‘Mother and Son’ Review: Léonor Serraille’s Softly Shattering Story of Immigrants Finding Themselves and Losing Each Other

Netflix’s The Brothers Sun has found its leads.

Cristiano Ronaldo to pay millions of dollars more than the $375,000 in hush money she received after claiming he raped her in Las Vegas in 2009.U.S. District Judge Jennifer Dorsey in Las Vegas kicked the case out of court on Friday to punish the woman's attorney, Leslie Mark Stovall, for «bad-faith conduct» and the use of leaked and stolen documents detailing attorney-client discussions between Ronaldo and his lawyers.

Pharrell Williams has praised the writing prowess of Kendrick Lamar, declaring that his bars hit so hard “because he knows how to be very disciplined with a subject matter”.The claims came in a new interview with Zane Lowe for Apple Music 1, celebrating the release of Williams’ new Tyler, The Creator and 21 Savage-assisted single ‘Cash In Cash Out’. The song was released yesterday (June 10) and marked Williams’ second time joining forces with Tyler, after he produced Tyler’s track ‘Come On, Let’s Go’ for the ‘I Love Nigo’ compilation.Speaking to Lowe, Williams referred to Lamar as “one of the greatest writers of our times”, explaining: “He knows that stickiness is important, and he knows that it has to feel great.”Williams and Lamar have a long history, and linked up most recently to work on this year’s ‘Mr.

Peter Debruge Chief Film CriticWith 1990’s “Jurassic Park,” novelist Michael Crichton took a hard look at what was happening in the field of genetic research and warned, via mathematician Ian Malcolm, “Scientists are actually preoccupied with accomplishment. So they are focused on whether they can do something. They never stop to ask if they should do something.”Across six movies and massive advances in visual effects technology, Hollywood has been wrestling with a version of that same craven because-they-can impulse.

posted a photo with his mother to Instagram on Thursday, June 2. In the snap, the pair lean into each other while sitting with their legs crossed.

Jem Aswad Senior Music EditorKendrick Lamar’s “We Cry Together,” a harrowing enactment of an ugly argument between lovers, is not a song most people will want to hear more than once. And even though it is expected to be the next video from Lamar’s brilliant and challenging new album “Mr.

Elsa Keslassy International CorrespondentMK2 Films has locked major territory deals on Leonor Serraille’s drama “Mother and Son” which world premiered in competition at the Cannes Film Festival and garnered strong reviews. “Mother and Son” charts the lives of a young African woman, Rose, and two of her four children, Jean and Ernest, who come to France from the Ivory Coast in the 1980s with high ideals.

Here’s a fun bit of symmetry: Of the four French titles competing for this year’s Palme d’Or, the first to screen was “Brother and Sister” and the last was “Mother and Son.” (Presumably daughters and grandparents will get their due next year.) Of the two, “Mother and Son” director Léonor Serraille bests her colleague Arnaud Desplechin in the family-saga sweepstakes, delivering a decade-spanning immigration drama that plays on the most intimate of registers.The film closed out the Cannes competition on Friday, providing it an auspicious berth. This year’s jury will go into deliberations with actress Annabelle Lengronne fresh in mind; should the actress win, she won’t have far to travel.She isn’t entirely the lead, as the triptych follows a Franco-Ivorian family in chapters dedicated to each member.

Helen Mirren and Andie MacDowell brought a touch of Hollywood glamour to the red carpet on Friday as they made a spectacular appearance at the Mother and Son premiere. Helen, 76, and Andie, 64, were simply radiant as they giggled, hugged and even had a dance together at the glitzy screening at the Palais des Festivals amid the 75th annual Cannes Film Festival.  The ladies also took the opportunity to showcase their fabulous attire during the evening, with The Queen star dazzling in a stunning, silver embellished gown.

The mother of the 18-year-old who killed 19 kids and two teachers at Robb Elementary School in Uvalde, Texas is speaking out.

When his mother spoke, Ernest remembers, everything sounded important. “I cling to her light,” he tells us in voiceover, an adult remembering how that felt. The Ernest he is recalling is just a little boy (Milan Doucansi), snuggled against Rose (Annabelle Lengronne, a wonderfully vivid presence), with his grave and clever older brother Jean (Sidy Fofana) sitting opposite on a train taking them from Cote d’Ivoire to a new French life.

Peter Debruge Chief Film CriticSPOILER ALERT: The penultimate paragraph of this review contains spoilers.Few of us are fortunate enough to have a friendship as intimate and effortless as the one shared by 13-year-old Belgian boys Leo (Eden Dambrine) and Remi (Gustav De Waele) in “Close.” That connection, and the responsibility that comes with it, is at the heart of Lukas Dhont’s sophomore feature, so subtle and sensitive in the first half, so devastatingly false from its tragic twist on. This beautifully evocative film, which hails from an openly queer director, offers as pure a portrait of innocent, innocuous same-sex affection as we’ve ever encountered on film.

A man who was viciously attacked by a mother and her son suffered a bleed on the brain, a court has heard.

Kendrick Lamar earns his first ever Number 1 on the Official Irish Albums Chart with Mr. Morale & The Big Steppers.

Elsa Keslassy International CorrespondentFive years after winning Cannes’ Camera d’Or prize with her debut feature, “Jeune Femme,” French writer-filmmaker Leonor Serraille graduated to a competition slot with “Mother and Son,” a timely family drama spanning three decades. Serraille is one of the five female directors competing for this year’s Palme d’Or.“Mother and Son” charts the lives of a young African woman, Rose, and two of her four children, Jean and Ernest, who come to France from the Ivory Coast in the 1980s with high ideals.

Florence + The Machine and Kendrick Lamar are battling it out for this week’s Number One album in the UK.Florence Welch’s band’s fifth studio album ‘Dance Fever’ is currently ahead of Lamar’s ‘Mr Morale & The Big Steppers’ after clocking up over 26,000 chart sales so far in the midweek album chart, according to the Official Charts Company.The Black Keys are not far behind at Number Three with their new LP with ‘Dropout Boogie’ and Bear’s Den are currently at Number Four with ‘Blue Hours’.If Florence + The Machine do go to Number One it’ll be their fourth chart topper after 2009 debut ‘Lungs’ follow up ‘Ceremonials’ and 2015’s ‘How Big, How Blue, How Beautiful’.Reviewing the record, NME awarded it four stars and described it as “the triumphant sound of a singer reborn”.If Lamar scores this week’s Number One album, it will be his first since 2015’s ‘To Pimp A Butterfly’. His current record ‘Mr Morale & The Big Steppers’ his first in five years, was awarded a whopping five stars by NME and was described as a “cathartic, soul-bearing autobiography”.Welch also received a writing credit on the record for the song ‘We Cry Together’ for its use of a Florence + The Machine sample.Elsewhere, in the UK singles chart, Sam Ryder has climbed up to Number Three following his success in the Eurovision Song Contest 2022.

Kendrick Lamar surprised fans on Saturday by dropping the first visual for his upcoming album Mr. Morale & the Big Steppers.

Kendrick Lamar released Mr. Morale & The Big Steppers, his fifth studio album and first multi-track project in half a decade, Friday at midnight. And today, he's announced a five-month, international journey to promote the record, with support from Baby Keem and Tanna Leone.

It’s Friday, Friday, gotta get down on Friday — especially when it’s New Music Friday! We’re breaking down this week’s best new tracks to keep on your radar.

Kendrick Lamar has officially released his fifth studio album, ‘Mr. Morale & The Big Steppers’.It’s a lengthy affair, spanning 73 minutes of heady, jazz-tinged hip-hop with rapping that, in true Kendrick style, oscillates between soulful and explosive.