Jean Luc Godard
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Jean Luc Godard
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John Legend says Chrissy Teigen wants more kids as they prepare to welcome new baby - us.hola.com
us.hola.com
01.10.2022 / 01:02

John Legend says Chrissy Teigen wants more kids as they prepare to welcome new baby

John Legend and Chrissy Teigen will continue to expand their family. The acclaimed musician revealed during a recent interview with ET that they are thrilled to be expecting a new baby, and are preparing to have more kids after welcoming the new member of their family.The Hollywood couple share two children, 6-year-old Luna and 4-year-old Miles, and are now expecting their third child, following an IVF process.“Chrissy, I think, wants more.

John Stamos' young son Billy watches 'Full House,' has a catchphrase memorized - www.foxnews.com - USA
foxnews.com
27.09.2022 / 20:21

John Stamos' young son Billy watches 'Full House,' has a catchphrase memorized

John Stamos' four-year-old son is a fan of his father's old show, "Full House."  Stamos played Uncle Jesse on the show and during a recent interview with Us Weekly, Stamos revealed that he sometimes catches his son watching "Full House" with his nanny. "I'll catch them, [Billy and the nanny], watching ‘Full House’ sometimes," Stamos told the outlet.

Martin Scorsese, David Tedeschi’s Music Film ‘Personality Crisis’ to Screen at IDFA - variety.com - Ukraine - city Santiago - city Kiev
variety.com
27.09.2022 / 14:51

Martin Scorsese, David Tedeschi’s Music Film ‘Personality Crisis’ to Screen at IDFA

Leo Barraclough International Features Editor Documentary festival IDFA will host the international premieres of Martin Scorsese and David Tedeschi’s music film “Personality Crisis: One Night Only” and Barbara Kopple’s “Gumbo Coalition” as part of its Masters program, as well as the world premiere of Coco Schrijber’s “Look What You Made Me Do.” The selection includes the work of several renowned directors who have reinvented their cinematic language. Patricio Guzmán breaks from his poetic approach to adopt a more direct, political form of filmmaking with “My Imaginary Country,” centering on the October 2019 protests in Santiago. Gianfranco Rosi directs his first archive-based film “In viaggio,” which sees Pope Francis’ journeys as a map of the human condition. Jørgen Leth and Andreas Koefoed co-direct a film together for the first time with “Music for Black Pigeons,” a reflection on aging through jazz music, and Ruth Beckermann’s “Mutzenbacher” takes a look at a controversial erotic novel through an elaborate casting call.

IDFA Teases First 100 Titles, Highlights Include International Premiere Of Martin Scorsese & David Tedeschi’s ‘Personality Crisis: One Night Only’ - deadline.com - New York - Ukraine - city Amsterdam - city Kiev - Lithuania - city Mariupol
deadline.com
27.09.2022 / 14:29

IDFA Teases First 100 Titles, Highlights Include International Premiere Of Martin Scorsese & David Tedeschi’s ‘Personality Crisis: One Night Only’

The International Documentary Film Festival Amsterdam (IDFA) has teased 100 films that will be showcased in its 35th edition, running November 9–20

Martin Scorsese: A24’s ‘Pearl’ Is So ‘Deeply Disturbing’ That I Had Trouble Falling Asleep Afterward - variety.com - county Norman - county Bates
variety.com
19.09.2022 / 23:17

Martin Scorsese: A24’s ‘Pearl’ Is So ‘Deeply Disturbing’ That I Had Trouble Falling Asleep Afterward

Zack Sharf Martin Scorsese got a little too scared by Ti West’s “Pearl,” the A24-backed “X” prequel starring Mia Goth. In a review sent to A24 and published by /Film, Scorsese called “Pearl” a “deeply disturbing” horror movie that is “mesmerizing” and “wild.” West and Goth co-wrote the prequel, which world premiered at the Venice Film Festival. “Ti West’s movies have a kind of energy that is so rare these days, powered by a pure, undiluted love for cinema,” Scorsese said. “You feel it in every frame. A prequel to ‘X’ made in a diametrically opposite cinematic register (think ’50s Scope color melodramas), ‘Pearl’ makes for a wild, mesmerizing, deeply — and I mean deeply — disturbing 102 minutes. West and his muse and creative partner Mia Goth really know how to toy with their audience… before they plunge the knife into our chests and start twisting.”

Martin Scorsese “enthralled” by Ti West’s A24 film horror ‘Pearl’ - www.nme.com
nme.com
19.09.2022 / 21:49

Martin Scorsese “enthralled” by Ti West’s A24 film horror ‘Pearl’

Pearl.The A24 slasher is a prequel to West’s film X released earlier this year, and premiered at the Venice film festival last month.According to Slash Film, Scorsese has shared his admiration for West’s work and Pearl in particular, saying he “couldn’t stop watching”.“Ti West’s movies have a kind of energy that is so rare these days, powered by a pure, undiluted love for cinema. You feel it in every frame,” Scorsese’s statement reads.“A prequel to X made in a diametrically opposite cinematic register (think 50s Scope color melodramas), Pearl makes for a wild, mesmerizing, deeply — and I mean deeply — disturbing 102 minutes.”He added: “West and his muse and creative partner Mia Goth really know how to toy with their audience… before they plunge the knife into our chests and start twisting.

‘Pearl’: Martin Scorsese Raves About Ti West’s “Wild, Mesmerizing, Deeply Disturbing” Horror Film - theplaylist.net
theplaylist.net
19.09.2022 / 20:31

‘Pearl’: Martin Scorsese Raves About Ti West’s “Wild, Mesmerizing, Deeply Disturbing” Horror Film

We know that Martin Scorsese isn’t a huge fan of superhero films. However, did you know that the man behind “Taxi Driver” and “Raging Bull” is a big fan of indie horror? Well, apparently he is, as Scorsese recently gave the new horror film, “Pearl,” a rave review.

Juliette Binoche admits 'it wasn't easy' working with Jean-Luc Godard - www.msn.com - Britain - Spain - France - Switzerland
msn.com
19.09.2022 / 20:19

Juliette Binoche admits 'it wasn't easy' working with Jean-Luc Godard

Juliette Binoche has admitted "it wasn't easy" working with late director Jean-Luc Godard on 1985's Hail Mary. The Breathless director passed away at his home in Rolle, Switzerland on 13 September at the age of 91. During a press conference at the San Sebastian Film Festival in Spain on Sunday, his Hail Mary star was asked about working with the French-Swiss filmmaker.

Juliette Binoche on Working Naked With Jean-Luc Godard, Growing Old, Going For the New - variety.com - Britain - France - USA
variety.com
18.09.2022 / 15:09

Juliette Binoche on Working Naked With Jean-Luc Godard, Growing Old, Going For the New

Liza Foreman “You have to know how to reject roles so as not to enter into a system in which women are only seen in a certain way,” said French actor Juliette Binoche on Sunday. Binoche spoke up for women whilst answering questions from the press at the San Sebastián Film Festival where she is a recipient this year of the festival’s Donostia Award, as a tribute to her career. “The English Patient” star is a go-to actress for a slew of auteur directors, including Krzysztof Kieślowski and Claire Denis. Denis joined her on stage to discuss “Both Sides of the Blade,” a love triangle film co-starring Binoche, which will screen at the festival before the award’s presentation.

Juliette Binoche Talks About The “Anguish” Of Working With Jean-Luc Godard & “Ageing In Front Of The Camera” — San Sebastian - deadline.com
deadline.com
18.09.2022 / 14:35

Juliette Binoche Talks About The “Anguish” Of Working With Jean-Luc Godard & “Ageing In Front Of The Camera” — San Sebastian

Juliette Binoche spoke about what she described as the challenging process of working with Jean-Luc Godard during a press conference at the San Sebastian film festival.

International Insider: Period Of Mourning; TIFF Back To Life; Jean-Luc Godard Remembered; San Seb & French Oscar Picks - deadline.com - France
deadline.com
16.09.2022 / 16:17

International Insider: Period Of Mourning; TIFF Back To Life; Jean-Luc Godard Remembered; San Seb & French Oscar Picks

Good afternoon Insiders. Max Goldbart here and as the world prepares for Queen Elizabeth II’s funeral, which has dominated headlines this week, I’ll take you through the past few days in international TV and film.

Isabelle Huppert Remembers Jean-Luc Godard: ‘We’re All a Bit Like Orphans Now That He’s Gone’ - variety.com - France
variety.com
15.09.2022 / 16:17

Isabelle Huppert Remembers Jean-Luc Godard: ‘We’re All a Bit Like Orphans Now That He’s Gone’

Elsa Keslassy International Correspondent It was a leap of faith. When Isabelle Huppert started working with Jean-Luc Godard on 1980’s “Every Man for Himself,” there wasn’t a script for her to consult. “There were only fragments of scenes, poems, songs and paintings,” she remembers. “I simply knew my name in the film was Isabelle.  But Godard was a legend at that point, having helped pioneer the French “New Wave” movement with the likes of “Breathless” and “Contempt” and then undertaken an even more daring and experimental phase in films such as “Weekend” and “Masculin Féminin.” Something about their partnership worked. “Every Man for Himself,” was a rare commercial success for the auteur, and marked a milestone in Godard’s career as the the first movie he presented in competition at Cannes and the first which was nominated at the Cesar Awards (France’s highest film honors). Huppert would reunite with Godard for his follow up movie “Passion,” another acclaimed film, presented him with an honorary Cesar Award in 1987. Godard died on Sept. 13 at the age of 91, and Huppert spoke with Variety about her artistic collaborations with the filmmaker and his legacy.

Celebrate Godard’s Best Films on Criterion - variety.com - France - Hollywood - Switzerland
variety.com
15.09.2022 / 00:59

Celebrate Godard’s Best Films on Criterion

Anna Tingley Jean Luc-Godard, who died Tuesday at the age of 91, was widely known as the King of the French New Wave. Since coming onto the scene in the 1960s, his seminal films such as “Breathless,” “Masculin, Feminin” and “Pierrot Le Fou,” introduced avante-garde techniques that have been since been replicated by innumerable filmmakers in the following decades. In addition to a scathing intellectualism and stubborn stance against “the establishment” (ironically, including Hollywood itself), the Franco-Swiss director was best known for changing the rules of cinema — his use of long-takes, jump-cuts and actor asides are just a few of the innovative practices he employed in his films that are still used to this day.

Jean-Luc Godard chose to end life through assisted dying, lawyer confirms - www.nme.com - France - New York - Switzerland
nme.com
13.09.2022 / 22:31

Jean-Luc Godard chose to end life through assisted dying, lawyer confirms

passed away on Tuesday (September 13) at the age of 91.Now, his long-time legal adviser, Patrick Jeanneret, has confirmed that the director died by assisted suicide, having suffered from “multiple disabling pathologies”.“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret told The New York Times, noting that assisted suicide is both legal and tightly regulated in Switzerland.He went on to explain that Godard wanted to die with dignity, and “that was exactly what he did”.The Franco-Swiss director was known for movies such as Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.His films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.Also known for his witticisms, Godard famously once observed that “a film consists of a beginning, a middle and an end, though not necessarily in that order.”Pulp Fiction and Reservoir Dogs director Quentin Tarantino was said to be heavily influenced by the late filmmaker, having been initiated by Godard and his Paris-based contemporaries.Other filmmakers have since taken to social media to pay tribute to Godard, with Edgar Wright (Hot Fuzz, Baby Driver) recently describing him as “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting,” he wrote.Director Asif Kapadia, who has helmed films and documentaries including Senna, Amy and Diego Maradona, also paid tribute to the late filmmaker, simply writing: “The King is Dead.”

Jean-Luc Godard Remembered by Antonio Banderas, Edgar Wright and More: ‘We Are Losing a National Treasure’ - thewrap.com - France - Switzerland
thewrap.com
13.09.2022 / 21:15

Jean-Luc Godard Remembered by Antonio Banderas, Edgar Wright and More: ‘We Are Losing a National Treasure’

died Tuesday at age 91. The Franco-Swiss director, who helped usher in a new era of cinema with titles like “Breathless” (1960) and “A Woman is a Woman” (1961), was mourned and celebrated across social media by scores of fans and fellow artists.Edgar Wright called Godard “one of the most influential, iconoclastic film-makers of them all,” recalling the “Breathless/Godard” spoofs he made while he was in college.

Tributes To Jean-Luc Godard Pour In From The World Of Cinema And Beyond - deadline.com - Britain - France - county Edgar - Beyond
deadline.com
13.09.2022 / 15:58

Tributes To Jean-Luc Godard Pour In From The World Of Cinema And Beyond

Tributes to Jean-Luc Godard, a pioneering leader of French cinema, began to flood in immediately after it was reported that the director died today, aged 91, with figures from the world of cinema, politics, and beyond remembering the director for his powerful, singular work.

Jean-Luc Godard, Legendary Director of French New Wave, Dies at 91 - thewrap.com
thewrap.com
13.09.2022 / 14:46

Jean-Luc Godard, Legendary Director of French New Wave, Dies at 91

confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured unlinear narrative, improvisational choreography and rapid editing.

Jean-Luc Godard Tributes Pour in From World Figures - variety.com
variety.com
13.09.2022 / 14:28

Jean-Luc Godard Tributes Pour in From World Figures

Elsa Keslassy International Correspondent Immediately after news of French New Wave icon Jean-Luc Godard’s death broke on Tuesday (Sept. 13), tributes have started pouring in from world leaders, fellow filmmakers, artists and cinephiles around the world. French president Emmanuel Macron was among the first to paid tribute to Godard on Twitter, describing Godard as “the most iconoclastic of New Wave filmmakers, had invented a resolutely modern, intensely free art. We are losing a national treasure, a look of genius.” Ce fut comme une apparition dans le cinéma français. Puis il en devint un maître. Jean-Luc Godard, le plus iconoclaste des cinéastes de la Nouvelle Vague, avait inventé un art résolument moderne, intensément libre. Nous perdons un trésor national, un regard de génie. pic.twitter.com/bQneeqp8on Godard, who was internationally revered and whose work paved the way for many filmmakers, was also celebrated by Edgar Wright, the writer-director of “Last Night in Soho,” who wrote on social media that Godard was “one of the most influential, iconoclastic film-makers of them all.”

Jean-Luc Godard, giant of the French new wave, dies at 91 - www.msn.com - France - Paris - Switzerland - county Patrick - Lake - county Geneva
msn.com
13.09.2022 / 13:43

Jean-Luc Godard, giant of the French new wave, dies at 91

Related: Jean-Luc Godard: ‘Film is over. What to do?’ Born in Paris in 1930, Godard grew up and went to school in Nyon, on the banks of Lake Geneva in Switzerland.

Jean-Luc Godard, King of France’s New Wave, Dies at 91 - variety.com - France - Madrid - New York - Switzerland - county York - Singapore
variety.com
13.09.2022 / 13:09

Jean-Luc Godard, King of France’s New Wave, Dies at 91

Elsa Keslassy International Correspondent Franco-Swiss director and New Wave linchpin Jean-Luc Godard, who revolutionized world cinema with his ground-breaking debut, “Breathless,” and never stopped pushing the envelope of his creativity, has died. He was 91. The news was first reported in Liberation.

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