‘Lyle, Lyle, Crocodile,’ ‘Halloween Ends’ Debut Atop U.K. Box Office

Universal/Working Title’s Ticket to Paradise has winged past the $100M mark globally. With Tuesday’s grosses included, the Julia Roberts/George Clooney romcom’s split is $20.6M domestic and $81.9M from the international box office for a worldwide total of $102.5M so far.

Kourtney Kardashian and her husband, Travis Barker, are no different. The newlyweds celebrated the premiere of , with their own Michael Myers-themed party over the weekend.Kourtney shared several shots of the spooky decorations on her Instagram Stories, starting with the pumpkin-lined path that guarded 15-foot red skeletons, featuring blue glowing eyes that greeted guests as they entered the couple's smoke-filled haunted home.Upon entering the front door, Kourtney captured a more enchanting scene, showing off a slew of carefully placed trees which gave the room a forest-like feel.

Rebecca Rubin Film and Media Reporter “Halloween Ends” slayed the box office competition, collecting $41.25 million from 3,901 North American theaters in its opening weekend. The movie had a softer start than expected (projections were closer to $50 million to $55 million) but it’s still impressive considering its simultaneous release on Peacock likely cut into ticket sales. “Halloween Ends” also faced unexpectedly steep competition from Paramount’s creepy thriller “Smile,” which continued its killer run with $12.4 million (a minimal 33% decline) in its third weekend of release. The R-rated “Smile” has grossed $71.1 million in North America to date, a scary-good result since it cost $17 million to produce. At a time when movie theaters have been struggling to bounce back from COVID, horror has been a consistent bright spot.

The Halloween Ends numbers are coming in, and the studio might not be so pleased.

“Halloween Ends” is here. And whether you think it’s ultimately satisfying, it does provide a conclusive finale for the trilogy that started in 2018 with David Gordon Green’s “Halloween” and continued with the blood-soaked sequel, 2021’s “Halloween Kills.” Jamie Lee Curtis’ Laurie Strode, a part she first played in John Carpenter’s groundbreaking 1978 original, has her final confrontation with Michael Myers, the unstoppable serial killer who has haunted her for all of these years.Did good vanquish evil? Or was evil ultimately triumphant? And what if the ending you saw in theaters or on Peacock wasn’t the ending that was originally intended?TheWrap talked to co-writer/director David Gordon Green about the possible alternate endings of “Halloween Ends.”MAJOR spoiler warning for “Halloween Ends.” If you haven’t seen it yet, grab your butcher knife and head back now!During our chat about “Halloween Ends,” I brought up the premiere of “Halloween Kills,” which happened at Beyond Fest the year before.

Halloween Ends” is still going to turn a sizable profit with an estimated $43 million opening weekend, but its day-and-date release on Peacock and weak reviews from critics and audiences alike are already having an impact. Prior to release, the final installment in David Gordon Green’s “Halloween” reboot trilogy was projected to open to $50 million, matching the $49.4 million opening of last year’s “Halloween Kills,” which was also a day-and-date release.

franchise in 2018 with a direct sequel to the 1978 film, the ongoing saga between Laurie Strode (Jamie Lee Curtis) and Michael Myers comes to a close two movies later, in, which is now in theaters and streaming on Peacock. Both Curtis, who has portrayed the former babysitter stalked by the masked killer for over 40 years, and director David Gordon Green break down the climax of the 2022 film that marks Laurie and Michael’s final (and bloody) battle. Curtis “takes the physicality of this role very seriously,” Green says.

The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.

We said we wouldn’t do it. When we sat down and watched the entire “Halloween” franchise (12 films!) in a week to rank them before “Halloween Ends,” we said we didn’t need to discuss the finale because it was probably going to be just fine and exactly what we expected would happen.

Halloween is a mere two weeks away, but Laurie Strode's decades-long showdown with Michael Myers comes to an end today. The third and final chapter of the modern trilogy, following 2018's  and 2021's , is now playing in theaters and streaming on Peacock. is the thirteenth installment in the franchise in which Jamie Lee Curtis faces off for the last time against the embodiment of evil. Watch NowNearly 45 years after John Carpenter's 1978 original — which you can watch on Amazon here — stars Jamie Lee Curtis as horror’s first “final girl” Laurie Strode. Curtis' portrayal of Laurie for more than four decades is one of the longest actor-character pairings in cinema history.

Jordan Moreau “Halloween Ends” is just beginning — the final installment in the long-lived horror franchise picked up $5.4 million at the box office in Thursday night previews. The film should hack and slash its way to $50 million to $55 million in its opening weekend, according to projections, even with a same-day release on Peacock. Last year’s “Halloween Kills” opened to $49 million at the box office and had the same Peacock release strategy, so an even bigger launch would be bloody good for the Universal film. Jamie Lee Curtis’ PTSD-riddled survivor Laurie Strode faces off against psycho killer Michael Myers once again for the 13th entry in the franchise, and “Halloween Ends” promises to be the very last showdown between the two foes — at least, until another reboot comes knocking at the door. The “Halloween” timeline is as full of holes as one of Michael’s victims, but the latest movie caps off a trilogy of modern-day sequels that began with 2018’s “Halloween” and its 2021 sequel “Halloween Kills.” The three movies follow the events of John Carpenter’s original 1978 horror, which introduced audiences to Curtis in her film debut and the soon-to-be slasher icon Michael Myers. There have been a handful of other “Halloween” sequels and two rebooted films directed by Rob Zombie, but the new trilogy retcons those and catches up with Laurie and her family 40 years later.

Rohan Campbell is the breakout star of the new movie Halloween Ends and he’s definitely going to be gaining a bigger fanbase thanks to his role as Corey Cunningham!

Peacock Friday, you’ll consider taking Wite-Out to the title and changing it to “Halloween Keeps Going, Please.” Director David Gordon Green was deservedly lauded in 2018 for his superb first ‘ween film, which restored the Michael Myers vs. Laurie Strode death match to its 1970s gritty glory after a string of bombs in the 1990s and aughts.

If there’s a lesson to be learned from David Gordon Green’s trilogy of “Halloween” legacy-quels, it’s to quit while you’re ahead. His 2018 “Halloween” (a direct sequel to the original 1978 masterpiece and a ret-con of its many, many follow-ups) was a surprisingly effective combination of slasher reanimation and reconsideration, taking the horrors of that Halloween night, and its psychological effects on its survivors and the town where they happened, with uncommon seriousness (yet with flashes of self-awareness and humor).

Owen Gleiberman Chief Film Critic The “Halloween” series, which comes to an end this weekend (and if you believe that, I have a set of very rusty kitchen knives I’d like to sell you), has always been the least pretentious of horror franchises. A towering killer in a rubber mask pops out of the shadows to slash one victim after the next. Horror doesn’t get much more basic than that. But, of course, the “Halloween” series has always had a pretentious side too — the side that began with Donald Pleasance droning on about eee-vil, and the side that has extended, over the latest trilogy, to the top-heavy handwringing of Laurie Strode’s self-actualized guilt and despair. As for Michael Myers, who started out as a small-town killer, he has been turned, more and more explicitly, into A Force Larger Than Himself. And in “Halloween Ends,” that trend now culminates in a movie where Michael, in a certain way, is barely in the movie; he’s the film’s totem, its mascot, its looming emblem of evil. “Halloween Ends” doesn’t finish off the franchise by being the most scary or fun entry in the series. (It should have been both, but it’s neither.) Instead, it’s the most joylessly metaphorical and convoluted entry.