Kendrick Lamar’s ‘The Big Steppers’ Tour Takes Performance Art to New Heights: Concert Review
06.08.2022 - 00:39
/ variety.com
Taiyo Coates In the decades since hip-hop’s conception, artists have taken transformative steps when it comes to communicating stories. While the genre has invariably been tethered to innovation and multiple mediums, the scale of performance has been slower to evolve.
For years, less is more was the formula when it came to the live show: a rapper, DJ and hype-man were the go-to trifecta. Today, Kendrick Lamar demonstrates how far hip-hop has come with his ongoing “The Big Steppers Tour” — performance art at its pinnacle.Before Kendrick Lamar and PgLang took the stage in Washington D.C.
on Thursday night (August 4), Tanna Leone and Baby Keem, both members of the PgLang team, set it using dramatically different visuals. Leone, the newest signee of PgLang’s self-cultivated record label, opened the show with songs from his April 2022 album “Sleepy Soldier,” treating fans to a medley of ambient lighting, alternating monochromatic visual effects, and a refreshing vocal approach.
Baby Keem led his set with “trademark usa,” the intro to 2021’s “The Melodic Blue,” contrasting the visual direction by donning a white dress shirt, long black tie and black slacks. The outfit matched the syncopated white flashing lights set against an often dark stage as Baby Keem rattled off hit after hit, including “range brothers,” “ORANGE SODA,” “hooligan” and “HONEST.”Kendrick Lamar began his performance with a stage designed to look like a psychotherapist’s office.
This setting mirrored the complex emotional themes tackled in his “Mr. Morale & The Big Steppers” album and he dived headfirst into the narrative — holding a ventriloquist dummy to perform the stellar album opener, “United In Grief” to illustrate the evocative portrait painted by
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