So many stars are stepping out for the opening night of the 2023 Tribeca Festival.
20.05.2023 - 19:49 / variety.com
Peter Debruge Chief Film Critic Taking a cue from the movie’s soon-to-be-infamous spanking scene between Robert De Niro and Leonardo DiCaprio, someone ought to paddle whoever let Martin Scorsese take three and a half hours to retell “Killers of the Flower Moon.” You could read David Grann’s page-turner — about an audacious 1920s conspiracy to steal resources from the Osage people by marriage and murder — in less time, and you’d learn a whole lot more about how J. Edgar Hoover and the newly formed FBI used this case to establish their place in American law enforcement. Granted, this is cinema legend Martin Scorsese we’re talking about. For years, he fought studio execs telling him what to cut, going head-to-head with Harvey Weinstein on “Gangs of New York” (a movie that probably would’ve been better longer). Now he’s earned the right to tell stories as he sees fit. Trouble is, at 206 minutes (still four shorter than “The Irishman”), “Killers of the Flower Moon” isn’t an epic motion picture so much as a miniseries. Nothing wrong with that, except it’s intended for the big screen — where Apple has committed to release it this fall. Closer to two hours, “Killers” would make a killing, whereas longer than “The Longest Day,” most folks will wait to watch at home.
This is why someone needs to stand up and tell Marty to rein it in. They should’ve done it before he started shooting, since the pace is built in, and Scorsese’s projects don’t compress well after the fact. In its present form, “Killers” is still a compelling true story, one that Scorsese and co-writer Rick Yorn shifted from being a standard white-savior detective yarn to a more morally thorny look at how the white culprits plotted and carried out the murders.
So many stars are stepping out for the opening night of the 2023 Tribeca Festival.
It’s all Gucci! Al Pacino addressed girlfriend Noor Alfallah’s pregnancy — and expressed his excitement over the twosome welcoming their first child together.
The Tribeca Festival, which gets under way Wednesday in New York, has announced members of the jury who will decide winners in 15 award categories.
Peter Debruge Chief Film Critic I reckon there are more ideas per second of screentime in “Elemental” than any other Pixar movie to date. So why does this imagination-teasing opposites-attract rom-com feel like a misfire? No one can accuse director Peter Sohn (“The Good Dinosaur”) or his team of under-thinking the ultra-creative studio’s latest high-concept feature, which takes the four elements as identified by various ancient cultures — Fire, Water, Earth and Air — and reimagines them as uneasy neighbors in a crowded modern metropolis. But fun as it can be to soak in the movie’s cheeky sense of detail (from flame-retardant costumes to blink-and-you-miss-them background puns), the whole scenario seems forced: so much world-building to tell a story better suited to flesh-and-blood human characters.
If Sebastian Maniscalco really is the most popular comic in the country at the moment, you’d never know why from his film debut in About My Father. So unfunny it’s embarrassing, this is an over-the-top, under-achieving generational comedy that feels like it was written in the mid- to late-1960s and has been moldering in a drawer ever since.
Matt Donnelly Senior Film Writer The upper deck at France’s Hotel Du-Cap-Eden-Roc offers a stunning coastal view of nearby city Cannes, the kind that Jay Gatsby would covet to peep Daisy Buchanan. On Tuesday, at one of the hottest parties at this year’s Cannes Film Festival, that view belonged to Graydon Carter. Standing alone with a female companion, the creator of the digital publication Air Mail and iconic former editor of Vanity Fair observed not a long-lost love but a cliffside full of movie stars, auteur directors and Hollywood power players. Carter’s Air Mail co-hosted an evening celebrating the 100-year anniversary of Warner Bros. Pictures, the latter represented by Warner Bros. Discovery CEO David Zaslav and his top content lieutenants. Leonardo DiCaprio, Scarlett Johansson and Colin Jost, Robert De Niro, Martin Scorsese, Lily-Rose Depp, Sam Levinson, Jason Statham and Rosie Huntington-Whiteley, Rebel Wilson and more turned up to toast cinema and each other.
“This was not planned,” says stand-up comedian Sebastian Maniscalco about his auto-biopic comedy About My Father making it to the screen.
Quentin Tarantino’s Pulp Fiction, Bong Joon-ho’s Parasite, and Jane Campion’s The Piano.If you’re looking for the movies making a splash at this year’s festival, you can check out the biggest names and those running for the main prize below.Jeanne du BarryOpening this year’s festival is Jeanne du Barry, written, directed and produced by Maiwenn (Polisse). Its inclusion by the festival has sparked some controversy due to Johnny Depp, who plays King Louis XV in his first feature performance since winning his defamation trial against ex-wife Amber Heard.
Robert De Niro called Donald Trump “stupid” at the Cannes Film Festival while discussing his character in Killers Of The Flower Moon.The actor, who plays twisted cattleman William Hale in Martin Scorsese’s western crime drama, compared his character to the former US president during a press conference at the festival.“I don’t understand a lot about my character,” De Niro said (via Variety). “Part of him is sincere. The other part, where he’s betraying [the Osage people], there’s a feeling of entitlement.
had its debut in front of a delirious crowd at the Grand Theatre Lumiere on Saturday night. The invitation-only, black-tie audience was there to celebrate Scorsese, who first came to Cannes in 1976 with “Taxi Driver,” greeting him as a conquering hero and giving him a lengthy and emotional standing ovation that didn’t stop until he left the theater.
Martin Scorsese got emotional after receiving a nine-minute standing ovation at the premiere of Killers Of The Flower Moon, taking place at this year’s Cannes Film Festival.At the end of the film, the legendary director walked into the Grande Theatre Lumiere at Cannes Film Festival to greet the audience. He appeared grateful and emotional as he reacted to the standing ovation, thanking the crowd over and over again.After nine-minutes of applause, Scorsese told the crowd: “I don’t think I’ve ever experienced anything like this.”9-minute standing ovation for Martin Scorsese at the premiere of his next film Killers of the Flower Moon.
adapted from David Grann’s book of the same name — is set in Oklahoma during the 1920s and depicts the serial murders of members of the oil-wealthy Osage Nation, which was later dubbed the Reign of Terror and led to the formation of the FBI. The Post reached out to Scorsese for comment.“It’s taken its time to come around, but Apple did so great by us, shooting out there … there was lots of grass — I’m a New Yorker,” said the “Goodfellas” director in a post-film speech.
For those who treasure a sense of place in movies, the new trailer for Martin Scorsese’s Killers of the Flower Moon, a film set for release by Paramount in October, brings a flicker of hope. (Pete Hammond’s Cannes review is here.)
Martin Scorsese unveiled “Killers of the Flower Moon” at Cannes on Saturday, debuting a sweeping American epic about greed and exploitation on the bloody plains of an Osage Nation reservation in 1920s Oklahoma.
got a boisterous 9-minute standing ovation after the three-hour epic premiered Saturday at the 76th annual Cannes Film Festival.Leonardo DiCaprio, director Martin Scorsese and the rest of the cast soaked up every second of the ovation displayed at Palais des Festivals in Cannes, France. posted a snippet of the thunderous applause, and outlet's co-editor-in-chief, Ramin Setoodeh, reports that the nine-minute standing ovation is «the biggest and loudest» of the film festival so far.According to, Scorsese took the mic after the ovation and addressed the excited crowd.«Thank you to the Osages,» he said. «Everyone connected with the picture.
The stars of Killers of the Flower Moon are stepping out for their movie’s premiere!
Martin Scorsese’s “Killers of the Flower Moon” premiered to the biggest and most thunderous standing ovation at the Cannes Film Festival so far on Saturday night. The 3 hour and 26 minute epic look at greed, racism and a dark and largely unexplored chapter of American history, stars Leonardo DiCaprio and Lily Gladstone. It kept the crowd so enraptured that they sprang to their feet and started applauding for 9 minutes after the credits ended and the lights came up. Cannes clearly loved what Scorsese, returning to the festival for the first time since 1985’s “After Hours,” had brought to the South of France. And that’s good news for Apple Original Films, which gave the auteur a reported $200 million budget to realize his vision, hoping he’d deliver one of his signature explorations of criminality. Many of those movies, however, unfolded on the mean streets of New York. This movie is set in northeastern Oklahoma as members of the Osage Nation are murdered in a systematic fashion.
Martin Scorsese’s anticipated epic Killers of the Flower Moon just had its world premiere at the Cannes Film Festival, where the audience gave the film starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone a nine-minute standing ovation.
What to watch: 7 movies and shows to stream this week - May 5What to watch: 7 movies and shows to stream this week - May 12Netflix’s “To All The Boys I’ve Loved Before” revitalized the teen rom-com, inspiring thousands of pale imitations. The series author, Jenny Han, is back with a new story, taking the baby sister of the trilogy’s protagonist and placing her front and center. The series follows Kitty Song-Covey as she leaves Portland for a fancy boarding school in Seoul, hoping to reconnect with her roots and her long distance boyfriend.
EXCLUSIVE: Edi Gathegi (For All Mankind) has been tapped for a prominent role opposite Robert De Niro, Lizzy Caplan, Jesse Plemons, Joan Allen and Connie Britton in Netflix’s limited series Zero Day, the six-episode conspiracy thriller from creators Eric Newman, Noah Oppenheim and Michael S. Schmidt.