Jude Law Joins Yara Shahidi & Ever Anderson at 'Peter Pan & Wendy' Screening in NYC

Filmmakers are film fans, right? There’s just no way you’d devote your life to a creative endeavor and not be a fan of it. So, you have to assume that directors, whether they’re working on no-budget horror, blockbuster superhero films, or even a heartfelt indie drama, are influenced by similar works or other filmmakers who have inspired them.

Yara Shahidi brought the '90s to the 2023 Met Gala! The 23-year-old actress tapped into her inner supermodel on Monday night, as she strutted up the Metropolitan Museum of Art stairs like it was her personal runway.Shahidi stunned in a Jean Paul Gaultier gown with Cartier jewelry and Jimmy Choo shoes. Inspired by '90s Chanel couture, the bronze gown features a pearl-detailed corset with a ruched micro-miniskirt, accented with an overlapping drape in the front and mermaid tail in the back. «I love the many eras of Karl [Lagerfeld],» Shahidi told ET's Rachel Smith, sharing her personal connection to the late Chanel House creative director.

Jude Law is dedicated to his craft!

“Peter Pan & Wendy” — so the child actors on set remained genuinely afraid of him when he played Captain Hook.“[Director] David Lowery had the idea of really trying to encourage them not to see me when I wasn’t Hook,” Law, 50, said Tuesday on “The Tonight Show Starring Jimmy Fallon.”“So I just stayed as Hook the whole time, which was an opportunity just to be really scary and mean. Sounds kind of awful,” “The Holiday” actor admitted.

Jude Law had a trick up his sleeve to get along with child actors.

Zack Sharf Digital News Director Jude Law revealed on “The Tonight Show” that he stayed in character as Captain Hook any time he was on the set of David Lowery’s “Peter Pan and Wendy.” The Disney reimagining casts Law as the villainous Captain Hook. To ensure the child actors on set would be scared of Hook, Lowery instructed Law not to reveal his true self until after filming. “David Lowery had the idea of really trying to encourage them not to see me when I wasn’t Hook,” Law said. “So I just stayed as Hook the whole time, which was an opportunity just to be really scary and mean. Sounds kind of awful. I didn’t want to be talking to a little 6-year-old dude, and then suddenly, it’s like, ‘Right. You hate me. I’m Hook. I’m Hook.’ So, instead, I just stuck as Hook. And, yeah, a lot of the reactions you see in the film are their reactions to me for the first time, or as the man himself, you know?”

st-century version of such arrested development look like? One that has something to say to today’s grown-ups both mesmerized and puzzled by a fiery younger generation vastly different than them, and today’s kids, being raised by an unprecedented sense of individuality? With “Peter Pan & Wendy,” soulful auteur David Lowery tries to find an answer with mixed results that’s fascinating and refreshing in parts and somewhat wearisome on the whole.An expressive voice throughout his wide range of tales, Lowery is the perfect storyteller for this experiment, despite the uneven outcome. He has the right mournful temperament that runs through his filmography, from the grief-soaked supernatural tone poem “A Ghost Story” to the deeply compassionate “Pete’s Dragon,” that is unsubtly about the second chance that outcast rescue animals deserve.

Director David Lowery’s inner child remains intact and in sprightly condition with “Peter Pan & Wendy,” the filmmaker’s latest soulful live-action remake for Disney. Lowery blew some minds years ago when he made “Pete’s Dragon,” losing very few of the instincts that have made him a viable indie filmmaker with the considerably more challenging films like “A Ghost Story” and “The Green Knight.” His overall fascination with storytelling and the revealing nature of time finds a warm home in the J.M.

The question you may be asking is ‘do we really need yet another take on Peter Pan? Ever since J.M. Barrie published his book “Peter And Wendy” in 1911 there have been countless film, TV, and stage versions of one stripe or another, starting with silents, and of course NBC’s live musical in the 50’s with Mary Martin, and later versions with Sandy Duncan, Cathy Rigby, and just a few years ago another NBC live attempt at it with Allison Williams. Of course there have been big screen spins, neither quite magical, like Joe Wright’s messy 2015 Pan and Spielberg’s overblown Hook with Robin Williams and Julia Roberts. Up to this moment even Broadway has a new Tony contender in the farcical take, Peter Pan Goes Wrong. But for me the one version that resonates the most, to this day, is the Disney 1953 animated feature classic.

Peter Debruge Chief Film Critic With “Peter Pan and Wendy,” Disney sets out to bring the boy who refused to grow up into the 21st century — not literally, like those taxing live-action/cartoon hybrids, where computer-generated Smurfs get loose in Manhattan or Tom and Jerry wreak havoc in a high-end hotel. The studio’s latest remake is still set in Edwardian England, the way both J.M. Barrie’s play and the animated feature it inspired were. But the sensibility is very much of the moment, as director David Lowery (who did an admirable job of updating “Pete’s Dragon” for Disney) refreshes the 1953 classic according to contemporary priorities. In conception and casting both, the new movie presents a diverse and empowered ensemble. The vintage toon’s shameful Native American stereotypes have been corrected. The beloved Tinker Bell character can now serve as a role model for a wider range of children. Sharing hero duties, Wendy gets to announce, “This magic belongs to no boy!” Even Captain Hook, once treated as irredeemable crocodile fodder, is revealed to be a misunderstood figure from Peter’s past who’s fallen out of touch with his happy thoughts.

As the 76th edition of the Cannes Film Festival looms, a cavalcade of previews for films in competition for the coveted Palme d’Or arrives. Here’s one from the first wave of titles: Karim Aïnouz‘s “Firebrand,” which stars Alicia Vikander as Katherine Parr, the sixth and last wife of England’s King Henry VIII.

EXCLUSIVE: Here’s a first look at Alicia Vikander’s turn as Katherine Parr in the Cannes-bound Firebrand.

For Jude Law, getting to play Captain Hook has been a long time coming — and has a special significance for the Oscar-nominated star.

Jude Law, getting to play Captain Hook has been a long time coming — and has a special significance for the Oscar-nominated star.Law walked the carpet at the premiere of his new film, at the South Street Seaport Museum in New York City on Tuesday, and he spoke with ET about why playing Hook will have a unique meaning for his eldest son, 26-year-old Rafferty Law.«I used to play as Hook opposite my son my eldest son, when he was a little boy,» Law recalled fondly. «So we'd kind of already been there together.

 is bitter-sweet one for the show's star, Yara Shahidi.ET spoke to Shahidi at the premiere of her new film, , where she dished on the show coming to an end this summer with its sixth season, and what it's like having her own Tinker Bell doll.«I mean, we hit 100 episodes. Shows don't get to do that anymore,» Shahidi said.

Yara Shahidi has told ET Canada what went into playing Tinker Bell in the new “Peter Pan & Wendy” movie and how she managed to add to the magic of the film.

Ever Anderson is happy to take tips from her parents.

Yara Shahidi wouldn’t have minded being a resident of Neverland.

Ever Anderson is ready to spread her wings as an actress.

is ready to share the classic J.M. Barrie tale with a whole new generation — and only ET has a behind-the-scenes look!Disney's latest live-action adaptation soars onto Disney+ on April 28, but until then, fans can take a look at the film's epic set in this exclusive tour of Captain Hook's famous ship, the Jolly Roger.And leading the tour? None other than the titular stars of the film: Alexander Molony, who plays Peter, and Ever Anderson, who stars as Wendy Darling.