EXCLUSIVE: Domenick Lombardozzi (The Irishman), Karl Glusman (Greyhound), Matilda Lutz (Revenge), Owen Teague (Montana Story) and Catherine Dyer (The Morning Show) will round out the cast of Netflix’s Reptile.
13.09.2021 - 10:55 / variety.com
Naman Ramachandran Netflix has signed a multi-year partnership with “Unorthodox” creator Anna Winger’s production company Airlift Productions to develop and produce international drama series.The first project under the partnership will be “Transatlantic” (working title), a drama series set during the 1940 refugee crisis in Marseilles, France, inspired by the true adventures of the Emergency Rescue Committee and Julie Orringer’s 2019 novel, “The Flight Portfolio.” The series is created by
.EXCLUSIVE: Domenick Lombardozzi (The Irishman), Karl Glusman (Greyhound), Matilda Lutz (Revenge), Owen Teague (Montana Story) and Catherine Dyer (The Morning Show) will round out the cast of Netflix’s Reptile.
2006The Academy pays a reported $50 million for a 3.5-acre site next to its Pickford Center for Motion Picture Study on Vine St. in Hollywood.
captures 19th-century British aristocrats in search of love, premiered in December.French crime-thriller “Lupin” and the first season of “The Witcher” tied for second on the top-ten shows list, with 76 million accounts tuning in to each.As for movies, the action film “Extraction,” about a black-market mercenary tasked with rescuing a drug lord’s kidnapped son, earned the top spot — with 99 million accounts tuning in during its first 28 days, Netflix said.Horror-thriller “Bird Box” took second
dropped the first photos for season 2 of , it has officially set a premiere date and debuted the first teaser during Saturday's virtual fan event, TUDUM.The Parisian dramedy, returning Lily Collins as the titular heroine, will launch its 10-episode sophomore season on Dec. 22.The second season finds Emily, now more entrenched in her life in Paris, getting better at navigating the city but still struggling with the idiosyncrasies of French life.
Mónica Marie Zorrilla Dust off your berets, “Emily in Paris” lovers: The escapist rom-com sensation will return to Netflix on December 22, the streamer announced Saturday at its Tudum virtual fan event.“Emily in Paris” follows Emily (Lily Collins), an ambitious twenty-something marketing executive from Chicago, who unexpectedly lands a job in Paris when her company acquires a French luxury marketing company.
Jodie Comer looks stunning in a sleek black ensemble for the premiere of The Last Duel held at Gaumont Champs Elysees on Friday night (September 24) in Paris, France.
The independent film model, a business that relies on box office revenues, international presales and television licensing, has arguably never been more challenged. French producer Philippe Rousselet is one exec who has been at the sharp end of this change, as his heart-warming, coming-of-age drama CODA kicked off the year with a bidding battle at the virtual Sundance Film Festival, resulting in Apple’s record-breaking $25M worldwide acquisition of the title.
Nick Vivarelli International CorrespondentViacomCBS’ Pluto TV, the fast-growing, free, ad-supported, linear TV-style streaming service, is set to launch in Italy on Oct. 28 with 40 thematic channels spanning multiple genres.Pluto TV’s Italy launch will expand the service’s European footprint, segueing from successful bows in the U.K., Germany, France and Spain.
“My Son” is a gimmick in search of a movie. Co-writer/director Christian Carion (“Joyeux Noel”) adapts his own 2017 French film of the same name, which was unexpectedly dropped to Peacock after forgoing the theatrical or VOD route (it will also be on The Roku Channel in December, making this deal even stranger).
EXCLUSIVE: Following a tussle for rights in the territory, Protagonist Pictures has closed a French all-rights deal with Wild Bunch for well-received comedy Official Competition, starring Antonio Banderas, Penélope Cruz and Oscar Martínez.
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Netflix and Unorthodox creator Anna Winger and her production company Airlift Productions have set a multi-year creative partnership. The overall deal will see Winger and Airlift develop and produce international drama series for the streamer.
Ben Affleck and Matt Damon have proudly declared The Last Duel to be a feminist film.Based on the titular 2004 book by Eric Jager, the film – directed by Ridley Scott, with Affleck and Damon writing, producing and starring – is based on the true story of the last medieval trial by combat.Set in 14th century France, the story follows a duel between Jean de Carrouges (Damon) and Jacques Le Gris (Adam Driver), after the latter rapes the former’s wife, Marguerite de Carrouges (Jodie Comer).Take a
France, The Last Duel follows Jodie Comer's character Marguerite de Carrouges after she is sexually assaulted by her husband's best friend.
Everyone has their own truth, as they say, but some of those truths are considerably truer than others. Old pals Matt Damon and Ben Affleck join forces with established indie filmmaker Nicole Holofcener to adapt a true story – that of Marguerite de Carrouges, a 14th century French noblewoman who was raped by an old friend of her husband’s – and tell it from three different angles in Ridley Scott’s The Last Duel.
France, The Last Duel follows Jodie Comer's character Marguerite de Carrouges after she is sexually assaulted by her husband's best friend. Her husband Jean (Matt Damon) challenges his friend Jacques (Adam Driver) to a state-sponsored trial by combat after she confides in him.
Matt Damon has his wife Luciana by his side for his latest movie premiere!
Ben Croll Everything old was new again at the Venice Film Festival on Friday, as actor Ben Affleck hit the red carpet hand in hand with girlfriend Jennifer Lopez, formally launching Bennifer 2.0.The couple posed alongside co-stars Matt Damon and Jodie Comer and director Ridley Scott as they took in the world premiere of their historical drama “The Last Duel,” a true story of betrayal and revenge set in 14th century France.
Owen Gleiberman Chief Film CriticRidley Scott’s “The Last Duel” is set in France in the late 1300s, and after a clangingly violent early battle scene, as well as a flashforward to the title duel, in which a pair of sworn rivals in heavy armor come at each other on horseback, each brandishing his lance a lot (sorry, I couldn’t resist), the film looks like it might be a swords-and-blood-in-the-mud movie: one of those flashy brutal period spectaculars which Scott, the director of “Gladiator,”