Trevor Bauer, the L.A. Dodgers pitcher who was serving a two-year suspension, was reinstated to Major League Baseball today by an arbitrator.
11.12.2022 - 22:03 / deadline.com
The Los Angeles Film Critics Association Awards are being announced today and we’re updating the list live.
Hello! We're discussing new business. We'll start voting in one moment. #LAFCA
The organization has arguably a better record of syncing up with Oscar’s ultimate Best Picture winner than some New York awards orgs, i.e. some recent examples of their Best Picture Winners lining up with AMPAS include 2019’s Parasite, 2016’s Moonlight, 2015’s Spotlight, 2009’s The Hurt Locker.
However, one thing about LAFCA — they’re not afraid to go rogue: I.E. 1985 when they anointed Terry Gilliam’s carnivalesque, trippy epic Brazil Best Picture and Best Director; the filmmaker having made his war with Universal over the film, fresh meat for the trades. Brazil was Oscar nominated for Art Direction and Original Screenplay. Other examples of when LAFCA went against the grain in Best Picture was with 2003’s American Splendor, the comedy biopic about cartoonist Harvey Pekar and Steve McQueen’s collection of five films, Small Axe, which wasn’t even up for Oscars in 2020; that pic relegating Nomadland to Runner-Up in the category — which was the ultimate Best Picture at the Oscars.
Last year, LAFCA gave Best Pictures to Ryusuke Hamaguchi’s Drive My Car, which was in the Oscar mix with four Oscar noms, including Best Picture and Director, winning Best International Feature Film.
It will not be surprising if filmmaker Todd Field’s return to the big screen after 16 years, Tar, comes up big today. LAFCA named his movie In the Bedroom back in 2001 Best Picture. Tar won Best Film at New York Film Critics Circle as well as Best Actress for Cate Blanchett as well as one of AFI’s top pics of the year.
Best Picture
Best DirectorBest Actress
Best
Trevor Bauer, the L.A. Dodgers pitcher who was serving a two-year suspension, was reinstated to Major League Baseball today by an arbitrator.
In Todd Field’s Tár, we meet Lydia Tár, a revered composer-conductor heading up the Berlin Philharmonic, played by Cate Blanchett. Nina Hoss, as Lydia’s wife Sharon, is concertmaster and first chair violin, and together they navigate the politics of their musical life while parenting their daughter Petra. But Lydia, who is at the top of her game, and readying for her career-pinnacle live recording, begins to self-destruct, forming an obsessive attachment to Olga, a young cellist, just as a troubling past entanglement comes to light. The target of criticism from her students and a New York Post article, Lydia’s staff and Olga desert her. Then Sharon takes flight with Petra, and Lydia finally slides into the demise of both her personal and professional life. In conversation with Antonia Blyth, Blanchett and Hoss discuss the absence of objective truth, how change is built on open-hearted discussion, and the emergence of art from the raw, painful edge of experience.
Swish! Ben Affleck and his son, Samuel, had a ball during a father-son outing at the Tuesday, December 13, Lakers game.
Albert Brenner, a production designer and/or art director on such films as Bullitt, The Turning Point, Pretty Woman and Backdraft who racked up five career Oscar nominations, has died. He was 96. The Mirisch Agency told Deadline he died December 8 in his sleep.
“Till” star Danielle Deadwyler will receive the Breakthrough Performance Award, Actress at the 2023 Palm Springs International Film Awards on Jan. 5, Palm Springs International Film Festival organizers announced Monday.The award will be presented at the Palm Springs Convention Center in the desert resort town east of Los Angeles, at the beginning of a film festival that will run through Jan.
The Los Angeles Film Critics Association Awards split the difference on its Best Picture award, naming “Everything Everywhere All At Once” and “Tar” in a tie.
The NYFCC had their say, the National Board of Review surprised and, now, the Los Angeles Film Critics Association has anointed their Best Film for 2022. Or, should we rephrase that as “films”? For the first time since 1976, LAFCA chose two films for their top prize: Todd Field’s “TAR” and The Daniels’ “Everything Everywhere All At Once.” “Tar” also took Best Director, Best Screenplay and one of the Lead Performance honors.
In the words of Micheal Ray Richardson, “The ship be sinking.”