Martin Scorsese Talks Federico Fellini & Laments The Rise Of “Content”

The Osage News reported about a meeting that was held between Martin Scorsese, Leonardo DiCaprio, and Osage cultural leaders Principal Chief Geoffrey Standing Bear, and Chad Renfro, the meeting organizer.The discussion, held Monday night, February 22nd, 2021, was centered on the upcoming film adaptation of Killers of the Flower Moon: The Osage Indian Murders and the Birth of the FBI, a bestselling book from New York Times staff writer David Grann.The true-crime book, which The Boston Globe

John Hopewell Chief International CorrespondentGaston Pavlovich, famed for producing Martin Scorsese’s “Silence” and “The Irishman,” is joining Sophokles Tasioulis, producer of Terrence Malick’s “Voyage of Time,” to produce “The Hague.”The feature is set up at Tasioulis’ Sophisticated Films banner in Germany and Pavlovich’s Mexico-based international production banner Fábrica de Cine.“The Hague” is based on a story and treatment by Ilan Ziv, an Israeli who fought as a young man in the Yom

English filmmaker Edgar Wright’s been on a tear of late and really holding up the torch for cinema and the theatrical experience. Following his guest spot editing and curating the winter edition of Empire magazine—which culminated with an awesome three-hour podcast with Quentin Tarantino—the “Baby Driver” director has a new gig.

Jesse Plemons has joined Leonardo DiCaprio and Robert De Niro in Killers of the Flower Moon, the big-budget thriller Martin Scorsese is directing for Apple. The casting is a major coup for Plemons, who for years has anchored productions or stole scenes with his performances in supporting roles.

Jesse Plemons is getting some repeat business with Martin Scorsese.

After playing an FBI agent in Judas and the Black Messiah, Jesse Plemons is looking to stay in the bureau. He is set to join Apple Studios’ Killers of the Flower Moon, which Martin Scorsese is directing with Leonardo DiCaprio and Robert De Niro attached to star.

Martin Scorsese took aim at the current state of the movie industry as streaming continues to take over amid the coronavirus pandemic.

auteur filmmakers who engage in Netflix-bashing, iconic director Martin Scorsese has eviscerated streaming platforms for supposedly devaluing the “art of cinema” due to a lack of “curation.”The legendary “Goodfellas” director — already a noted non-fan of blockbusters from Marvel — dropped the bombshell in an essay on filmmaking icon Federico Fellini published in the March 2021 issue of Harper’s Magazine.While admitting he owes a lot to online film purveyors (“The Irishman” was distributed to

Harper’s Magazine and shared his thoughts on the impact of streaming services, such as Netflix and Apple TV, on the future of the film industry.Regarding the way such streamers view movies, Scorsese said that “the art of cinema is being systematically devalued, sidelined, demeaned, and reduced to its lowest common denominator” when film is reduced to “content”.“As recently as 15 years ago, the term ‘content’ was heard only when people were discussing the cinema on a serious level, and it was

Martin Scorsese is weighing in on the current state of cinema in relation to streaming services, and his complicated feelings about motion pictures at the moment.

Haley Bosselman editorIn an essay-long praise of film legend Federico Fellini as part of the March issue of Harper’s Magazine, Martin Scorsese laments over the devaluing of cinema.“As recently as fifteen years ago, the term “content” was heard only when people were discussing the cinema on a serious level, and it was contrasted with and measured against ‘form,’” he wrote.

MCU is not cinema, but the Oscar-winning filmmaker is now turning his ire to a much larger trend in Hollywood: the labeling of films as “content.”In a new essay for Harper’s Magazine reflecting on the career of Federico Fellini, Scorsese lamented how the new era of streaming has made that dreaded c-word far too common in discussion of movies, particularly within the film industry.“As recently as fifteen years ago, the term ‘content’ was heard only when people were discussing the cinema on a

In a new essay for Harper’s Magazine, legendary filmmaker Martin Scorsese doesn’t pull any punches as he has some harsh criticisms for the state of the movie industry. Tilted “Il Maestro”, the article focus is on director Federico Fellini but dives into so much more especially the current state of streamers and his issues with their effect on the movie going experience.

In a lengthy essay published Tuesday inHarper'smagazine, Martin Scorsese made his case that cinema, as he sees it, is not an all-inclusive term by highlighting his admiration forItalian film director and screenwriterFederico Fellini. In 2019, Scorsese drew the ire of Marvel fans when he asserted that Marvel superhero films are notcinema.

three-hour special of the Empire podcast, Wright, who co-presented the episode with Quentin Tarantino, revealed that he has a master list of films he hasn’t seen yet.Wright’s list was started based on a list that Scorsese gave to a fan several years ago, detailing his favourite international films, because the fan wanted to get into world cinema.Wright, responsible for films like Shaun Of The Dead, Baby Driver and Scott Pilgrim vs.

One of the most anticipated films of the next year or so is Martin Scorsese’s latest project. His long-gestating adaptation of the book Killers of the Flower Moon is gearing up to shoot, and some casting news has been released.

As we previously covered, Edgar Wright, Quentin Tarantino, and the folks at Empire magazine hosted a three-hour podcast talk to discuss their love of movies.

Lily Gladstone has joined Killers of the Flower Moon, Martin Scorsese’s high-priced period thriller also starring Leonardo DiCaprio and Robert De Niro. Gladstone will play the role of Mollie Burkhart, an Osage Nation community member married to Ernest Burkhart, who is nephew of a powerful local rancher.

Lily Gladstone, the breakout star of Kelly Reichardt‘s 2016 indie “Certain Women,” has been cast alongside Leonardo DiCaprio in Martin Scorsese’s upcoming $200-million drama, “Killers of The Flower Moon.” Based on the David Grann book of the same name and adapted by Eric Roth (“The Curious Case of Benjamin Button”), the crime drama centers on members of the Indigenous American Osage tribe in the United States who are murdered under mysterious circumstances in the 1920s, sparking a major F.B.I.