Lucasfilm Boss Kathleen Kennedy Stands by WGA Strikers: ‘I Am in Full Support of the Writers Getting What They Deserve’

Zack Sharf Digital News Director Harrison Ford is taking some responsibility for the tension that developed with Brad Pitt during the making of their 1997 thriller “The Devil’s Own.” The film, which notably marked the last directorial effort from Alan J. Pakula (“All the President’s Men,” “Klute”), earned mixed reviews but grossed $140 million worldwide. Ford has often said in past interviews that it was difficult filming “The Devil’s Own.” When Esquire magazine recently asked why, Ford said it was due to creative differences he had with Pitt. “Heh. Yeah, I remember why,” Ford said. “Brad developed the script. Then they offered me the part. I saved my comments about the character and the construction of the thing—I admired Brad. First of all, I admire Brad. I think he’s a wonderful actor. He’s a really decent guy. But we couldn’t agree on a director until we came to Alan Pakula, who I had worked with before but Brad had not.”

Zack Sharf Digital News Director Harrison Ford revealed in a new interview with Esquire magazine that the most common question “Star Wars” fans ask him is who would win a fight: Han Solo or Indiana Jones? It’s a question that has provided fodder for many Reddit discussions and social media debates, but it’s not one Ford ever wants to entertain. As Ford said about his fans: “Well, they usually ask me, ‘If there was a fight between Han Solo and Indiana Jones, who would fuckin’ win?’ And I say [voice rising, fingers drumming], ‘Me, asshole! I don’t want to fucking make shit up like that. I mean, what are you asking me that crap for?’” Ford has played Indiana Jones in five movies, including the upcoming “Indiana Jones and the Dial of Destiny,” while his filmography with Han Solo also consists of five movies, including an uncredited cameo appearance in 2019’s “Star Wars: The Rise of Skywalker.” That film marked the end of his Han Solo run, while “Dial of Destiny” will mark the same for Indiana Jones. Despite these iconic characters, Ford often stresses to fans that he is Harrison Ford and not Han Solo or Indiana Jones.

Zack Sharf Digital News Director For Harrison Ford, the allure of reprising Indiana Jones for a fifth time in the upcoming “Indiana Jones and the Dial of Destiny” was all about time. Ford will celebrate his 81st birthday in July, just a few weeks after “Dial of Destiny” opens in theaters, which is not the typical age of your 2023 Hollywood action hero. That was a selling point for Ford, who told Esquire magazine that he ensured Indiana Jones looked and felt like an old man in “Dial of Destiny.” “I wanted an ambitious movie to be the last one,” Ford said about reprising Indiana Jones. “And I don’t mean that we didn’t make ambitious movies before — they were ambitious in many different ways. But not necessarily as ambitious with the character as I wanted the last one to be.”

reports Entertainment Weekly. “I know that that is my face,” Ford, 80, said at a Cannes press conference last week. “It’s not a kind of Photoshop magic — that’s what I looked like 35 years ago.” “Because Lucasfilm has every frame of film that we’ve made together over all of these years.

Harrison Ford is defending the de-aging process he underwent for a flashback sequence in Indiana Jones and the Dial of Destiny. The fifth installment of the James Mangold-directed film premiered at the Cannes Film Festival where the star got a five-minute standing ovation.

Harrison Ford is aging like a fine wine. And a sturdy bottle of wine, at that, according to a reporter who couldn't help herself during a news conference at the 76th annual Cannes Film Festival.Flanked by director James Mangold and actor Mads Mikkelsen as they promoted , Ford took a question from a female reporter who first complimented the actor for his good looks in video posted by.

Harrison Ford showed off the honorary award he received at the 2023 Cannes Film Festival while attending a photocall for his new movie Indiana Jones and the Dial of Destiny on Friday (May 19) in Cannes, France.

Harrison Ford looked emotional as he received a five-minute standing ovation at this year’s Cannes Film Festival on Thursday.

What a night it was for Harrison Ford yesterday, receiving an honorary Palme d’Or and a special tribute to his career before the world premiere of “Indiana Jones And The Dial Of Destiny.” Did James Mangold‘s take on the legendary franchise live up to the proceedings? Well, the reviews from the premiere (including The Playlist’s) are pretty mixed. But many note Ford’s performance as a major highlight, so at least the actor gives his most popular movie character a proper send-off.

Clayton Davis Senior Awards Editor Throughout his career, James Mangold has adopted the old-school filmmaking style of American auteurs that invigorated the movie landscape, like Francis Ford Coppola, Michael Mann and Sidney Lumet. Barreling toward 30 years in the industry, Mangold has worn many different hats in Hollywood, serving as a director, writer and producer.

Lucasfilm Boss Kathleen Kennedy was asked at the Cannes presser for Indiana Jones and the Dial of Destiny to give her opinion as to how she’d like to see the standoff between AMPTP and WGA resolved.

Asked about the WGA strike at the Cannes Film Festival press conference Friday for Indiana Jones and the Dial of Destiny, director James Mangold said, “No movie happens without a great script, and no great script happens without writers.”

Indiana Jones And The Dial Of Destiny has received mixed reviews from critics, with some hailing it as delivering a “sweet blast of pure nostalgia”, while others have declared it to be a “complete waste of time”.The latest offering marks the fifth and final instalment of the Indiana Jones franchise, and sees acting legend Harrison Ford return to the role of the daring adventurer at the age of 80.With the first part of the movie being set in 1944, Dial Of Destiny kicks off with the whip-cracking archaeologist looking to retrieve one half of the Antikythera – an ancient dial built by Archimedes – from a Nazi scientist (played by Mads Mikkelsen). The remainder of the film ventures forward to 1969, where Jones partners up with his goddaughter Helena (Phoebe Waller-Bridge) to locate and retrieve the other half, and potentially alter the course of history.Over four decades since the original Raiders Of The Lost Ark film hit the silver screen, the latest instalment is the first of the sequels not to be directed by Steven Spielberg – with James Mangold now taking the reins.

first reactions on social media were more positive. Per usual for Cannes premieres it did receive ovations, but they were reserved for Harrison Ford himself rather than the James Mangold-directed film.

It was a great night for Disney as Indiana Jones And The Dial Of Destiny had a smash debut in its World Premiere Thursday evening at the Cannes Film Festival where the June 30th release received a warm 5 minute standing ovation, especially for Harrison Ford in his swan song in the title role he started playing 40 + years ago. There noticeably to witness the French love and affection was none other than Disney boss Bob Iger attending his first-ever Cannes Festival (believe it or not) and even taking his own photos during the ovation for the movie. At the Carlton Beach after party I told him Deadline had just been the first to post its review, a rave (from our colleague Stephanie Bunbury) and you could see the absolute relief on his face. “You have made me very happy to hear that, ” he told me, and he meant it. All this came on the same day Disney took another shot at Florida Governor Ron DeSantis by announcing the cancellation of a plan to move several thousand California employees to Florida. The Cannes respite must have been nice.

Owen Gleiberman Chief Film Critic “Indiana Jones and the Dial of Destiny” is a dutifully eager but ultimately rather joyless piece of nostalgic hokum. It’s the fifth installment in the “Indiana Jones” franchise, and though it has its quota of “relentless” action, it rarely tries to match (let alone top) the ingeniously staged kinetic bravura of “Raiders of the Lost Ark.” How could it? “Raiders,” whatever one thinks of it as a movie (I always found it a trace impersonal in its ’40s-action-serial-on-steroids excitement), is arguably the most influential blockbuster of the last 45 years, even more so than “Star Wars.” Back in 1977, George Lucas took us through the looking glass of what would become our all-fantasy-all-the-time movie culture. But it was Steven Spielberg, teaming up with Lucas in “Raiders,” who introduced the structural DNA of the one-thing-after-another, action-movie-as-endless-set-piece escapist machine. This means that “Indiana Jones and the Dial of Destiny” isn’t just coming after four previous “Indiana Jones” films. It’s coming after four decades of high-priced Hollywood action decadence, from the “Fast and Furious” series to the “Mission: Impossible” and “Terminator” and “Lara Croft” and “Transformers” and latter-day “Bond” films (not to mention the Marvel space operas), all of which owe a boundless debt to the aggro zap of the “Raiders” aesthetic.

“Indiana Jones and the Dial of Destiny” is mostly encouraging. The fifth Harrison Ford-starring Indy flick doesn’t open theatrically until the week of June 30, but Cannes audiences got the first look. “Indiana Jones and the Kingdom of the Crystal Skull” debuted at the 2008 Cannes Festival, however, that was days away from its Memorial Day weekend launch.

Indiana Jones and Harrison Ford swung into Cannes on Thursday for the world premiere of “Indiana Jones and the Dial of Destiny” in one of the most anticipated events of the French Riviera festival.

There they are! Harrison Ford and Calista Flockhart are still going strong.

Harrison Ford fought back tears at one of the biggest premieres at this year’s Cannes Film Festival. No expense was spared as Disney jetted its top executives, including CEO Bob Iger, to the South of France for “Indiana Jones and the Dial of Destiny,” the fifth chapter in one of the most celebrated film franchises in movie history. But when the credits rolled on this action epic involving time travel directed by James Mangold, Cannes only mustered a slightly muted five-minute standing ovation for the film. The biggest cheers of the night were reserved for Ford, who was summoned to the stage by festival director Thierry Frémaux to receive a surprise Palme d’Or after a reel of his greatest roles played onscreen.