Martin Scorsese’s ‘Killers Of The Flower Moon’ Receives Nine-Minute Standing Ovation At Cannes World Premiere

Elsa Keslassy International Correspondent The Cannes Film Festival has unveiled the dates of its 77th edition which will take place May 14-25, 2024. This year’s festival wrapped May 27 with Justine Triet’s “Anatomy of a Fall” winning the Palme d’Or, Jonathan Glazer’s “A Zone of Interest” take home the Grand Prize, and Aki Kaurismäki’s “Fallen Leaves” nabbing the Jury Prize. The jury of the 76th edition was presided over by Ruben Ostlund, the two-time Palme d’Or winning director of “The Square” and “Triangle of Sadness.” The first post-pandemic edition, 2023 was marked by an overall well-received Official Selection lineup and a strong presence of American talent and studios. Some of the anticipated films spotlighted at the festival included Martin Scorsese’s “Killers of the Flower Moon”, Todd Haynes’ “May December” and Wes Anderson‘s “Asteroid City,” as well as Disney’s “Indiana Jones and the Dial of Destiny,” Pedro Almodóvar’s short film “Strange Way of Life” and Pixar’s “Elemental.”

Charna Flam Helen Mirren will receive the 37th American Cinematheque Award and Kevin Goetz and Screen Engine will be honored with the 2023 Power of Cinema Award. The ceremony will take place Saturday, Nov. 4, at The Beverly Hilton in Beverly Hills. American Cinematheque Board chair Rick Nicita said in his initial announcement, “Helen Mirren has won the Oscar, Tony and Emmy triple crown of acting, and is an unparalleled icon among actors. She has portrayed characters from queens to seductresses with a singular skill that has never lost its freshness or appeal.” He continued, “She brings a savvy intelligence and emotional strength to all her roles because, as movie stars do, the camera shows us the essence of who they are. Movie audiences eagerly embrace her talents in a career that glows brighter with every captivating performance. The American Cinematheque is proud and honored to present Helen Mirren with the 37th American Cinematheque Award.”

Helen Mirren is to receive this year's American Cinematheque Award. Representatives for the American Cinematheque organisation announced on Monday that The Queen star would receive the honour at their annual awards gala on 4 November. "Helen Mirren has won the Oscar, Tony and Emmy triple crown of acting, and is an unparalleled icon among actors," American Cinematheque board chair Rick Nicita said of the award recipient in a statement, reports Deadline.

2023 Tribeca Festival in June, Robert De Niro made a splash at the 76th annual Cannes Film Festival, where the Oscar-winner's 45-year-old girlfriend, Tiffany Chen, made her debut on the carpet. Additionally, the actor's latest film,, made quite the impression on audiences during its world premiere. «It was great,» De Niro told ET's Rachel Smith about walking the carpet at the Cannes event with Chen in May.

The Tribeca Festival, which gets under way Wednesday in New York, has announced members of the jury who will decide winners in 15 award categories.

With "Yellowstone" and its spinoffs dominating the small screen and Martin Scorsese’s "Killers of the Flower Moon" earning rave reviews at the Cannes Film Festival, the Western genre is alive and well in entertainment. "Reports of the Western’s death are always greatly exaggerated," Andrew Nelson, film historian and chair of the Department of Film & Media Arts at the University of Utah, told Fox News Digital.

Quentin Tarantino’s Pulp Fiction, Bong Joon-ho’s Parasite, and Jane Campion’s The Piano.If you’re looking for the movies making a splash at this year’s festival, you can check out the biggest names and those running for the main prize below.Jeanne du BarryOpening this year’s festival is Jeanne du Barry, written, directed and produced by Maiwenn (Polisse). Its inclusion by the festival has sparked some controversy due to Johnny Depp, who plays King Louis XV in his first feature performance since winning his defamation trial against ex-wife Amber Heard.

Leonardo DiCaprio’s accent has caused some confusion following the first trailer for Killers Of The Flower Moon.Based on the book by David Grann, Martin Scorsese’s western crime drama follows the FBI investigation into a series of Oklahoma murders in the Osage Nation during the 1920s, after oil is discovered on their land.After the first trailer debuted on Thursday (May 18), some viewers raised eyebrows at the authenticity of DiCaprio’s southern accent.One viewer wrote: “Did Leo just invent a new accent, has anybody ever sounded like that?”“Love him but why does scorsese feel the need to inflict leo dicaprio doing a terrible accent on us every decade or so,” another added.You can check out more reactions below.Did Leo just invent a new accent, has anybody ever sounded like that? https://t.co/DaAngciJZQ— paul (@YNMIDK) May 18, 2023Someday, Leonardo DiCaprio will find an accent he can deliver. It may not be now, and it may not be soon, but when he does, I’ll be there waiting for him.— Christopher Hooks (@cd_hooks) May 18, 2023will watch and im sure it’s great but my tolerance for leo dicaprio accent work is wearing https://t.co/ZpyD1OlSvw— unidentified flying objet d’art (@konstantinlvn) May 18, 2023Killers of the flower moon looks real interesting, but my god Dicaprio's accent is in Benoit Blanc teritory— Jard (@JaredOfLondon) May 18, 2023It rocks that DiCaprio can’t do a southern accent without sounding like a goofball but keeps getting cast as a guy who is supposed to sound like Sam Elliott— bergs (@aseriousmang) May 18, 2023I can’t fucking wait to go around everywhere doing an impression of Leo’s fake Southern accent for the next 3 months after seeing this https://t.co/bSkgrruCbH— my life is a living hell.

had its debut in front of a delirious crowd at the Grand Theatre Lumiere on Saturday night. The invitation-only, black-tie audience was there to celebrate Scorsese, who first came to Cannes in 1976 with “Taxi Driver,” greeting him as a conquering hero and giving him a lengthy and emotional standing ovation that didn’t stop until he left the theater.

Martin Scorsese got emotional after receiving a nine-minute standing ovation at the premiere of Killers Of The Flower Moon, taking place at this year’s Cannes Film Festival.At the end of the film, the legendary director walked into the Grande Theatre Lumiere at Cannes Film Festival to greet the audience. He appeared grateful and emotional as he reacted to the standing ovation, thanking the crowd over and over again.After nine-minutes of applause, Scorsese told the crowd: “I don’t think I’ve ever experienced anything like this.”9-minute standing ovation for Martin Scorsese at the premiere of his next film Killers of the Flower Moon.

adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.

didn’t do it. “We went after the screenplay almost from an anthropological perspective,” DiCaprio said. “Marty was there every day.

Martin Scorsese unveiled “Killers of the Flower Moon” at Cannes on Saturday, debuting a sweeping American epic about greed and exploitation on the bloody plains of an Osage Nation reservation in 1920s Oklahoma.

 got a boisterous 9-minute standing ovation after the three-hour epic premiered Saturday at the 76th annual Cannes Film Festival.Leonardo DiCaprio, director Martin Scorsese and the rest of the cast soaked up every second of the ovation displayed at Palais des Festivals in Cannes, France.  posted a snippet of the thunderous applause, and outlet's co-editor-in-chief, Ramin Setoodeh, reports that the nine-minute standing ovation is «the biggest and loudest» of the film festival so far.According to, Scorsese took the mic after the ovation and addressed the excited crowd.«Thank you to the Osages,» he said. «Everyone connected with the picture.

The stars of Killers of the Flower Moon are stepping out for their movie’s premiere!

I am still searching for my words; my thoughts first ran dry in the opening minutes of the shattering and evocative “Killers of the Flower Moon.” It begins with the Osage tribal elders mourning the loss of their language and customs as they bury a sacred pipe. The scene breaks, next revealing these Indigenous folks — forcibly moved from Missouri to present-day Oklahoma (thought to be terrible, barren land) — discovering oil as psychedelic music erupts with the splash of the black liquid.

Martin Scorsese’s “Killers of the Flower Moon” premiered to the biggest and most thunderous standing ovation at the Cannes Film Festival so far on Saturday night. The 3 hour and 26 minute epic look at greed, racism and a dark and largely unexplored chapter of American history, stars Leonardo DiCaprio and Lily Gladstone. It kept the crowd so enraptured that they sprang to their feet and started applauding for 9 minutes after the credits ended and the lights came up. Cannes clearly loved what Scorsese, returning to the festival for the first time since 1985’s “After Hours,” had brought to the South of France. And that’s good news for Apple Original Films, which gave the auteur a reported $200 million budget to realize his vision, hoping he’d deliver one of his signature explorations of criminality. Many of those movies, however, unfolded on the mean streets of New York. This movie is set in northeastern Oklahoma as members of the Osage Nation are murdered in a systematic fashion.

“Killers of the Flower Moon” is vast and vital in its scale, purpose and emotional scope, a Western-thriller and ensemble piece that is every bit a Scorsese crime picture as one can dare to imagine.The impeccably researched book by Grann (also the author of “The Lost City of Z: A Tale of Deadly Obsession in the Amazon”) neither tells a customary frontier-era tale about this land’s indigenous people (which has been the more traditional avenue in cinema) nor features a stock white savior. Grann instead recounts a shockingly lesser known and shattering true-story from early 20th-century Oklahoma.

At 80, Martin Scorsese has finally made a Western, and it packs a wallop. The much anticipated Killers of the Flower Moon had its world premiere on Saturday night at the Cannes Film Festival, an epic set in the Osage Nation of Oklahoma largely in the early 1920s and telling a harrowing and highly complex tale that still resonates today, but seems incredible that it ever could have happened.

Peter Debruge Chief Film Critic Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to steal resources from the Osage people by marriage and murder — in less time, and you’d learn a whole lot more about how J. Edgar Hoover and the newly formed FBI used this case to establish their place in American law enforcement. Granted, this is cinema legend Martin Scorsese we’re talking about. For years, he fought studio execs telling him what to cut, going head-to-head with Harvey Weinstein on “Gangs of New York” (a movie that probably would’ve been better longer). Now he’s earned the right to tell stories as he sees fit. Trouble is, at 206 minutes (still four shorter than “The Irishman”), “Killers of the Flower Moon” isn’t an epic motion picture so much as a miniseries. Nothing wrong with that, except it’s intended for the big screen — where Apple has committed to release it this fall. Closer to two hours, “Killers” would make a killing, whereas longer than “The Longest Day,” most folks will wait to watch at home.