Listen to Bring Me The Horizon’s version of ‘Moon Over Castle’ from ‘Gran Turismo 7’

Elsa Keslassy International CorrespondentOnly six months after its 2021 edition, Series Mania will be back with a sprawling selection, including the world premieres of Michael Hirst’s “Billy The Kid” (pictured), the Israeli series “Fire Dance” and rap music-themed French show “Le monde de demain.”Underscoring the large presence of streamers within the roster, Series Mania will kick off with Netflix’s “Standing Up,” a new comedy series from “Call My Agent” creator and showrunner Fanny Herrero; while Disney Plus’ “Oussekine,” about a tragic case of police brutality in France, will close the festival.The lineup boasts 58 series spanning 21 countries. These were chosen from 331 series.

Series Mania has unveiled the nine shows from six countries competing for the prestigious International Competition along with revealing the lineup and guests of honor for this year’s edition, the first to take place in person for three years.

Kleberson has warned Leicester City midfielder Youri Tielemans against signing for Manchester United, insisting it is a "big risk."

Pat Saperstein Deputy EditorThe comedy community and “Ghostbusters” fans everywhere are remembering Ivan Reitman, who died Saturday at 75. Actors and filmmakers, including several people who worked closely with Reitman, paid tribute to the Canadian director and producer who directed the megahit “Ghostbusters” and helped ignite the movie careers of comedians including Bill Murray and Dan Aykroyd.Reitman also directed “Meatballs” and “Stripes,” and produced films including “National Lampoon’s Animal House,” “Space Jam,” “Up in the Air” and last year’s “Ghostbusters: Afterlife.”Tom Rothman, chairman and CEO of Sony Pictures Motion Picture Group, said in a statement, “Tonight, the lady with the torch weeps, as do all of us at Columbia, and film lovers around the world. Ivan Reitman was an inseparable part of this studio’s legacy, but more than that he was a friend.

Death on the Nile (★★☆☆☆) miscalculates from the start, marching into a mystery Christie herself showed no interest in exploring: the origins of Hercule Poirot’s trademark mustache.Director and star Kenneth Branagh, helming his second Christie adaptation following the 2017 hit Murder on the Orient Express, digs into a black-and-white, WWI-set prologue that firmly establishes Belgian sleuth Poirot as the film’s romantic hero.Christie’s sturdy plots and colorful characters certainly invite inventive reinterpretation, but it feels misguided making this or any Poirot story more about the man solving the mystery, than about the mystery that Poirot must solve.The sprightlier 1978 version of Death on the Nile, directed by John Guillermin and scripted by Sleuth playwright Anthony Shaffer, struck a more satisfying balance between the famous detective and the cast of suspects all harboring motives for murder.That whodunnit boasted a lineup of eccentric legends — Bette Davis, Angela Lansbury, Maggie Smith, David Niven, and, of course, Peter Ustinov as Poirot — inhabiting Dame Agatha’s larger-than-life characters while swooning about in Anthony Powell’s Oscar-winning ’30s-era costumes.The result was gloriously camp, as much as it was wickedly intriguing.

The long-awaited movie Death on the Nile has finally arrived in theaters and audiences checking out the film this weekend will probably wonder if they should stick around for an end credits scene.

Orville Peck has shared the first four tracks from his forthcoming second album, ‘Bronco’, releasing an EP dubbed ‘Chapter 1’ today (February 11).Leading the pack is a smoky, retro-tinged love song titled ‘C’mon Baby, Cry’, which serves as the lead single from ‘Bronco’, and comes alongside a video directed by Austin Peters. The other tracks released as part of ‘Chapter 1’ are the album’s opener, ‘Daytona Sand’, the western slow-burner ‘Outta Time’ and the barnstorming ‘Any Turn’.Check out the video for ‘C’mon Baby, Cry’ below, then stream the rest of the ‘Chapter 1’ EP: ‘Bronco’ – the follow-up to Peck’s 2019 debut, ‘Pony’ – is slated to drop on April 8 via Columbia.

Murder on the Orient Express,” a miserable, poorly cast, sleepy take on the author’s most famous novel. Bad on its own terms, the film was made even worse by the fact that Sidney Lumet’s superb 1974 version, starring Lauren Bacall, Sean Connery, Ingrid Bergman and Albert Finney, is a screen classic.Running time: 127 minutes. Rated PG-13 (violence, some bloody images, and sexual material).

Rob Lowe is bringing evil back.

K.J. Yossman Komplizen Film, the German studio behind Princess Diana biopic “Spencer,” have joined The Creatives, an alliance of independent production companies.The alliance was formed to increase the companies’ “collective power in the face of the changing landscape.”Film and TV production outfit Komplizen, which was founded in 1999 by Janine Jackowski and Maren Ade, joins eleven other companies from across the world including Razor and Haut Et Court, the latter of which initiated the collective.The companies work closely together in a number of ways, from sharing information, combining talent and networks and negotiating with common rules to co-production and partnerships.

Orville Peck has announced his sophomore album ‘Bronco’ with a new trailer featuring neon lights, barroom brawls, and slick dance moves.The country artist has also revealed that ‘Chapter 1’ from ‘Bronco’ will be released this Friday, February 11, while the album itself is slated to drop on April 8 via Columbia. ‘Bronco’ is the follow-up to his 2019 album ‘Pony’, released 2019 on Sub Pop.The trailer features a snippet of a new Orville Peck song, which appears to be the title track of the album.

The stars of Death on the Nile are gearing up for the release of their new movie!

Kenneth Branagh's Agatha Christie adaptation “Death on the Nile” begins with a flashback to the trenches of World War I before shifting to 1930s London two decades later, but that’s nothing compared to the time that's passed since Branagh's preceding 2017 whodunit “Murder on the Orient Express.”That film, which packed a bevy of stars aboard an opulent locomotive, was a saggy contrivance that lacked the warm fizz of Sidney Lumet's 1974 version, with Albert Finney. But “Murder on the Orient” did offer a welcome reminder of two immutable cinematic maxims: Train movies are irresistible and whodunits are, generally speaking, a hoot.

Owen Gleiberman Chief Film CriticAgatha Christie was born in 1890, and the heyday of movie adaptations of her novels goes quite a ways back (like, 70 or 80 years). The whole structure and flavor of this sort of delectably engineered whodunit, with its cast of suspects drawn in deliberate broad strokes and its know-it-all detective whose powers of deduction descend directly from Sherlock Holmes, is rooted in the cozy symmetry of the studio-system era.

accused of sexual assault and rape.) There are plenty of other reasons to wish the perfectly watchable “Death” had been better, if only because it’s already an upgrade from the flat, purposeless “Express.” This one’s trappings are plusher, its puzzle and solution niftier, yet still not totally there as a smoothly glamorous, engrossing piece of escapism.Christie aficionados may wonder what a grey WWI prologue in Belgium’s blood-soaked trenches has to do with Mediterranean misadventure. But Branagh and Green believe, a tad obnoxiously, that Poirot is more interesting if he’s less comical oddball and more heavy-headed hero with a lost love.

Julian Fowles, a longtime film and television producer for broadcasting station KCET and Esparza/Katz Productions, died in Miami, Florida on Saturday while recovering from a stroke. He was 76 years old.

Julian Fowles, a longtime film and television producer for broadcasting station KCET and Esparza/Katz Productions, died in Miami, Florida on Saturday while recovering from a stroke. He was 76 years old.