James Cameron’s Avatar: The Way of Water began its international box office rollout today in such majors as Korea, France, Germany and Italy — and with early sneaks in China. One of the most anticipated movies of recent years, it’s dominating play.
25.11.2022 - 23:01 / deadline.com
Laura Poitras’ Venice Golden Lion-winner All The Beauty And The Bloodshed opens in three theaters today, testing a crowded specialty market at the IFC Center, Lincoln Center & BAM in NYC. It adds LA and San Francisco (AMC Sunset 5 & AMC Kabuki) Dec. 2.
Presented by Neon, this is the story of internationally renowned photographer and activist Nan Goldin told through her slideshows, intimate interviews and ground-breaking photography, intertwined with the artist’s fight to hold the billionaire Sackler family and their company Purdue Pharma, makers of notoriously addictive pain medication Oxycontin, accountable for the nation’s devastating opioid crisis. It was only the second time a doc has won top honors at Venice. The film played Telluride, Toronto and the New York Film Festival (Centerpiece Film).
Poitras and Goldin will be doing in-theater Q&As throughout the weekend. Deadline review here. It’s 96% Certified Fresh with critics on Rotten Tomatoes. It opens into a documentary boom.
Goldin and a group of artists and activists founded anti-big pharma group PAIN ((Prescription Addiction Intervention Now) in 2017with a first target the “toxic philanthropy” of the Sacklers. Goldin, a recovered addict herself, led a fight to shame institutions that accepted the family’s money, leading protests from the foyer of the Guggenheim to the Metropolitan Museum of Art to the Smithsonian.
Poitras’ first full-length doc, My Country, My Country, about Iraqis living under U.S. occupation, nabbed an Oscar nomination. Citizenfour, about government whistleblower Edward Snowden, won took the Best Documentary Oscar in 2015.
Also opening today, Leonor Will Never Die, which won the Special Jury Prize for Innovative Spirit in Sundance this
James Cameron’s Avatar: The Way of Water began its international box office rollout today in such majors as Korea, France, Germany and Italy — and with early sneaks in China. One of the most anticipated movies of recent years, it’s dominating play.
The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34% in receipts, taking in $742,010 and filling 83% of seats at the Nederlander.
And so it begins. Thirteen years after the first Avatar arrived in movie theaters, conquered and continued to conquer the global box office as the highest release of all-time with $2.9 billion worldwide, Avatar: The Way of Water, the sequel to the James Cameron directed 3x Oscar winning 3D sci-fi movie arrives with a global outlook of $525M in what is Disney’s widest global release ever at 52K screens, surpassing Avengers: Endgame.
The PGA Awards announced its nominees for Outstanding Producer of Documentary Motion Pictures today, a list noted for a number of snubs and surprises.
Darren Aronofsky’s The Whale from A24 swam to the biggest limited opening of the year in NY and LA this weekend, beating the per screen record set by in late spring by the indie distributor’s Everything, Everywhere All At Once.
A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of the fall season.
Focus Features’ Spoiler Alert opened on six screens (in NY, LA, San Francisco) to an estimated $85k, or $14k per theater, in a crowded arthouse market. Strong exit polls and word of mouth – 94% in the top two boxes – could help built out this movie, which will likely be more audience-focused than awards-buzz driven.
Universal and 87North’s action horror pic Violent Night is off to a healthy start with $1.1M previews last night. Hopefully this movie will give the weekend box office a pulse and overperform which is typically a slow period post Thanksgiving, and even worse given the fact that the marketplace is still in rebuild.
Before Disney’s 20th Century Studios’ Avatar: The Way of Water floods the box office with a potential $200M opening on Dec.16, Universal might have a surprise this weekend in the 87North holiday action movie Violent Night, starring David Harbour. Universal is hoping for $10M, maybe $12M on the Tommy Wirkola-directed movie for a second place take. However, rivals are truly excited by it, thinking it could do much more.
Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices.
Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at Laemmle Royal, Alamo Drafthouse DTLA, Los Feliz 3, and Santa Barbara’s Riviera Theater at SBIFF. Director Jerzy Skolimowski will be on hand for Q&As all weekend.
The long awaited James Cameron sequel to the highest grossing movie of all-time hit tracking this morning with a projected opening of at least $150M. Tracking has it higher near $175M, but rivals are bullish at $200M.
Call it a holiday tradition as common as sweet potatoes on the Thanksgiving table, but Disney is going to rule the five-day holiday stretch again after wins in 2016 (Moana), 2017 (Coco), 2018 (Ralph Breaks the Internet), 2019 (Frozen 2) and last year (Encanto), as Black Panther: Wakanda Forever‘s third weekend looks to do $40M over Wednesday-Sunday and Disney Animation’s Strange World hopes to squeeze out $30M+. All of this occurs as Bob Iger is re-installed as the CEO of Disney and the studio’s distribution czar Kareem Daniel exits.
Luca Guadagnino’s Timothée Chalamet-starring, edgy cannibal road trip romance Bones And All pulled in young demos (79% in the 18-34 rage) and women (54%-46% female) for an opening weekend gross of $120k, or $23.9k per screen average in five theaters. That’s respectable and in line with distributor UAR expectations although below recent debuts including Banshees of Inisherin and Tár last month and The Fabelmans last week, where PSAs all cracked $40k.
“Bones and All” sees Guadagnino reunite with his “Call Me By Your Name” star Timothee Chalamet, who stars alongside newcomer Taylor Russell as a pair of cannibals who fall in love and embark on a tragic road trip across America. The film won Best Director and Best Newcomer honors at Venice and has received praise from critics with an 86% Rotten Tomatoes score, though its likely to remain a niche title as one would expect for a film with such a grisly taboo topic.
Refresh for latest…: In its sophomore frame, Disney/Marvel’s Black Panther: Wakanda Forever sent its worldwide cume well past the $500M mark, with an estimated $546.3M through Sunday. The split is $288M domestic and $258.3M from the international box office.
When a film as heavily promoted and well-regarded as Universal’s She Said gets body-slammed at the box office, it’s wise to pay attention.
The big winner at the Stockholm International Film Festival 2022 was Holy Spider, directed by Swedish-Danish-Iranian Ali Abbasi.