Nancy Meyers Rom-Com Cancelled by Netflix Might Have New Home at Warner Bros

EXCLUSIVE: Smokehouse Pictures partner George Clooney and Grant Heslov have signed an overall film deal with the Warner Bros. Pictures Group and its Co-Chairs and CEOs Mike De Luca and Pam Abdy. It amounts to a homecoming for the filmmakers, who named their company for the Smoke House steak joint right off the Warner Bros lot, where they used to eat all the time. Clooney’s history with the studio goes back to his breakthrough starring role in the Warner Bros Television drama ER. They made their first deal at Warner Bros when they formed Smokehouse in 2006.

EXCLUSIVE: Showtime has opted not to renew The L Word: Generation Q for a fourth season. The decision comes two months after the series’ third season ended its run. However, the franchise may continue on the network — The L Word: New York (working title), a reboot of the groundbreaking original series, is in development with the 2004 series’ creator Ilene Chaiken attached, I hear.

Nancy Meyers is still searching for a new home for her film after parting ways with Netflix over budget concerns. But in the meantime, the director of rom-com classics like 2006’s The Holiday and Something’s Gotta Give has dropped some hints on Instagram, revealing details about her movie, confirming the title, and sharing its origin.

Nancy Meyers is speaking out.

What’s David Robert Mitchell been up to lately? Well, since “Under The Silver Lake,” not much, but that’s about to change. Deadline reports that Mitchell has his next project lined up at Warner Bros., and the director is teaming up with Anne Hathaway and the Bad Robot crew for a new mystery project.

Jennifer Maas TV Business Writer Warner Bros. Discovery received stock upgrades from two media analyst firms Friday for, among other things, making the decision to tie bonuses for CEO David Zaslav and his team to free cash flow performance. “We threw everything and the kitchen sink at a Downside Case scenario for WBD, and it still delevers to 3x by ’25E,” Wells Fargo analysts wrote in a research note published Friday, in which they upgraded WBD’s stock to “overweight” with a price target increase from $13 to $20 per share. “We now have conviction in FCF to limit downside, while the stock has asymmetric upside.” Meanwhile, Wolfe Research moved WBD from its “peer perform” rating to “outperform” and also upped the price target to $20. (At time of publication Friday, WBD stock was trading at $14.51 per share.)

plug on the project earlier this week due to budget issues. Scarlett Johansson, Penélope Cruz, Michael Fassbender and Owen Wilson were previously in talks for roles in the film which centered on an above-the-line filmmaking duo who reunite on set after falling in and out of love with one another.“Paris Paramount” would have been Meyers’ return to the director’s chair since helming 2015’s “The Intern,” which starred Robert DeNiro and Anne Hathaway.Talent deals with Warner Bros. Discovery would need to be reworked since the cast previously had buy-out deals because their deals were for Netflix.

Just days after parting ways with Netflix, Nancy Meyers next movie has found a new home as sources tell Deadline Warner Bros. is in early talks to acquire the project. Sources stress no deal is done and they are exploratory talks but add there is something to it and discussions have begun on various details about project. Deadline reported on Tuesday that the film was leaving Netflix after the studio pulled the plug due to budget concerns. Meyers moved quickly to take the project out to other studios and Warner Bros. is looking like the front-runner to land the film. Meyers will write and direct the project but what is unknown is if the all-star cast will still be joining. Meyers was in talks with Scarlett Johansson, Penelope Cruz, Owen Wilson and Michael Fassbender to star but given that was the plan when Meyers had a much larger budget it is unknown if those actors stay committed to the project.

Brent Lang Executive Editor Warner Bros. Discovery U.S. Hispanic has partnered with GroupM and Cocina Media on “El Toque de Aarón.” The all-new original seriesfollows celebrity chef Aarón Sánchez and his team as they help Latino restaurants in the Los Angeles area reach new heights. Kimberly Clark’s VivaÒ Paper Towels Brand will be an integrated sponsor, with other GroupM clients featured throughout the series. Sánchez will also act as an executive producer. The six-part series unfolds in Latino restaurants with great potential, ready to seize the opportunity to optimize their business – from devising a more exciting menu to improving the overall aesthetics to streamlining their execution and raising their public profile. Sánchez will help reimagine these restaurants to bring out their true soul, with a revamped menu and a refreshed space. In each 30-minute episode, the culinary wizard will put his personal touch on each menu item, while mentoring each restaurant’s chef and sharing tips and tricks of the trade along the way. Helping to round out the renewals with much-needed renovations are designer Cris Mercado (“HGTV Star; Remodelaciones con Celebridades“) and project manager Ángel Riveros (“Hogar Star”). Complicating matters is the fact that they have only four days to achieve this mission. The clock is ticking.

Netflix pulled the plug on Nancy Meyers’ $130 million ensemble comedy “Paris Paramount” on Tuesday, Jimmy Fallon is pretty confident in what will happen next. According to the “Tonight Show” host, the streamer will probably win back Nancy Meyers in a very Nancy Meyers-esque way.The romantic comedy was expected to star Scarlett Johansson, Owen Wilson, Michael Fassbender and Penelope Cruz, and followed a filmmaking duo who reunite on set after falling in and out of love with one another.

When it was announced that Netflix was going to foot the $130 million bill for the new Nancy Meyers rom-com with an A-list cast, there were many (myself included) who thought it was a bit crazy. That’s a superhero film budget, not necessarily the type of money you throw at an adult-focused romantic comedy.

Hollywood Reporter.The company gave her a cap of $130 million, according to the report, but the filmmaker requested $150 million.The flick had Scarlett Johansson, Penélope Cruz, Michael Fassbender and Owen Wilson in talks to star.The name was allegedly titled “Paris Paramount” and Meyers was set to write, direct and produce the feature.The project was announced last year and the plot would have chronicled a young writer-director who falls head over heels for a movie producer.The Post reached out to Meyers for comment.The synopsis is semi-autobiographical for Meyers, as she was married to director Charles Shyer for almost two decades.The duo worked on a few iconic comedies over the years such as “Private Benjamin,” “Baby Boom” and “Father of the Bride.”The movie would have been Meyer’s first flick since the 2015 Anne Hathaway rom-com “The Intern.”In December 2022, Meyers responded to rumors about a sequel to her much-loved 2006 film, “The Holiday.”But she shot down any chatter about a second installment on social media at the time, saying: “So many DM’s about this — sorry but it’s not true.” It was reported previously that the possible sequel had returning stars Cameron Diaz, Jude Law, Kate Winslet and Jack Black on board, with production beginning earlier this year.The “Titanic” star, 47, also separately denied that there was a sequel for “The Holiday” in place.“I read something about that, but it’s the first I’ve heard of it,” Winslet told People at the time. “I promise you not an agent or a representative or anyone from the first one around has had any conversation with me about that.

Netflix over budget concerns. News that the project is being shelved comes following reports that A-listers Scarlett Johansson, Penélope Cruz, Owen Wilson and Michael Fassbender were circling the lead roles in the film. Netflix was backing the movie, which was announced in April 2022 and greenlit with a price tag well over $100 million, a source confirms to Variety. (Industry newsletter Puck reported that the film would cost $130 million to produce). It’s not clear how much of the budget would’ve been devoted to designing an immaculate kitchen, a staple in the Nancy Meyers Cinematic Universe.

Nancy Meyers‘ romantic comedy movie will not be moving forward at Netflix.

Following news last week that Netflix and director Nancy Meyers were at crossroads over the budget on her next film, sources close to the situation say the streamer has decided to part ways with the project. Deadline reported last week that Scarlett Johansson, Owen Wilson, Penelope Cruz and Michael Fassbender were in talks to star but that the budget, which sources say was coming in around $130 million, was causing issues. Sources now say, that while the studio was fine with $130 million, Meyers was still fighting for $150 million, with $80 million of that going to above the line costs. With both sides refusing to budge on the budget, sources say Netflix was leaning toward fully moving off the film over the weekend with the plug ultimately getting pulled this morning.

Netflix has pulled the plug on Nancy Meyers’ $130 million ensemble comedy “Paris Paramount,” The Wrap has learned.Scarlett Johansson, Penélope Cruz, Michael Fassbender and Owen Wilson were previously in talks for roles in the film which centered on an above-the-line filmmaking duo who reunite on set after falling in and out of love with one another.“Paris Paramount” would have been Meyers’ return to the director’s chair since helming 2015’s “The Intern,” which starred Robert DeNiro and Anne Hathaway.

Eric André is explaining the story behind his viral nude photos with Emily Ratajkowski.

EXCLUSIVE: Film industry veteran Michele ‘Miss’ Imperato Stablile has been named President, Worldwide Physical Production, Warner Bros. Pictures. She will report directly to Warner Bros Pictures Group Co-Chair and CEOs Michael DeLuca and Pam Abdy. She’ll join the studio in the coming weeks.

Bloomberg reported on Thursday and TheWrap independently confirmed.The name change is meant to signal that the service will not just be HBO Max with Discovery content, nor will HBO Max be ported over to Discovery+. “Max” is the leading contender, though Warner Bros.

—is gearing up to make her first film since 2015. Responsible for modern classics such as , , Something’s Gotta Give, and It’s Complicated, it's safe to say that when Meyers's name is attached to a project, you know it's going to be funny, moving, and filled with  The Netflix-backed film is still under wraps for the most part—it doesn't have a title or a projected release date yet, although production is in May 2023 in Los Angeles.