Neon Acquires Pablo Berger’s Animated Feature ‘Robot Dreams’ Ahead Of Cannes Bow

Leo Barraclough International Features Editor Family animated movie “Pirate Mo and the Legend of the Red Ruby” proved to be a smash hit with international distributors during the Cannes Film Market, with sales agency The Playmaker Munich delivering the film to multiple buyers. During the market, The Playmaker announced first presales to Benelux (Just4Kids), Turkey (Filmarti), Baltics (GPI), Greece (Rosebud) and Bulgaria (Pro Films). The company has now revealed further sales to Poland (M2 Films), Scandinavia (Njuta Films), Hungary and Romania (ADS), Portugal (Outsider Pictures), and Yugoslavia (Blitz Film).

EXCLUSIVE: Taost Entertainment, a London-based media production startup, has picked up Chinese distribution rights to the star-studded animated feature 10 Lives.

It would be nice to think that desires are nothing more than preferences, springing organically from a fixed identity and unaffected by outside circumstances such as personal history and societal norms. The reality is, of course, much thornier, and trying to disentangle the many different factors influencing our tastes and longings can quickly cause a lot of suffering.

Chinese author Yu Hua is no stranger to Cannes. The famed postmodernist writer’s work first graced the silver screens of the Palais back in 1994 with director Zhang Yimou’s masterclass adaptation of his seminal novel, “To Live.” A searing portrait of a single family’s struggle through China’s mid-century upheaval and the Cultural Revolution, “To Live” would go on to win the festival’s coveted Grand Prix award, Prize of the Ecumenical Jury, and the Best Actor Award.

The official synopsis for Wim Wenders’ “Perfect Days” is one of those rare occasions when a tightly-described premise encapsulates the immensity of a film: a janitor in Japan drives between jobs listening to rock music. In this case, the janitor is Hirayama (Koji Yakusho), an older man whose job is cleaning Tokyo’s elegantly designed public toilets.

EXCLUSIVE: Neon is nearing a deal for North American rights to Cannes competition entry Perfect Days from The Match Factory in a deal pegged in the mid-to-high six figures.

Paramount has pushed back the release date for Transformers One, the newest animated feature in the Transformers franchise that was unveiled at CinemaCon in April. The origin story from director Josh Cooley, previously set to open on July 19, 2024, will now bow nationwide on September 13, 2024.

Mubi has snapped up rights to the acclaimed feature Fallen Leaves, written and directed by Aki Kaurismäki, in a competitive situation, following its world premiere in Official Competition at the Cannes Film Festival.

Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.

Ed Meza @edmezavar The 12th edition of Chile’s Sanfic Industria is set to kick off Aug. 20 alongside the Santiago Film Festival with new lab sections and a series focus on Chilean TV productions.   Among Sanfic Industria’s 11 sections will be the new Series Lab, which will select up to six Latin American scripted series projects. Creators and producers will receive advice from Sanfic Industria participants on the development of their works and strengthening international prospects. Industry reps will also take part in pitching sessions and one-on-one meetings for selected projects that will also be eligible for prizes and incentives. Also new is Sanfic ODS Lab, which aims to promote sustainable development goals among Latin American, Spanish and Portuguese projects. Producers, directors and scriptwriters are invited to present audiovisual projects with themes related to sustainable development and that are in an advanced state of development. Selected projects  will also receive incentives to strengthen their development and international prospects.

You may not yet know filmmaker, writer/director, and actor Julio Torres, but you should, given the fact that A24 and Tilda Swinton co-signed on him seemingly immediately for his feature-length debut. Torres is best known as a writer for “Saturday Night Live” and as the co-creator, writer, and executive producer of the HBO series “Los Espookys.” While the latter HBO comedy was short-lived, those who saw it clearly loved it.

Holly Jones Validated at Cannes by a U.S. sale to Neon for Pablo Berger’s “Robot Dreams,” Catalan animation is on a roll – thanks to ambitious creatives muscular state funding, cutting edge talent and diverse stories that captivate global audiences. “Catalonia’s long had a strong tradition of important animation production companies, which developed ambitious projects,” Edgar Garcia, general director of Catalan cultural company agency ICEC, told Variety. “Over the years, this resulted in the creation of smaller studios with highly qualified professionals on the creative and technical sides. Those studios and professionals are now working for productions all over the world,” he added.

Neon has acquired North American rights to Justine Triet’s Cannes Competition feature Anatomy of a Fall.

Manori Ravindran Executive Editor of International Neon has acquired Justine Triet’s Hitchcockian courtroom drama “Anatomy of a Fall.” The U.S. distributor has been “aggressively pursuing” the competition title, which premiered in Cannes on Sunday to rapturous reviews, and has beat out competition. In the 150-minute film, a frustrated writer dies of suspicious causes, leaving behind clues that implicate his wife (Sandra Hüller) of his murder. Much of the film is focused on the ensuing trial, and features German star Hüller, known to international audiences for “Toni Erdmann,” delivering a powerhouse performance as a woman fighting to clear her name while protecting the couple’s young son. (Hüller previously teamed with Triet for psychological drama “Sibyl,” which also competed for the Palme d’Or at Cannes in 2019.)

There is no dialogue. There are no humans.

EXCLUSIVE: Emmy award-winning Indian producer Apoorva Bakshi (Delhi Crime) has boarded The Glassworker, Pakistan’s first ever Hayao Miyazaki-style animated feature, as an executive producer. 

Pablo Lyle is in prison after his sentence of five years for involuntary manslaughter after fatally punching Juan Ricardo Hernández in a road rage altercation in Miami. Now the victim’s family is seeking some type of reparations and filed a civil lawsuit against the actor and his brother-in-law, Lucas Delfino.Contrary to Pablo’s case, Delfino’s defense achieved a victory after clearing his client of any responsibility, alleging Lucas had no control over the decisions made by the Mirreyes v.s Godínez actor.According to the lawsuit, relatives of the deceased are requesting financial compensation to cover psychological services, legal fees, and more.

EXCLUSIVE: The production and management company Citizen Skull is expanding with the launch of a BTL division to represent cinematographers, production designers, costumers, editors and others. 

Steven Gaydos Executive VP of Content Austrian actor Helmut Berger, the groundbreaking star of European cinematic masterpieces such as Luchino Visconti’s “The Damned” and Vittorio De Sica’s “Garden of the Finzi-Continis,” has died at the age of 78. Berger died at home in Austria from natural causes. In one of European cinema’s most storied and creative periods, the 60s and 70s, Berger boldly established his place in the pantheon of Continental stars via a handful of films directed by Visconti, his one-time romantic partner. “The Damned,” “Ludwig” and “Conversation Piece” were all crafted with standout roles for Berger and the films were hugely successful both at the arthouse box office and with critics and awards groups.