Kevin Mayer Breaks Down Candle Media Investment Strategy: Targeting Content Firms With Well-Defined Audiences and Commerce Potential

Kevin Spacey became visibly distraught in a New York City courtroom on Monday afternoon, breaking down as he blamed his publicist for convincing him to publicly apologize to Anthony Rapp in 2017 after the “Star Trek: Discovery” actor accused him of sexual misconduct. “I was being encouraged to apologize and I’ve learned a lesson, which is never apologize for something that you didn’t do,” Spacey said. “I regret my entire statement.” Spacey then choked up and began to cry, as he said, “It’s my responsibility. I put it out there. It was really wrong. It was really bad and I’m deeply sorry. I have to own that.”

Patrick Frater Asia Bureau Chief International streaming company Netflix has unveiled six new titles representing its first wide-ranging slate of content from Thailand. Its four films and two series span the comedy, suspense and comedy drama genres and hail from six different local production firms – GMM Studios, International, GDH, Song Sound Productions, Transformation Films, 18 Tanwa and Jungka Bangkok. Significantly, too, they are sourced from established directors or producers. Writer-director Prueksa Amaruji’s dark comedy film “Lost Lotteries” is produced by Ekachai Uekrongtham (“Beautiful Boxer,” “Pleasure Factory”) and will stream from mid-November.

died in August at the age of 73, after first being diagnosed with breast cancer in 1992. Dame Olivia became an advocate for cancer research and funding for treatment and used her platform to raise awareness, after she experienced two recurrences of the disease in 2013 and 2017. The star’s only daughter, Chloe, recently vowed to carry on her mother’s work, declaring that ‘the torch has been passed’ and she wanted to honour her mother’s legacy.

Hello Sunshine has added two senior executives. Stefanie Markman is joining the Candle Media company as General Counsel and EVP, Business and Legal Affairs, and Wifreddy Chiang as EVP, Finance and Accounting.

Jennifer Salke entered the Second Age in London. The head of Amazon Studios spent the 72 hours leading up to the launch of “The Lord of the Rings: The Rings of Power” in a whirlwind, traveling from the series’ global premiere event in London’s Leicester Square to her Manhattan apartment to watch the early returns arrive via reports from Amazon’s formidable consumer research department. The “Rings” team was exhausted, having had no chance to recover from the grueling worldwide promotional campaign for the Amazon Prime Video series that is an enormous bet for the tech giant, being the most expensive television series ever produced. For most of launch day, Sept. 1, Salke and key members of her executive team, many members of the large ensemble cast and executive producers J.D. Payne, Patrick McKay and Lindsey Weber gathered together for hours in virtual “war rooms,” bone tired but energized, to wait for the world’s reaction.

Patrick Frater Asia Bureau Chief KC Global Media, which operates a string of channels across Asia including AXN, anime channel Animax, South Korea’s ONE and Japanese entertainment channel GEM, has unveiled its first script development of a sci-fi live action series, “Jonesy.” The show is a sci-fi fantasy thriller action-comedy series set in the year 2029, with eight episodes of 15-20 minutes each. Production will be with Singapore-based production agency, Monochromatic Pictures, while development is supported through the Capability Partnership Programme (CPP) operated by the country’s Infocomm Media Development Authority. The show sees an internet crazy shut-in man driven to extremes by violent weather systems which carry with them supernatural beasts intent on devouring humankind. With his imaginary friend, the man learns to navigate the new world alone, confront his fears, battle colorful foes, and become humanity’s new hope when he kills one of the monsters during a livestream.

EXCLUSIVE: Here’s a hot one. In a splashy deal, Netflix has pre-emptively landed feature rights to upcoming book Dark Wire, which uncovers the true story of how the FBI launched a fake telecom company and became a phone service provider to the one of the world’s most notorious gangs, culminating in the arrest of more than a thousand international criminals.

Patrick Frater Asia Bureau Chief Gerhard Zeiler, president of International at Warner Bros. Discovery, has moved to reassure the Asia-Pacific region that it is an integral part of the group’s post-merger strategy. “Don’t believe that we don’t know how important Asia is for our company, he said Thursday. Zeiler was speaking at the APOS Convention in Singapore on Thursday. He cited examples of theatrical success for “Batman” and “Fantastic Beasts” in the region and investment in local production in the region. The reassurance may have been necessary following post-merger announcements that proposed changes in North America, Latin America and Europe ahead of Asia – despite recent external data showing Asia-Pacific as one of the world’s fastest growth regions.

Naman Ramachandran As Amazon Prime Video closes in on six years of operations in India, it is one of the market leaders in the streaming segment. A major part of the success is due to it getting a handle on the multiple local languages in the vast market. “One of the things we look at when we expand into new territories and languages is to see early signs and then double down on those early signs,” Gaurav Gandhi, VP, Amazon Prime Video India told Variety. The service programs in 10 languages in India, including Hindi, Tamil, Telugu, Malayalam, Kannada, Marathi, Punjabi, Gujarati, Bengali and English. “When we started programming in 10 languages we saw early signs before most others how content travels across languages,” says Gandhi, who spoke on the sidelines of the APOS conference in Singapore. “Today, 50% of our audience base is watching content in four plus languages, which was not the case three or four years back. And a big reason for that is the fact that as you program multiple languages across the board, we realize that you truly transcend linguistic boundaries and barriers and expand the linguistic palette.”

Patrick Frater Asia Bureau Chief Further media industry upheaval is on the cards, as the world exits from COVID and heads towards possible recession, warned financier and media advisor Joe Ravitch. “A lot of trends are now being reversed,” said Ravitch, partner and co-founder of Raine group. He was speaking at the APOS conference in Singapore, where U.S.-based Raine has recently opened a local office. Where the pandemic kept people indoors and online, since the loosening of health restrictions theatrical cinema, theme parks, concerts, gyms and in-person sport and music events have rebounded. People’s online behavior has also been altered.

A candid approach. Kelly Ripa did not hold back about her personal or professional life in her new book, Live Wire: Long-Winded Short Stories.

Kelsea Ballerini is opening up about the inspiration behind her song “Doin’ My Best.”

Patrick Frater Asia Bureau Chief Online video is taking up the role of growth engine for the Asia Pacific video industry as free-TV in the region moves into long-term decline, says a new report. The video sector is forecast to remain robust this year, but recession could deal a blow to sector performance in 2023. Video sector revenues – defined as subscription fees and advertising generated by free TV, pay-TV and online video platforms – in 14 Asia-Pacific markets are forecast to will grow by 6.4% in the current year to reach $143 billion, according to Media Partners Asia.

Patrick Frater Asia Bureau Chief Full and proper confirmation of a second season of mystery horror series “Hellbound” was high on the agenda of Netflix’s consumer-oriented Tudum presentation. Korean shows have repeatedly achieved top ratings among the streamer’s non-English roster, and last November’s release of “Hellbound” was the show that finally edged aside “Squid Game” after several weeks of breakthrough success. (The Tudum presentation offered “Squid Game” fans some extra footage that confirmed the identity of the mysterious ‘front man’. Take a look here.) “Hellbound” is derived from a webtoon created by series director Yeon Sang-ho, who previously directed “Train to Busan” and “Peninsula.” It featured otherworldly angels who emerged to condemn individuals to hell at a specific future time, minutes or years away.

Conquering it all! Sarah Michelle Gellar‘s return to acting has been an interesting transition — and the actress candidly discussed being ready for the challenge.

Patrick Frater Asia Bureau Chief SK Global’s “Thai Cave Rescue” series faced almost as many obstacles as the specialist divers drafted to bring out 12 boys and their coach from a waterlogged grotto in summer 2018 in front of a blaze of media attention and an expectant Thai nation. The show debuts on Netflix on Thursday, a timing that means it follows three feature-length depictions and multiple news media specials retelling the watery events. It is also the retelling that is most closely associated with the Thai government, which auditioned prospective production companies and streamers and has carefully held the real-life rescued youngsters close to its chest.

Princess Charlotte is having a rough time.