Matt Damon Sets Down In Berlin With U2-Siege Of Sarajevo Doc ‘Kiss The Future’, Teases Plans For Ukraine Doc

Oscars have reportedly blocked a request from Ukraine President Volodymyr Zelenskyy to speak during the ceremony.The 95th Academy Awards takes place in Los Angeles on Sunday (March 12). According to Variety, Zelenskyy was hoping to follow up a recent remote appearance at the Berlin Film Festival with a virtual spot at the Oscars.According to sources, his new agent Mike Simpson (who also represents Quentin Tarantino and Bong Joon Ho) asked the academy to feature the comedic actor-turned-politician but was shut down.

Ukraine President Volodymyr Zelenskyy will be missing out on the Academy Awards for the second year in a row.

Tatiana Siegel For the past year, Volodymyr Zelensky has been greeted with open arms by awards shows, film festivals and even the New York Stock Exchange. But when it comes to landing airtime on the most coveted telecast of all — the Oscars — the Ukrainian leader is being met with a cold shoulder. For the second year in a row, the Academy has snubbed Zelensky, who was hoping to follow up his Berlin Film Festival (remote) appearance last month with a virtual spot on Sunday’s Oscar telecast on ABC. Sources say WME power agent Mike Simpson made a plea to the Academy to include the comedic actor-turned-politician but was shut down. The Academy declined comment. 

Christopher Vourlias The Thessaloniki Documentary Festival kicks off its 25th edition Thursday at a time when the nonfiction genre has arguably reached unprecedented heights. This year’s festival, which takes place March 2 – 12 in the seaside Mediterranean city, unfolds just days after veteran French docmaker Nicolas Philibert won the Golden Bear in Berlin for his documentary about a Paris mental health care facility, “On the Adamant.” The award capped a fortnight in which Sean Penn’s gonzo doc about Ukrainian president Volodymyr Zelenskyy, “Superpower,” also generated plenty of buzz (albeit lukewarm reviews). Meanwhile, Cameroon’s Cyrielle Raingou took home Rotterdam’s Tiger Award just a few weeks earlier for “Le Spectre de Boko Haram,” a riveting view of terrorism seen through children’s eyes. And one summer ago, Laura Poitras triumphed on the Lido with “All the Beauty and the Bloodshed,” her docu-portrait of the photographer and activist Nan Goldin, which won the Venice Film Festival’s Golden Lion award.

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Good afternoon Insider team, Max Goldbart here. It has been a wild ride of a week with Berlin drawing to a close. Read below for a good ol’ recap.

EXCLUSIVE: On February 24, 2022 Sean Penn and his documentary filmmaking team got up before dawn in Kyiv in anticipation of a planned interview with Ukrainian President Volodymyr Zelenskyy. Suddenly, explosions shattered the quiet and missile fire turned the darkened sky to malevolent orange. Russia’s full-scale attack on its neighbor had begun — what President Vladimir Putin later that day euphemistically dubbed a “special military operation.”

Zack Sharf Back in 2001, Sean Penn found himself next to Jack Nicholson in a speeding car on the way to meet Russian president Vladimir Putin. The two actors were in Russia for the world premiere of “The Pledge” at the Moscow Film Festival. The Penn-directed psychological drama starred Nicholson as a retiring police detective who vows to catch the killer of a young child. Penn recently spoke to The Independent about his anxiety-inducing journey to meet Putin. “We were put in a convoy,” Penn said. “We knew that Putin was going to be the honored guest. In the nature of that time and space, we accepted the invitation. We got in this convoy, and we were going as fast as they wanted to drive, with no care for whether it might have presented danger in the villages we drove through.”

Chris Willman Senior Music Writer and Chief Music Critic Watching “Kiss the Future,” a documentary about the band U2’s relationship with wartorn Sarajevo in the 1990s, it’s hard not to think: “We’ve seen this movie before.” That’s not to do with the doc itself so much as how aspects of the 30-year-old footage from Bosnia’s brutal civil war parallel what we’ve seen in the news coverage coming out of Ukraine for the past year. Both involve stranger-than-fiction (or stranger-than-fascism) scenarios of cosmopolitan cities suddenly subject to state terrorism, which makes the Matt Damon and Ben Affleck-produced film coincidentally timely, for all its belatedness. In a sense, “Kiss the Future” is the story of a long-distance romance, between a superstar rock quartet reaching its peak and a once-grand metropolis that’s bottoming out. In the early ’90s, genocidally minded Serbian president Slobodan Milošević tried to subject the happily mixed population of Sarajevo to ethnic cleansing by any means necessary. The area’s young people fought back in whatever spirit-lifting way they could — including founding underground discos, forming punk bands and otherwise keeping the arts alive as they dodged shelling and snipers. An American activist, Bill Carter, had the idea to enlist the stadium-filling U2 in publicizing their plight, which led to nightly satellite appearances by Sarajevo locals on the giant screens of the “Zoo TV” tour’s European leg.

The first promo spot for Woody Harrelson’s fifth stint as an SNL host this weekend takes a turn away from the show’s usual staged bits between host, musical guest and a cast member.

The Irish director and musician John Carney once made a movie under the working title “Can a Song Save Your Life?,” though the name was changed before it was released. And another batch of Dublin musicians of note ask a similar question in the documentary “Kiss the Future,” which premiered on Sunday at the Berlin International Film Festival and finds U2 using music to aid the occupants of a city under siege, Sarajevo.Directed by Nenad Cicin-Sain, produced by Matt Damon, Ben Affleck and Sarah Anthony and written by Bill S.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

For almost four years of siege in the 1990s, the city of Sarajevo concussed from shelling, the rumblings of armored vehicles and the repeated pop of sniper fire.

Elsa Keslassy International Correspondent Matt Damon revealed he was in the “early stages” on a project about Ukraine during the press conference for “Kiss the Future” at the Berlin Film Festival. Damon is a producer on the documentary which chronicles the struggle of Sarajevo citizens during the Bosnian War. World premiering in the Berlinale Special section, the politically minded documentary is directed by Nenad Cicin-Sain and based on “Fools Rush in: A Memoir” the memoir of Bill Carter, an aid worker. It shows how his determination resulted in the enlistment of the world’s largest rock band, U2, to help shine a light. Fifth Season and WME handling worldwide sales. Asked if he was considering following the footsteps of Sean Penn with “Superpower” with a film on the war in Ukraine, he said he’s “watched as everyone has with horror that unfolded there in the last year,” and although they “don’t have anything on it right now there isn’t any doubt that we’ll be doing.”

Christopher Vourlias The war in Ukraine has taken center stage this week at the Berlin Film Festival, which is taking place for the first time since Russia’s full-scale invasion last year. At Thursday’s opening ceremony, Ukrainian president Volodomyr Zelenskyy appeared via satellite to encourage festival-goers “not to remain silent” over Russia’s unprovoked war of aggression. Sean Penn, who this week premiered his docu-portrait of the Ukrainian leader, “Superpower,” lashed out at Russian strongman Vladimir Putin, who he described as a “war criminal” and a “creepy little bully.” Moral outrage has not been in short supply since the start of the war, as the global film community — in a show of near unanimous condemnation of the Kremlin’s criminal attack — has rallied behind the Ukrainian war effort. But many U.S. and foreign companies quietly continue to do business with Putin’s pariah state or have resumed the deal-making that was put on pause once the war began.

There is a particular kind of audacity reserved for the wealthy and the well-meaning. Multi-award-winning actor and humanitarian Sean Penn co-directs “Superpower” with Aaron Kaufman, known mostly for his commercial work and his collaboration with writer-director Robert Rodriguez.

Sean Penn has reiterated his offer to have one of his Oscars melted down by Ukraine’s President Volodymyr Zelensky – saying his gift to the battling leader was inspired by his “continuing shame towards the Motion Picture Academy.”

Christopher Vourlias Sean Penn said he was happy to be a “propagandist” for the Ukrainian war effort and called Russian president Vladimir Putin a “creepy little bully” Saturday in Berlin, after the world premiere of his gonzo documentary “Superpower,” a gripping, courage-under-fire portrait of Ukrainian president Volodymyr Zelenskyy. “This is not an unbiased film because this is not an ambiguous war,” he said, calling the conflict “extremely personal.” “I’m very happy to be considered a propagandist. I was happy to make an unbiased film because that is the true story we found.” Donning a black jacket and hoodie and sporting a camouflage trucker cap, Penn repeatedly called on the Biden administration to send precision, long-range missiles to Kyiv to support the Ukrainian war effort.

Guy Lodge Film Critic Last November, in a gesture that the actor himself described as “a symbolic, silly thing,” Sean Penn gifted one of his two Academy Awards to Ukrainian president Volodymyr Zelenskyy, to mark his emotional investment in the country as they continue to fight Russia’s invasion — attracting widespread mockery from social media and the entertainment press in the process. That this moment is not included in Penn and co-director Aaron Kaufman’s “Superpower,” a disordered, distinctly Penn-centric account of recent Ukrainian history, counts as one of the film’s few moments of self-awareness. As far as the rest goes, anyone watching this doc right after emerging from a two-year coma could be forgiven for identifying the Hollywood veteran as a key player in the conflict.

Brent Simon There’s no shortage of movies that gauzily peddle the notion of art as a balm. Few, however, are as invested in the charged immediacy of art’s relationship to real-life pain as “Kiss the Future,” a documentary enjoying its world premiere Feb. 19 in the Berlinale Special slot, with Fifth Season and WME handling worldwide sales. Directed by Nenad Cicin-Sain, and based on American-born aid worker Bill Carter’s “Fools Rush in: A Memoir” (the pair share a screen story credit), the film is a savvy mélange of history and cultural portraiture that affectingly chronicles the struggle of Sarajevo’s besieged civilians during the Bosnian War of the 1990s.