Julian Fowles, a longtime film and television producer for broadcasting station KCET and Esparza/Katz Productions, died in Miami, Florida on Saturday while recovering from a stroke. He was 76 years old.
20.01.2022 - 17:50 / variety.com
Daniel D'Addario Chief TV CriticThere’s a scene on HBO’s new series “The Gilded Age” in which Carrie Coon, playing the aspirant socialite Bertha Russell, lectures one of her rivals. Bertha has the money to break into the whirl of New York City life in 1882, but lacks the intangible social class that would allow her to truly fit in.
No matter: One of the women who has spurned Bertha has come to ask her for a favor, and Bertha decides to deliver a lesson instead. “I hesitate to teach the basics, but life is like a bank account,” she declares.
“You cannot write a check without first making a deposit.”This scene illustrates what makes this panoramic social drama about a bygone world work, and the obstacles it must overcome in getting there. When considered for a moment, this line, like much of the dialogue series creator Julian Fellowes, writing with Sonja Warfield, has penned for his characters, is aphoristic to a fault.
Fellowes, never afraid to indulge cliché, outdoes himself throughout “The Gilded Age.” (Elsewhere, Christine Baranski’s Manhattan doyenne is “not concerned with facts, not if they interfere with my beliefs,” and advises a protégé to “only help those who help themselves.”) There’s a certain snap missing from many of the interactions between Fellowes’ characters, who can feel less as if they’re matching wits than as if they’re reading from the same joke book. And yet Coon’s delivery and bearing carry the scene over the line — and the same is true for the acting across the board, as well as the commitment to a certain Edith Wharton realness on the show’s craft side.
Julian Fowles, a longtime film and television producer for broadcasting station KCET and Esparza/Katz Productions, died in Miami, Florida on Saturday while recovering from a stroke. He was 76 years old.
Caroline Framke Chief TV CriticChristine Baranski’s career is so vast and varied — from starring roles in “The Good Wife” and its spinoff “The Good Fight,” to spending decades in New York City theater, to stealing scenes as the “Mamma Mia” franchise’s resident siren — that it’s genuinely shocking when she points out that she’s never been in an onscreen period piece “with wigs, corsets, language, the whole thing.”HBO’s “The Gilded Age,” a glamorous new post-Civil War era drama from “Downton Abbey” creator Julian Fellowes, embodies that “whole thing” and then some. So when Fellowes reached out to offer Baranski a part that occupies what many “Downton” fans will recognize as the Dowager Countess role (i.e.
HBO’s The Gilded Age continues to grow from its impressive start, delivering a 15% increase in total viewers from its series premiere.
Wilson Chapman editorHBO’s latest series, “The Gilded Age” is nothing short of a visual feast, filled with sprawling marble mansions and luscious recreations of 1880s New York City. But possibly the most eye-catching element of Julian Fellowes’ new period drama is the gorgeous gowns that outfit the largely female cast of high society strivers and schemers.
River Plate fans have expressed their disappointment at the news that last season's top goalscorer Julian Alvarez will become a Manchester City player at the end of the season.
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Gossip Girl fan, we strongly recommend that you check out HBO's new series The Gilded Age. Just like , it takes place among the moneyed elite of the Upper East Side, where and insiders jockey for prominence, keep secrets, throw parties, and manipulate one another for personal gain. It's awesome.
Euphoria‘s boasting a different kind of high for HBO this week with the third and latest episode continuing its growing streak.
Monday, Jan. 24 marked the premiere date of “The Gilded Age”, the new period drama starring Christine Baranski and Cynthia Nixon as well-heeled sisters who take in their niece (played by Louisa Jacobson) when her father — their brother — dies and leaves her penniless.
team is going through a major switch up, with Dylan McDermott joining the series following the news of Julian McMahon’s exit, ET has confirmed.McDermott, who is currently recurring as Richard Wheatley on, will play a new character on the CBS crime procedural. His debut is slated for episode 17, which will premiere in April.The casting comes just days after McMahon confirmed he was leaving after three seasons as Supervisory Special Agent Jess LaCroix on the spinoff focused on the Fugitive Task Force.
Jon Burlingame editorFrom the opening frames of HBO’s series “The Gilded Age,” the music of composers Harry Gregson-Williams and Rupert Gregson-Williams gives viewers a sense of the ambition and drive of “new money” in conflict with the “old money” of 1880s New York.The brothers — Harry based in Los Angeles, Rupert just outside London — generally work on different projects, and most often for features (Harry’s credits include “The Martian” and “The Last Duel,” while Rupert’s include “Wonder Woman” and “Aquaman”).But both are past Emmy nominees (“Electric Dreams” for Harry, “The Crown” for Rupert) and this is their second TV collaboration, after 2019’s Hulu series “Catch-22.” Given the sheer volume of music demanded by “The Gilded Age,” nearly six hours for the 10 episodes, they were happy to reunite professionally. “It was good to have two sets of hands on it,” says Harry.
If you love a period drama with a touch of class, you won’t want to miss The Gilded Age, the latest offering from Downton Abbey creator Julian Fellowes. But forget English stately piles inhabited by toffs like the Granthams – Julian has crossed the pond to America to tell this tale, set at the end of the 19th Century. It was a time when industry and the economy were on the up, creating a wealthy elite to join the old money families of the establishment.The story begins in 1882, when young Marian Brook, the orphaned daughter of a general, moves into the New York home of her “old money aunts”, Ada and Agnes.
The Gilded Age,” premiering Monday at 9 p.m. EST, chronicles the lifestyles of the rich and famous in Manhattan during the late 1800s — with ostentatious displays of wealth, ridiculous parties and heaps of tabloid-worthy gossip and scandal.Created by Julian Fellowes, the man behind “Downton Abbey,” the series also highlights the deep-rooted rivalries and prejudices among NYC high society (and the social climbers desperate to get a leg up).Here, The Post looks at some of the wildest stories of the real Gilded Age.To this day, the creations of Gilded Age architect Stanford White define New York City: the Washington Square Arch, Judson Memorial Church and the Players Club, among many other wonders.But it was his 1906 murder, and the shocking reason behind it, that really rocked the city.White, 52, had attended the premiere of the musical “Mam’Zelle Champagne” at the original Madison Square Garden, which he also designed.
The Gilded Age is in many ways the spiritual successor to Downton Abbey – but do the shows exist in the same universe?
By It's a few minutes past 3 P.M. when Denée Benton calls with an apology. “You are my last interview of a long two press days,” she says.
Jazz Tangcay Artisans EditorAn aura of economic growth and wealth permeates the new drama “The Gilded Age,” premiering Jan. 24 on HBO. Christine Baranski is Agnes van Rhijn, a socialite living in early-1880s New York City with her sister, Ada Brook, played by Cynthia Nixon.
Bob Greenblatt Guest ColumnistAs HBO raises the curtain Jan. 24 on the long-awaited Julian Fellowes drama “The Gilded Age,” executive producer and industry veteran Bob Greenblatt offers an inside look at the 12-plus years it took to bring the story of the wealthy and powerful families of America’s gilded age to the screen.
The Gilded Age seems destined to be a hit. After all, American viewers are huge fans of British period dramas—or so it appears. The Tudors, Downton Abbey, , and are just a few of the series to find runaway success focusing on a time that transports us to yesteryear.