Stranger Things creators Matt and Ross Duffer have expanded on what fans can expect from the fifth and final season of their ’80s-set Netflix phenomenon.
28.10.2022 - 20:57 / deadline.com
New York, a city responsible for bands such as The Velvet Underground, Blondie and Ramones, was a cultural wasteland by the late 90s and the wider music scene was pumping out shlock like Limp Bizkit and Hoobastank.
As Adam Green says in the opening scenes of Meet Me In The Bathroom, a documentary based on Lizzy Goodman’s oral history of nYc’s musical rebirth, “Maybe New York wasn’t the kind of city anymore that produces iconic bands”.
Then came The Strokes, Yeah Yeah Yeahs, TV on the Radio, LCD Soundsystem and many more over the next ten years, turning the Lower East Side and Brooklyn into hipster havens.
I remember the excitement when The Strokes, a gang of good-looking skinny boys with filthy hair and a filthier attitude, broke, in part thanks to the British music press, as I hustled for a copy of their Rough Trade debut EP Modern Age in early 2001.
The documentary, which is directed by Dylan Southern and Will Lovelace, highlights this explosion with a mix of incredible footage, including both rare live archive and general silliness, and interviews with many of the protagonists.
There’s the early performances by The Strokes at the Mercury Lounge, whose booker Ryan Gentles became their manager and Yeah Yeah Yeahs in Brooklyn with fellow scenesters Liars and Oneida as well as incredible early footage of frontwoman Karen O performing solo at the Sidewalk Cafe.
It also features LCD Soundsystem founder James Murphy’s origin story and Interpol’s early challenges including playing a nu-metal festival in the UK.
It makes you want to go back to dive bars like the Mars Bar and creep across Avenue A in battered Converse.
The film premiered last night at the Fonda Theater in LA and was followed by a rare live performance by the
Stranger Things creators Matt and Ross Duffer have expanded on what fans can expect from the fifth and final season of their ’80s-set Netflix phenomenon.
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Sony Pictures Classics has pre-bought rights to the drama Freud’s Last Session, starring Oscar winner Anthony Hopkins (Armageddon Time) and Emmy nominee Matthew Goode (The Crown), from Westend Films and CAA Media Finance.
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A little ditty 'bout Matt and Colleen…On Love Is Blind season 3, one of the younger couples out of the pods was Matt Bolton and Colleen Reed, who both professed to be a little, um, shallow, as twenty-somethings often are. But sometimes things that start in the shallow end move deeper in the, uh, pool of love? After all, getting over the superficiality we all deal with is kind of .Matt and Colleen might have had a tougher time with the “pods” of it all than others, but every couple has their ups and downs, right? From hookups to breakups, here's what happened with Matt and Colleen, including whether or not they're still together…26-year-old Colleen works in digital PR…and also dances ballet! Yep, she's living every little girl's dream and seems to be loving every minute of it. Her Instagram is filled with pictures of her performances and parties with friends.
EXCLUSIVE: Tony Award-winning director Anna D.Shapiro (August: Osage County), Oscar-nominated producer Leelai Demoz (On Tip-Toe), Tony-nominated actor/writer Ian Barford (Linda Vista) and entrepreneur Brad Keywell (Groupon, WNDR Museum) have teamed up to create multimedia venture Highwire Media, an artist-first production company that is developing and producing projects across film, theater, and television.
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Producer Matt Jackson and his production company Jackson Pictures have signed a multi-year first look deal with Fifth Season — the global film and TV studio previously known as Endeavor Content, which has been behind such decorated titles as Apple TV+’s Emmy-winning series Severance and Maggie Gyllenhaal’s Oscar-nominated Netflix drama The Lost Daughter.
” with Zoë Kravitz at Warner Bros; and the Skydance series “Ring Shout” starring KiKi Layne.“As an admirer of Fifth Season, I am thrilled to partner and deepen our relationship with the entire team,” said Jackson in a statement. “Jackson Pictures is committed to support all artistry and deliver inspiring story-telling with a global reach.