Patrick Jeanneret, has confirmed that the director died by assisted suicide, having suffered from “multiple disabling pathologies”.“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret told The New York Times, noting that assisted suicide is both legal and tightly regulated in Switzerland.He went on to explain that Godard wanted to die with dignity, and “that was exactly what he did”.The Franco-Swiss director was known for movies such as Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.His films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.Also known for his witticisms, Godard famously once observed that “a film consists of a beginning, a middle and an end, though not necessarily in that order.”Pulp Fiction and Reservoir Dogs director Quentin Tarantino was said to be heavily influenced by the late filmmaker, having been initiated by Godard and his Paris-based contemporaries.Other filmmakers have since taken to social media to pay tribute to Godard, with Edgar Wright (Hot Fuzz, Baby Driver) recently describing him as “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting,” he wrote.Director Asif Kapadia, who has helmed films and documentaries including Senna, Amy and Diego Maradona, also paid tribute to the late filmmaker, simply writing: “The King is Dead.”

Jean-Luc Godard Remembered by Antonio Banderas, Edgar Wright and More: ‘We Are Losing a National Treasure’ - thewrap.com - France - Switzerland
thewrap.com
13.09.2022 / 21:15

Jean-Luc Godard Remembered by Antonio Banderas, Edgar Wright and More: ‘We Are Losing a National Treasure’

died Tuesday at age 91. The Franco-Swiss director, who helped usher in a new era of cinema with titles like “Breathless” (1960) and “A Woman is a Woman” (1961), was mourned and celebrated across social media by scores of fans and fellow artists.Edgar Wright called Godard “one of the most influential, iconoclastic film-makers of them all,” recalling the “Breathless/Godard” spoofs he made while he was in college.

Tributes To Jean-Luc Godard Pour In From The World Of Cinema And Beyond - deadline.com - Britain - France - county Edgar - Beyond
deadline.com
13.09.2022 / 15:58

Tributes To Jean-Luc Godard Pour In From The World Of Cinema And Beyond

Tributes to Jean-Luc Godard, a pioneering leader of French cinema, began to flood in immediately after it was reported that the director died today, aged 91, with figures from the world of cinema, politics, and beyond remembering the director for his powerful, singular work.

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